The Unclaimed get back to San Diego for ‘A Midwinter Masque’!

The Unclaimed standing in front of a tree.Among the San Diego legends slated to play “A Che Underground Midwinter Masque” Feb. 18 and Feb. 19 at The Casbah San Diego, The Unclaimed stand out as honored guests and faithful friends of the SD scene.

A musical force in their own right, the Los Angeles garage-rock pioneers also inspired and mentored successive generations of musicians, including the set of LA-area bands that came to be designated the “Paisley Underground” as well as San Diego bands that shared their ethos and aesthetic.

The Unclaimed put out their first EP in 1980 and played memorable (and occasionally infamous) shows in San Diego, often with L.A. compatriots like The Pandoras, The Salvation Army and The Bangs. What’s more, Unclaimed founder Shelley Ganz credits Mike Stax with re-energizing the band when he invited them to play the 30th anniversary party for Ugly Things magazine on Memorial Day 2013. (The current lineup also includes guitarist Patrick Cleary, bassist John Worley and drummer Shaun Bryant.)

It’s fitting that they return to San Diego Feb. 19 to cap off our musical weekend!

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Birth of the Nephews!

The Nephews group shotA Che Underground exclusive: San Diego legends The Nephews revisit four decades of music ahead of their Feb. 18 appearance at The Casbah San Diego for A Che Underground Midwinter Masque. Book your tickets early and often! 

The Nephews began as a comedy act in middle school around 1980. The original name was Ceilings and Floors, but we changed it to The Nephews (which has the same amount of meaning as “Ceilings and Floors”) around 7th grade.

We were very heavily into music, started playing as a rock band in high school, and were able to start playing club shows fairly quickly. Actually, our very first show outside of inland North County where we grew up was at the Che Cafe in 1984. We supported Manual Scan at Club Zu pretty early on.

Eric Cullen (Nephews keyboardist, 1989): “The first memory I have of The Nephews is of them playing during lunchtime at Poway High School. The
thing that immediately hit me about their music was how sophisticated their sound was, considering this was high school and all. Their harmonic language was dense, their chord progressions rather abstract, the lyrics obtuse. The Nephews’ music seemed advanced and not really belonging to the time, which was 1984 or ‘85. They were mining their own sound, and to this 17-year-old it sounded great. They had an air of ’60s psychedelia but were in touch with current underground bands like R.E.M., Minutemen and Pere Ubu. They also had a slight Zappa/Beefheart side about them, as well.”

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Mark your calendars for ‘A Che Underground Midwinter Masque’!

Che Underground Midnight Masque 2022 detail

Mark ye well: A neat two years since “A Che Underground Leap Night Showcase,” the tribes will gather again in February 2022 for an effervescent weekend of mirth and music.

“A Che Underground Midwinter Masque,” Feb. 18 and Feb. 19 at The Casbah San Diego, will feature legends of the San Diego scene and beyond.

Fancy dress is highly encouraged but not required. (Stay tuned for costume contest details.)

And check out this boffo lineup (with more names to come)!

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The Mirrors play UCSD Rec Gym

The Mirrors at UCSD Rec GymJeffrey Luck Lucas — veteran of the Answers and the Morlocks and current solo artist — offers up these photos from the band he calls his favorite from his days in San Diego.

The Mirrors were formed by Jeff and Dave Fleminger in late 1983 and played their last show in May 1984. Artifacts are rare, but these images shot by John Nee capture the band playing the UCSD Rec Gym April 14, 1984 with The Unclaimed, the Odds and Noise 292.

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The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

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Opening Kings Road Cafe

Detail: Kings Road Cafe opening party flyer (collection Jason Seibert)Jason Seibert’s generous donation of early-’80s San Diego flyers offers a prime opportunity to open discussion of the Kings Road Cafe (née the International Blend), a small venue that played an enormous role in fostering and showcasing an eclectic mix of bands.

Detail: International Blend flyer, Dec. 22, 1981 (collection Jason Seibert)The Seibert Collection represents a slice of life at Kings Road in the summer of 1982, starting in June when the club morphed from the I-Blend under the management of Peter “English” Verbrugge. Other artifacts, including a July 1982 calendar (with membership card offer!), highlight the variety of performers that visited 4034 30th St. that summer, both San Diego regulars and up-and-coming out-of-towners.

Detail: Kings Road Cafe flyer, June 25, 1982 (art by Bobby Lane, collection Jason Seibert)Detail: Kings Road Cafe July 1982 calendar (collection Jason Seibert)Detail: Kings Road Cafe flyer, July 3, 1982 (art by Clayton Colgin, collection Jason Seibert)Detail: Kings Road Cafe flyer, July 9, 1982 (art by Clayton Colgin, collection Jason Seibert)Detail: Kings Road Cafe flyer, July 31, 1982 (art by Bobby Lane, collection Jason Seibert)

 

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