Personal History | The Che Underground

The Unclaimed get back to San Diego for ‘A Midwinter Masque’!

January 28, 2022January 26, 2022 by Mmrothenberg

Among the San Diego legends slated to play “A Che Underground Midwinter Masque” Feb. 18 and Feb. 19 at The Casbah San Diego, The Unclaimed stand out as honored guests and faithful friends of the SD scene.

A musical force in their own right, the Los Angeles garage-rock pioneers also inspired and mentored successive generations of musicians, including the set of LA-area bands that came to be designated the “Paisley Underground” as well as San Diego bands that shared their ethos and aesthetic.

The Unclaimed put out their first EP in 1980 and played memorable (and occasionally infamous) shows in San Diego, often with L.A. compatriots like The Pandoras, The Salvation Army and The Bangs. What’s more, Unclaimed founder Shelley Ganz credits Mike Stax with re-energizing the band when he invited them to play the 30th anniversary party for Ugly Things magazine on Memorial Day 2013. (The current lineup also includes guitarist Patrick Cleary, bassist John Worley and drummer Shaun Bryant.)

It’s fitting that they return to San Diego Feb. 19 to cap off our musical weekend!

Discover the Secret Squares!

January 7, 2022 by Mmrothenberg

(Ray Brandes provides a brief history of a new band with a long San Diego history.)

The Secret Squares: pleased to make your acquaintance!

The Secret Squares is a musical project that has its origins in Gary’s Kids, a band assembled to back Gary Heffern on a solo performance at the Casbah in January 2019, and The Wrecktangle, which performed once at the Che Underground’s Leap Year show at the Riviera Supper Club, mere days before the world went into quarantine in March 2020.

Mike Stax talks Loons in lockdown

January 1, 2022 by Mmrothenberg

As The Loons prepare for their Feb. 19 appearance at The Casbah San Diego for A Che Underground Midwinter Masque, lead singer Mike Stax reflects on how he and the rest of the band — Chris Cancelliere, Chris Marsteller, Marc Schroeder and Anja Stax — have kept their collaboration fresh despite pandemic pressures.

Navigating the lockdown as a band was strange.

I know some other bands were anxious to stay “relevant” and felt the need to release new music or new videos to remind people of their existence. We never felt compelled to do that.

We figured that everybody was preoccupied with a potentially life-threatening global pandemic — that raised uncertainty about their income, their health, their families, their futures — and the last thing on their minds would be whether or not the Loons had any new music to share. So we went about our lives, and took care of our families and didn’t fret about staying “relevant.”

Friday was always the Loons’ practice night, so during the lockdown Fridays nights were Loons Zoom meetings. We’d spend two, three, four hours hanging out on camera, having some laughs, catching up on the previous week’s news and of course talking about music. So even though we weren’t playing music, we still felt bonded as a band.

Birth of the Nephews!

December 25, 2021December 25, 2021 by Mmrothenberg

A Che Underground exclusive: San Diego legends The Nephews revisit four decades of music ahead of their Feb. 18 appearance at The Casbah San Diego for A Che Underground Midwinter Masque. Book your tickets early and often!

The Nephews began as a comedy act in middle school around 1980. The original name was Ceilings and Floors, but we changed it to The Nephews (which has the same amount of meaning as “Ceilings and Floors”) around 7th grade.

We were very heavily into music, started playing as a rock band in high school, and were able to start playing club shows fairly quickly. Actually, our very first show outside of inland North County where we grew up was at the Che Cafe in 1984. We supported Manual Scan at Club Zu pretty early on.

Eric Cullen (Nephews keyboardist, 1989): “The first memory I have of The Nephews is of them playing during lunchtime at Poway High School. The
thing that immediately hit me about their music was how sophisticated their sound was, considering this was high school and all. Their harmonic language was dense, their chord progressions rather abstract, the lyrics obtuse. The Nephews’ music seemed advanced and not really belonging to the time, which was 1984 or ‘85. They were mining their own sound, and to this 17-year-old it sounded great. They had an air of ’60s psychedelia but were in touch with current underground bands like R.E.M., Minutemen and Pere Ubu. They also had a slight Zappa/Beefheart side about them, as well.”

Skeleton Club vs. SDPD: The trial of Laura Fraser

July 24, 2021July 24, 2021 by Mmrothenberg

A fabulous gift arrived just arrived for Che Underground: The Blog, and ultimately the San Diego Punk Archive!

Skeleton Club founder Laura Devlin (née Fraser) sent along a trove of photos, flyers, ‘zines and other ephemera of the San Diego punk scene in the late ’70s.

“I painted that sign myself, with some leftover house paint.” (Photo D. Reutter)

Her contribution comprises many posts’ worth of seminal rock-‘n’-roll history. Today, we’ll start with Laura’s own account of the rise and fall of the Skeleton Club (which operated from 1978 to 1980 at 202 Market St., then 921 Fourth Ave.). Her tale illustrates the resistance, corruption and downright brutality San Diego music pioneers faced from the authorities at the turn of the ’80s.

Were you there for the Skeleton Club’s last night — or at the subsequent trial? Tell us about it in the comments below!

Laura Devlin writes: A little bit of my personal history: In 1977, I was a nursing student at San Diego State, living with my boyfriend Greg Willis, bass player for the beloved Glory band. Greg was a wonderful man and helped me with the Skeleton Club, along with many other people.

Leighton Koizumi talks ‘Power Hits’

July 15, 2021 by Mmrothenberg

While his musical roots lie deep in the sandy soil of San Diego, Leighton Koizumi has spent recent decades thousands of miles up and to the right, rocking venues from Spain to Sweden (with side trips to China and other ports of call).

Now, the legendary frontman for The Morlocks and The Gravedigger V has crafted a double album in collaboration with Italy’s Tito and the Brainsuckers — and you don’t want to miss these 24 tracks of pure chewing satisfaction.

Due out August 13, Power Hits comprises covers from the Stooges, Love, Moving Sidewalks, Kinks, Eyes, Banshees and even Gordon Lightfoot.

Leighton kindly provided Che Undeground: The Blog insights into his history with lead Brainsucker Tito Macozzi and their creation of Power Hits.

Tuning in to the Trebels

February 8, 2021February 7, 2021 by Mmrothenberg

Trebels bassist Oscar Barajas provides a backgrounder, sounds and images for a band that took California by storm in the mid-’80s.

The first bass I bought was at Freedom Guitar in downtown San Diego, a Fender Precision copy. I couldn’t play a lick. Yet with time and a bit of practice, I became somewhat competent. What helped was some guitar chords and ditties I learned from my older brother Fernando.

Guitarist Xavier Anaya also picked up on the guitar and learned from his Tio Chato, an original Treble. The original Trebles were a popular outfit in Tijuana back in the ’60s and ’70s.

John Chilson was an instant pro at the drums the minute he picked up those sticks, a natural. Jay Wiseman fell in perfectly as singer and frontman.

The Trebels were born, a future of cops breaking up house parties because of our Maximum RnB; a wedding reception where we were bullied by the bride’s father (understandably so, looking back on it); a triumphant show at the White House in Imperial Beach; and thanks to our great friend Dan Holsenback, our most highly compensated gig — the graduation party for UC Davis Law School.

Then and now: Tim Mays, SD impresario magnífico

October 13, 2020 by Mmrothenberg

Those of us who came up in the San Diego scene at the turn of the ’80s were privileged to witness Tim Mays’ emergence as a promoter and club owner. Over the ensuing decades, it’s hard to think of anyone who’s done more to keep San Diego on the musical map.

To reboot our Then and Now feature, Tim has provided Che Underground: The Blog with an exclusive history of his career — and his insights about the future of live music in San Diego as we all contend with the challenges of the current COVID-19 pandemic.

From there to here

I put on my first show in Barstow, the town I grew up in, in 1979. It featured a hard rock band from Orange County and a friend’s band from Barstow — smashing success.

After that, a friend and I decided to put on a show in East Hollywood at Baces Hall, which, unbeknownst to us, had been the site of a show a couple years earlier that ended in a riot. This show was Weirdos, the Plugz, Suburban Lawns, and San Diego’s Penetrators.

We turned away people at the door, and the next thing I know, I’m getting a call from Laura Fraser asking if I would be interested in becoming her partner in the Skeleton Club. This was early 1980. I gave her a check for $1,000 and became her partner. This was the second incarnation of the Skeleton Club and was located at the corner of Market Street and 2nd Ave, two blocks from the police station at the time. We got hassled constantly by SDPD and had to close down in May 1980 over permit issues.

Che Underground on the campaign trail!

October 11, 2020October 8, 2020 by Mmrothenberg

(Editor’s note: This update clarifies Cricket’s work in the union and adds a second variant of his ad, featuring a classic photo of teenage Bobo.)

It’s exciting to spot an old friend on a new platform.

Case in point: Che Underground scenester Bobo (now living in Florida and traveling under the moniker Cricket), who makes a compelling case for voting his working-class interests in the 2020 election.

Plugger: ‘WASAAS’

October 3, 2020October 3, 2020 by Mmrothenberg

Plugger/Bums from Deep Space present their first joint under the Che Underground label. What happens after the fairy tale ends?

It’s been a long time, you know? I mean, a long time. Since she rode off with that guy while they stood waving their caps until she disappeared over the horizon line, a lot has happened (or should have happened?) — but nothing has really changed.

How long was she with them, anyway? (Outside of her crystal casket, I mean.) A week? It’s crazy how much difference that little bit of time made. But in the mines, time doesn’t move the same way. There aren’t the same visual cues. And the time you’re on the surface is that much clearer, but it’s brief, you know? Little pinholes in a black box.