Leighton Koizumi talks ‘Power Hits’

Album cover of "Power Hits" While his musical roots lie deep in the sandy soil of San Diego, Leighton Koizumi has spent recent decades thousands of miles up and to the right, rocking venues from Spain to Sweden (with side trips to China and other ports of call).

Now, the legendary frontman for The Morlocks and The Gravedigger V has crafted a double album in collaboration with Italy’s Tito and the Brainsuckers — and you don’t want to miss these 24 tracks of pure chewing satisfaction.

Due out August 13, Power Hits comprises covers from the Stooges, Love, Moving Sidewalks, Kinks, Eyes, Banshees and even Gordon Lightfoot.

Leighton kindly provided Che Undeground: The Blog insights into his history with lead Brainsucker Tito Macozzi and their creation of Power Hits.

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Gravedigger V from the Bacher Collection

Leighton Koizumi and Chris Gast, Gravedigger V, ca. 1983Befitting their short, colorful career from the summers of 1983 to 1984, souvenirs of the Gravedigger V have been in short supply on Che Underground: The Blog. Now, Tell-Tale Hearts guitarist Eric Bacher steps up with two new additions to the set.

“We just did some ‘fall’ cleaning, and I found a few old pictures,” Eric writes. “The one of Leighton and Chris Gast was given to Denise by Leighton some time in the 80’s, I’m not sure of the provenance of the other.”

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The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

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The Morlocks between the covers

Detail: Morlocks: Proofs from Time magazine shoot (collection Jeff Lucas)More video from the original Morlocks has emerged on YouTube, including covers of songs by the 13th Floor Elevators, Q65 and the Count Five.

Exhibit A is a video by Eric Predoehl of the Morlocks performing the 13th Floor Elevators’ “You Don’t Know.” According to the post, it’s from an event produced by KFJC Radio and I.B.S. at the Works Gallery in San Jose, Calif., on Nov. 22, 1985:

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Surfacing the Gravedigger V

A recent comment by Kristen Tobiason has me puzzling over how best to focus conversation on the Gravedigger V, a youthful San Diego band whose brief existence in 1983-1984 has inspired a quarter-century of notoriety.

There are plenty of online references to the band and its album “All Black and Hairy,” but many pieces are of questionable accuracy. What can we do to set the record straight?

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The Morlocks: “Two Wheels Go”

Detail: Leighton Koizumi, “Two Wheels Go”; the Stone, 1986 (collection Mark Mullen)Here’s another video sequence from the Morlocks’ 1986 performance at the Stone in San Francisco that included the version of “My Friend the Bird” previously aired on Che Underground: The Blog.

“I’m not sure who wrote it,” says drummer Mark Mullen. “All I remember is that it was written for Brother Ed from The Brotherhood of Light. He did our liquid light show, and his biker pals did security.

“‘Two Wheels Go’ was for the bikers, Hells Angels I believe.”

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Madison Avenue hipster holiday, December 1985

(Miss Kristi Maddocks plays the Ghost of Christmas Past with photos and memories.)

Detail: Kristi Maddocks, Christmas morning, Madison Avenue 1985 (collection Kristi Maddocks)Here are some snapshots from my very bo-ho holiday season in 1985.

At the time, I was living with Michelle Krone, Jeff Rierden and Keith Lockhart (RIP) in our tiny one-bedroom in-law apartment in the neighborhood around University and Park Avenues. I think Leighton Koizumi was in town for a visit from San Francisco, where he and the rest of the Morlocks moved six months before.

This arrangement left me sleeping alone on the couch in the living room — where I am captured waking up in a haze on Christmas Day.

Detail: “Jeff and Christmas guests at Madison Avenue. The collage on the wall is mine, the famous Go GO Girl murals were by Scott Ewalt” (collection Kristi Maddocks)One of the most memorable features of the apartment were the full-scale murals of cartoon Go Go Girls that our dear friend Scott Ewalt drew on our walls — they were way ahead of their time and adored by many visitors to out pad. (Needless to say, I never got back my apartment deposit!)

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The Morlocks: “My Friend the Bird”

(Morlocks drummer Mark Mullen comes through with the video goods.)

Detail: Leighton Koizumi, Morlocks, 1986 (collection Mark Mullen)This was a show we did at The Stone on Broadway in San Francisco in 1986 with Jordan Tarlow from the Fuzztones on rhythm guitar. It’s a 23-year-old VHS tape, so no complaining. I believe we did a real wild show somewhere the night before, so this was a little lackluster for The Morlocks.

The Morlocks are really a myth, cult, fantasy and intrigue to a lot of people across the US and around the world. I wish they all could have experienced the many great shows we put on, but that’s not the case. I wish I had excellent video footage of these times for everyone to see. This was a wild, wild time, and not much survived from the era. (I challenge anyone out there to cough up any footage if you have it.)

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The Morlocks: “You Mistreat Me” b/w “The Key”

Detail: Morlocks in Golden Gate Park (collection Jeff Lucas)“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.

“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!

Morlocks’ Leighton Koizumi with Jerry Cornelius (collection Jeff Lucas)‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”

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The Morlocks: “One Way Ticket” live in SF

Detail: Morlocks: Proofs from Time magazine shoot (collection Jeff Lucas)Here’s another piece of the Morlocks’ performance at San Francisco’s Swedish American Hall, captured by KALX radio on Sept. 28, 1985.

This live performance of “One Way Ticket,” which bassist Jeff Lucas has called lead guitarist Tommy Clarke’s “masterpiece,” closed that memorable show.

“I distinctly recall how the song’s signature stuttered rhythm would stick with you: out onto Market St., on the way home, and on for days,” recalls Paul Kaufman. “That was the best Morlocks show I ever saw.”

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