Get your Mystery Machine EP!

Cover of Mystery Machine EP by Darren GrealishDuring its short-but-storied run in 1983, The Mystery Machine brought together some of San Diego’s most talented young musicians — but left little audio evidence in its wake. That historical record has just been corrected: A freshly pressed Mystery Machine EP is available now at the Ugly Things webstore!

The limited-edition run comprises 500 copies: three hundred pressed on black vinyl and priced at $10, and 100 each in green and orange, priced at $12 for either color. The EP features a remastered version of “She’s Not Mine,” an original written by singer/guitarist Carl Rusk that was first released in 1984 as part of Bomp Records’ Battle of the Garages Volume 3 and also appeared on 1994 compilation The Roots of Powerpop!

Side Two features two songs recorded in 2012: “Wood and Smoke,” written by vocalist Ray Brandes, and a cover of The Free-For-All’s “Show Me the Way.” The sleeve was designed by fellow San Diego legend Darren Grealish and includes two full-color postcards and liner notes by Mike Stax.

Come get your copy signed by Ray and Carl at A Che Underground Midwinter Masque Feb. 18, when Carl performs with The Nashville Ramblers and Ray teams up with The Secret Squares!

Read moreGet your Mystery Machine EP!

The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

Read moreThe rise of the Gravedigger Five

Happy birthday, Ray Brandes!

Detail: Town Criers at Joshua Tree, 1989 (collection Ray Brandes)Perhaps the most satisfying aspect of the Che Underground blogging adventure has been the opportunity not only to revive longstanding friendships but to revisit old acquaintances and find new kinship there.

Case in point: Ray Brandes, the vastly talented veteran of the Hedgehogs, the Mystery Machine, the Tell-Tale Hearts, the Town Criers, the Shambles and a variety of superb solo projects, who celebrates another solar orbit today.

Read moreHappy birthday, Ray Brandes!

Spotlight on Mark Zadarnowski

01 Che Mark Z(Bart Mendoza offers an appreciation of this San Diego bass phenom.)

Although I had seen the Crawdaddys numerous times by that point and had probably even been at some of the same parties, I was first introduced to Mark Zadarnowski (a k a Mark Z.) by Carl Rusk. Mark was living behind the Kings Road Café at the time and while I’m sure he was less than thrilled to have his house invaded just prior to a show, it was cool formally to meet a member of one of my favorite bands.

02 Che Mark Z ShamblesOne of the bedrocks of the San Diego music scene, the roll call of bands Mark’s recorded with would rank him as a music legend, even if he had stopped after the first one.

A founding member of the Crawdaddys, he can be heard on the legendary 1979 Crawdaddy Express LP, as well as the 5X4 EP and “There She Goes Again” 45. He’s not on another release for a few years, but when he next pops up, once again, it’s on a winner: the short-lived Mystery Machine’s “She’s Not Mine.” Included on the seminal 1983 compilation, Battle of The Garages Vol. 3, the tune has appeared on several other compilations since.

Read moreSpotlight on Mark Zadarnowski

Another side of Dave Klowden

Dave Klowden in Mystery Machine/5051To celebrate the diversity of the early-’80s San Diego underground (and shamelessly solicit contributions to Che Underground’s Related Bands page), here’s a double-decker salute to David “GI” Klowden, nimble navigator of the San Diego scene and keystone of 5051, the Mystery Machine and the Tell-Tale Hearts.

Side One: “El Salvador” from 5051’s 1981 seven-inch. David Klowden (vocals); Sam Topper (guitar); Squirrel Oberg (guitar); Scott Harber (bass); Joel Roop (drums)

Side Two: “She’s Not Mine,” recorded in 1983 by the Mystery Machine. Ray Brandes (vocals, tambourine); Carl Rusk (six-string Guild Starfire, 12-string Rickenbacker 370-12, vocals); Mark Zadarnowski (bass); Bill Calhoun (Vox Jaguar); David Klowden (blue Japanese Majestic drumset).

What a difference two years make!

The Che Underground