Opening Kings Road Cafe

Detail: Kings Road Cafe opening party flyer (collection Jason Seibert)Jason Seibert’s generous donation of early-’80s San Diego flyers offers a prime opportunity to open discussion of the Kings Road Cafe (née the International Blend), a small venue that played an enormous role in fostering and showcasing an eclectic mix of bands.

Detail: International Blend flyer, Dec. 22, 1981 (collection Jason Seibert)The Seibert Collection represents a slice of life at Kings Road in the summer of 1982, starting in June when the club morphed from the I-Blend under the management of Peter “English” Verbrugge. Other artifacts, including a July 1982 calendar (with membership card offer!), highlight the variety of performers that visited 4034 30th St. that summer, both San Diego regulars and up-and-coming out-of-towners.

Detail: Kings Road Cafe flyer, June 25, 1982 (art by Bobby Lane, collection Jason Seibert)Detail: Kings Road Cafe July 1982 calendar (collection Jason Seibert)Detail: Kings Road Cafe flyer, July 3, 1982 (art by Clayton Colgin, collection Jason Seibert)Detail: Kings Road Cafe flyer, July 9, 1982 (art by Clayton Colgin, collection Jason Seibert)Detail: Kings Road Cafe flyer, July 31, 1982 (art by Bobby Lane, collection Jason Seibert)

 

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Then and now: Topsy’s

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Topsy’s becomes a bear sanctuary! Photos by Kristen Tobiason; text by Kristen Tobiason and Matthew Rothenberg.)

Detail: Brian’s American Eatery sign, August 2008 (photo by Kristen Tobiason)In the pantheon of 24-hour, Formica-countered restaurants of early-’80s San Diego, Topsy’s was the Rolling Stones to El Cajon Blvd. Denny’s’ Beatles: less-polished and slightly tougher than its competitor to the east.

Detail: Topsy’s sign, September 1999But like “Gay Denny’s,” Topsy’s’ after-clubbing hours and proximity to San Diego’s Hillcrest neighborhood also put a queer spin on the mix of patrons.

Reborn as Brian’s American Eatery, the restaurant at 1451 Washington Ave. expands on Topsy’s’ tradition of diner fare and a mix of gay and straight clientele, with special affinities for the “bear” subculture of the former.

Detail: Brian’s American Eatery bear ball, August 2008 (photo by Kristen Tobiason)Detail: Brian’s American Eatery bear candy dish, August 2008 (photo by Kristen Tobiason)Detail: Brian’s American Eatery breakfast bar, August 2008 (photo by Kristen Tobiason)Detail: Brian’s American Eatery exterior, August 2008 (photo by Kristen Tobiason)Detail: Brian’s American Eatery interior, August 2008 (photo by Kristen Tobiason)Detail: Brian’s American Eatery staff, August 2008 (photo by Kristen Tobiason)

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The birth of Everybody Violet

(Everybody Violet co-founder Kristi Maddocks reminisces about making the band. Read these excerpts, then check out the full account in our Related Bands section!)
Detail: Everybody Violet: Anni, Kristi, Carina and Michelle (collection Kristi Maddocks)I hung out in the San Diego underground late ’81 to early ‘82, but I wasn’t an out-‘n’-out player until 1983. After years of watching shows I began to assert myself as a writer, a poet — and a wannabe singer/songwriter.

It was like kismet: As soon as my old roommate moved out, Michelle [Krone] moved into the Madison Avenue place. Tired of being known as just “The Morlocks’ Girls,” Michelle and I looked at each other and said, “Let’s start our own band!” I would sing lead, and Michelle would sing back-up and learn the bass guitar.

Word got around the scene we were looking to become a legitimate group. A couple of days later, Michelle and I were introduced to Anni and Carina, and the great musical partnership of Everbody Violet was born.

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San Francisco exodus

Detail: Morlocks/Miracle Workers/Dwarves/Napalm Beach flyer: Sept. 25, 1987Here’s a conversation-starter, or -killer: Most music historians would agree that the Che Underground era came to an end when a substantial percentage of its key participants decamped to San Francisco. Beginning in 1985 with the departures of Jerry Cornelius, Dave Fleminger and the Morlocks, a steady stream of San Diego expats made its way up to the Bay area through the 1990s.

I joined the throng in August 1987, met my wife and had two kids there, and stayed almost 14 years in San Francisco. It’s still my favorite American city; I had two great bands there, of which the majority of the members were beloved old friends from Slow Death; and I never once regretted the move.

And yet … the sense of a music scene just never happened for me in SF the way it did in SD.

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The Che Underground