Carl Rusk | The Che Underground

Get your Mystery Machine EP!

December 11, 2021 by Mmrothenberg

During its short-but-storied run in 1983, The Mystery Machine brought together some of San Diego’s most talented young musicians — but left little audio evidence in its wake. That historical record has just been corrected: A freshly pressed Mystery Machine EP is available now at the Ugly Things webstore!

The limited-edition run comprises 500 copies: three hundred pressed on black vinyl and priced at $10, and 100 each in green and orange, priced at $12 for either color. The EP features a remastered version of “She’s Not Mine,” an original written by singer/guitarist Carl Rusk that was first released in 1984 as part of Bomp Records’ Battle of the Garages Volume 3 and also appeared on 1994 compilation The Roots of Powerpop!

Side Two features two songs recorded in 2012: “Wood and Smoke,” written by vocalist Ray Brandes, and a cover of The Free-For-All’s “Show Me the Way.” The sleeve was designed by fellow San Diego legend Darren Grealish and includes two full-color postcards and liner notes by Mike Stax.

Come get your copy signed by Ray and Carl at A Che Underground Midwinter Masque Feb. 18, when Carl performs with The Nashville Ramblers and Ray teams up with The Secret Squares!

Mark your calendars for ‘A Che Underground Midwinter Masque’!

February 15, 2022November 12, 2021 by Mmrothenberg

Mark ye well: A neat two years since “A Che Underground Leap Night Showcase,” the tribes will gather again in February 2022 for an effervescent weekend of mirth and music.

“A Che Underground Midwinter Masque,” Feb. 18 and Feb. 19 at The Casbah San Diego, will feature legends of the San Diego scene and beyond.

Fancy dress is highly encouraged but not required. (Stay tuned for costume contest details.)

And check out this boffo lineup (with more names to come)!

The Crawdaddys, Nashville Ramblers
in Spain: A view from Toledo

January 23, 2018August 6, 2011 by Mmrothenberg

In mid-June, the reunited Crawdaddys and Nashville Ramblers were the latest of our San Diego crowd to enjoy the hospitality of Spain. Both bands played the Go Sinner Go! festival in Toledo June 10 and 11, and the Crawdaddys followed up the next day with a surprise appearance at the renowned El Sol club in Madrid.

I’m grateful to Silvia Zadarnowski (spouse of Crawdaddys bassist Mark) for these photos of all three events and to musician and show organizer Eduardo Arriero Hernandez for answering my questions about the show and Spanish fondness for this San Diego scene.

Buy your tickets now for the Crawdaddys and the Unknowns at San Diego’s Casbah, Sept. 2-3!

What is your own involvement with the Spanish music scene? You have a band, and you’re an organizer of the Go Sinner Go! Festival. Can you tell me briefly about those and how long you’ve been part of the music scene over there?

I’ve played in bands since I was 17, and I’m 32… so half of my life!! I’ve played guitar and sung with Hollywood Sinners for 11 years and keyboard with Fumestones for one year. I started organizing concerts in Toledo, my home town, of national bands I liked, and I continued it in Madrid. I can try get my favorite bands from all around the world, spend some days with them and have fun!!

Nashville Ramblers at Til-Two

December 11, 2017January 26, 2011 by Mmrothenberg

Veteran San Diego musician and photographer Dave Doyle was on the scene Jan. 21 when the legendary Nashville Ramblers visited the Til-Two Club on El Cajon Blvd. to celebrate the pending release of their classic “The Trains.” Here’s his report:

“The Nashville Ramblers hit the stage Friday night, last exuding their honest, youthful charm as if I were standing in Bodie’s or Winston’s back in ’86.

“Despite the fact they are all older and live in different parts of the country, they are all consummate musicians and still perform regularly; their consistency should come as no surprise to the observant listener.

Best San Diego record?

September 4, 2011January 8, 2011 by Mmrothenberg

(Ray Brandes puts out a call for swinging singles.)

Later this month, Mike Stax’s Ugly Things Records will release a celebrated local recording, the Nashville Ramblers’ “The Trains.” If one were to rank the best recordings ever to be made by San Diegans, this one would no doubt place in the Top 10.

On any list it would face some tough competition, though, from Rosie and the Originals’ 1961 classic, “Angel Baby,” to my personal favorite, the Crawdaddys’ “5 X 4” EP, released in 1980.

What is your favorite San Diego recording and what is your personal connection to it? (Feel free to consider artists from San Diego who moved or recorded elsewhere.)

— Ray Brandes

Read moreBest San Diego record?

Nashville Ramblers release party

July 3, 2011December 27, 2010 by Mmrothenberg

(Ray Brandes alerts us to the long-overdue release of “The Trains,” with attendant parties in San Diego and LA.)

It is true that good things come to those who wait. The Nashville Ramblers’ song “The Trains,” which Steven Van Zandt once called “one of the most unspeakably gorgeous instances of romantic yearning disguised as a pop song,” will finally, after 25 years, get its own release.

Mike Stax’s Ugly Things Records will release “The Trains” at a special record release party on Friday, Jan. 21, at the Til-Two Club at 4746 El Cajon Blvd. in San Diego.

Spotlight on Mark Zadarnowski

January 6, 2011June 1, 2010 by Mmrothenberg

(Bart Mendoza offers an appreciation of this San Diego bass phenom.)

Although I had seen the Crawdaddys numerous times by that point and had probably even been at some of the same parties, I was first introduced to Mark Zadarnowski (a k a Mark Z.) by Carl Rusk. Mark was living behind the Kings Road Café at the time and while I’m sure he was less than thrilled to have his house invaded just prior to a show, it was cool formally to meet a member of one of my favorite bands.

One of the bedrocks of the San Diego music scene, the roll call of bands Mark’s recorded with would rank him as a music legend, even if he had stopped after the first one.

A founding member of the Crawdaddys, he can be heard on the legendary 1979 Crawdaddy Express LP, as well as the 5X4 EP and “There She Goes Again” 45. He’s not on another release for a few years, but when he next pops up, once again, it’s on a winner: the short-lived Mystery Machine’s “She’s Not Mine.” Included on the seminal 1983 compilation, Battle of The Garages Vol. 3, the tune has appeared on several other compilations since.

Ron Silva & the Monarchs, reunited

December 31, 2010September 19, 2009 by Mmrothenberg

(Dean Curtis hails the return of a favorite Bay area band with deep San Diego roots.)

When I moved to the Bay area in ’92, I was pretty out of touch with the local music scene. One night, I was browsing through the Bay Guardian’s music listings, and I saw “Ron Silva & The Monarchs” listed.

“Naw, it can’t be the same Ron Silva from The Crawdaddys!” I thought. I went and checked it out anyway. Sure enough, it was the same Ron, fronting a new band of hip R&B cats from San Francisco, put together in ’93 by ex-Loved One Nick Rossi. Ron’s voice sounded better than ever, and the band was top notch!

Lend Me Your Comb: A short history of the Hedgehogs

January 1, 2011July 22, 2009 by Mmrothenberg

(Tell-Tale Heart/Town Crier Ray Brandes applies his narrative skills to documenting an influential early band from his own back pages. Read the full version in Che Underground’s Related Bands section.)

At the beginning of the summer of 1981, the Ideals (comprising 18-year-old Ray Brandes on lead vocals, 17-year-old Tony Paulerio on lead guitar, 20-year-old Maure Silverman on rhythm guitar, 17-year-old Paul Carsola on drums, and led by 14-year-old prodigy Carl Rusk on bass) were gearing up for a summer of Point Loma keg parties at $50 a performance.

The band, whose short career had reached a pinnacle opening for the Penetrators at Mission Bay High School’s prom, played mostly rockabilly and early rock and roll, with Eddie Cochran’s songs making up about 50 percent of our set list!

At the end of May, with Paul away on a summer vacation, Carl called up the Crawdaddys’ Ron Silva to sit in on drums. Ron knew Carl from years of Skeleton Club shows and had recently seen the Ideals play at the Zebra Club, so he was more than happy to oblige. The gig was to be a massive block party in Crown Point, but it never materialized because the set by the opening band, Stonehenge, resulted in several noise complaints.