Reviving San Diego's Rock Renaissance
(Ray Brandes provides a brief history of a new band with a long San Diego history.)
The Secret Squares: pleased to make your acquaintance!
The Secret Squares is a musical project that has its origins in Gary’s Kids, a band assembled to back Gary Heffern on a solo performance at the Casbah in January 2019, and The Wrecktangle, which performed once at the Che Underground’s Leap Year show at the Riviera Supper Club, mere days before the world went into quarantine in March 2020.
During its short-but-storied run in 1983, The Mystery Machine brought together some of San Diego’s most talented young musicians — but left little audio evidence in its wake. That historical record has just been corrected: A freshly pressed Mystery Machine EP is available now at the Ugly Things webstore!
The limited-edition run comprises 500 copies: three hundred pressed on black vinyl and priced at $10, and 100 each in green and orange, priced at $12 for either color. The EP features a remastered version of “She’s Not Mine,” an original written by singer/guitarist Carl Rusk that was first released in 1984 as part of Bomp Records’ Battle of the Garages Volume 3 and also appeared on 1994 compilation The Roots of Powerpop!
Side Two features two songs recorded in 2012: “Wood and Smoke,” written by vocalist Ray Brandes, and a cover of The Free-For-All’s “Show Me the Way.” The sleeve was designed by fellow San Diego legend Darren Grealish and includes two full-color postcards and liner notes by Mike Stax.
Come get your copy signed by Ray and Carl at A Che Underground Midwinter Masque Feb. 18, when Carl performs with The Nashville Ramblers and Ray teams up with The Secret Squares!
Mark ye well: A neat two years since “A Che Underground Leap Night Showcase,” the tribes will gather again in February 2022 for an effervescent weekend of mirth and music.
“A Che Underground Midwinter Masque,” Feb. 18 and Feb. 19 at The Casbah San Diego, will feature legends of the San Diego scene and beyond.
Fancy dress is highly encouraged but not required. (Stay tuned for costume contest details.)
And check out this boffo lineup (with more names to come)!
Read moreMark your calendars for ‘A Che Underground Midwinter Masque’!
After a stint in rehab, Che Underground: The Blog emerges restored and refreshed, thanks to a year-long intervention by our own Jeremiah Cornelius!
Jerry has:
We’re going to be fixing links and outstanding formatting glitches in the coming weeks — so if you see something, say something (in the comments below)!
Most rock-‘n’-roll historians know San Diego’s Che Underground scene as a mad scientist’s lab for musical experiments at the top of the ’80s.
Named for notable shows they staged at UC San Diego’s Che Café — but active across the region — the bands of the Che Underground brought together artists steeped in punk, psychedelia, garage and more. Throwing their influences into a high-speed blender, bands like The Answers, Hair Theatre, Noise 292, The Rockin’ Dogs, The Tell-Tale Hearts and the original SD Wallflowers provided a soundtrack for Southern California youth culture.
Four decades later, those musicians and artists continue to kick out the collective jams — and on Feb. 29, some of the best minds of that generation will stage a family reunion at the Riviera Supper Club & Turquoise Lounge for “A Che Underground Leap Night Showcase.” The night’s lineup of Che Underground supergroups will feature two stars of the scene who haven’t performed in San Diego for more than three decades: Jeremiah Cornelius and Tom Clarke.
I’m overdue commemorating an important milestone for the San Diego scene: the release of Ray Brandes’ Getting Nowhere Fast, the long-awaited first volume of band biographies by this talented musician, historian and author.
Featuring an introduction by lead Penetrator Gary Heffern, the book includes unrivaled accounts of Glory, the Zeros, the Penetrators, the Crawdaddys, the Dinettes, the Unknowns, the All-Bitchin’ All-Stud All-Stars (the birthplace of Country Dick Montana), Manual Scan, the Nashville Ramblers, the Gravedigger V and Ray’s own Tell-Tale Hearts.
Five years ago today, I posted the first entry to Che Underground: The Blog. I’d been talking to some old friends about a place where we could share sounds and images from our musical youth in San Diego, and this turned out to be the handiest solution.
Soon Rockin’ Dog Dave Ellison created our striking design, and contributors including Ray Brandes, Kristen Tobiason, Paul Kaufman, David Fleminger and so many others enriched the site beyond anything I could have hoped.
And my, how we grew! Hundreds of stories … Tens of thousands of comments and visitors. This little corner of the Web let so many revisit so much and introduced a whole new audience to the things we created back at the dawn of the ’80s.
The earth has made five solar revolutions since then, and most of us are still here on it. Looking back, I think we’ve moved in good directions, and I’m proud of any part this place played in bringing us back together.
I’ve been hearing that question a lot in the past few weeks as contributors to Che Underground: The Blog notice stories that have gone missing from our four-year document of San Diego’s underground music scene.
To put the pieces back in place, I’ll need your help.
First, a brief explanation of what happened: We suffered some security breaches to the old version of the blog. Our Web-hosting service noticed unusual activity and blocked the site. I did a quick fix to the database. We updated the blog software, and the blog was switched back on.
(Just in time for Che Underground: The Blog’s fourth birthday, Gary Heffern shares an international collaboration featuring some of San Diego’s finest!)
Here is a new song by Gary Heffern & Beautiful People with lyrics written by myself, music by Rustman, and arrangement by Beautiful People: Selinda Shirley, Oulujoe, Mad Mulligan and Rustman.
It also features Ray Brandes, Joe Piper and Dave Fleminger on backup vocals and Ray doing some great harmonica as well. I thought if you would want to feature it on Che, you can do so and have first grabs at featuring the song.
Read moreGary Heffern & Beautiful People:
‘Baby You Just Don’t Get It’
(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)
I was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.
They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.
During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.