The Tell-Tale Hearts: Go east, young men!

(Ray Brandes’ account of their Midwest tour, undertaken in January of 1985, originally appeared on the liner notes to the Tell-Tale Hearts’ “Live Volume II: Later That Same Night in Springfield” album, released with Volume I in 1997 on Corduroy Records, Australia.)

Tell-Tale Hearts Ray Brandes, Eric Bacher, David Klowden, Mike Stax, Bill Calhoun (collection Ray Brandes)“Mad” Jon McKinney, tour promoter extraordinaire and proprietor of the Primitive A–Go-Go, Springfield, Missouri’s, first- and last-ever sixties garage-punk nightclub, had a dream: to turn Downtown Springfield into Swinging London. He called, and we answered.

Though I had long ago learned the secret of keeping my expectations low in order to always be pleasantly surprised, I must admit that my first real journey beyond the confines of California (which began ominously with the rear-view mirror vision of my sleeping bag flying away from the luggage rack somewhere near Gila Bend, Arizona), tested the limits of the depths to which those expectations could sink. In January of 1985, in the midst of one of the worst winter storms on record, a rented Dodge Caravan containing little more than two guitars, a Vox Continental organ, several harmonicas, a few broken maracas, a tambourine and five young travelers made its way east towards its destination: the mythical Midwestern city of Springfield, Missouri.

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The rise and fall of the Town Criers

(Excerpts from the story of the pioneering late-’80s alt-country band by founder Ray Brandes. Read the full version in our Related Bands section!)

Detail: Town Criers at Joshua Tree National Park (collection Ray Brandes)The Town Criers was a country-rock band that featured many of San Diego’s Che Underground musicians, including myself and Dave Klowden of the Tell-Tale Hearts, Peter Miesner and Mark Zadarnowski of the Crawdaddys, Tom Ward of the Gravedigger V, and Dave Ellison of the Rockin’ Dogs. The group predated the alt-country movement of the 1990s by several years.

The last few months of the Tell-Tale Hearts’ existence were contentious times. Eric Bacher had quit the band in 1986, and many of the original San Diego scenesters had either left town or simply moved on. By the time guitarist Peter Miesner of the Crawdaddys arrived to save the day, the rest of the band members had begun to feel the effects of nearly four years together, and relationships were further strained by meddling outsiders and substance abuse.

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More shots of the Hearts

Detail: Mike Stax of the Tell-Tale Hearts (photo by Cyndie Jaynes)Cyndie Jaynes’ TV eye catches the Tell-Tale Hearts looking smart in a variety of venues, including more outdoor performance footage from the Che Cafe.

Could the black-and-white shots on the patio of the Che date from Dave Fest 3? (I’ve uploaded those photos at maximum resolution; the cast of characters populating the background itself represents a San Diego greatest-hits compilation!)
Detail: Ray Brandes of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Mike Stax of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Eric Bacher of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Ray Brandes of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: David Klowden of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Mike Stax of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Bill Calhoun of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Eric Bacher/Mike Stax of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Eric Bacher of the Tell-Tale Hearts/Lou Damien (photo by Cyndie Jaynes)Detail: Bill Calhoun of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Ray Brandes/Mike Stax of the Tell-Tale Hearts (photo by Cyndie Jaynes)Detail: Tell-Tale Hearts group shot (photo by Cyndie Jaynes)

Ray Brandes: “Welcome to the World”

Ray Brandes CD coverRay Brandes hardly needs a where-are-we-now introduction, considering the critical and popular acclaim his music has garnered over the years. But in the spirit of bringing our creative efforts into the 21st century, Ray has generously agreed to let me post a catchy and touching track from 2007’s smashing greatest-hits album, “A Matter of Time.”
“‘Welcome to the World’ was written after the birth of our son, and recorded a year or so later, in 2005,” Ray writes. “I wanted to write a song like “Kooks” from “Hunky Dory” that he could listen to when he got older. I stole some of the lyrics from William Blake’s ‘Auguries of Innocence’ and ‘Infant Sorrow.’ “

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The Che Underground