Jerry Cornelius & The Cooler Heads: ‘Electric Flowers’

Todd Barker playing saxophoneWhen do you celebrate the first anniversary of an event that happened on a Feb. 29? Che Underground: The Blog is jumping the gun with its birthday salute to “A Che Underground Leap Night Showcase,” which transpired Feb. 29, 2020, and featured performances by The Wrecktangle; Jerry Cornelius & The Cooler Heads; and P-Touch All Stars.

On offer today: JC & TCHs’ cover of The Answers classic “Electric Flowers,” along with some liner notes by Mr. Cornelius himself!

“Memories, they have no place/They take up precious time and space.”

When I first saw David Fleminger and The Answers in their form with Tony Suarez and Dave Anderson at the Adams Avenue Theater, I was struck by the force and musicality of what they were playing.
Over the 37 years since then, several of these songs — especially “Color Notes” and “Electric Flowers” — have never been far from my mind.

Read moreJerry Cornelius & The Cooler Heads: ‘Electric Flowers’

Gravedigger V from the Bacher Collection

Leighton Koizumi and Chris Gast, Gravedigger V, ca. 1983Befitting their short, colorful career from the summers of 1983 to 1984, souvenirs of the Gravedigger V have been in short supply on Che Underground: The Blog. Now, Tell-Tale Hearts guitarist Eric Bacher steps up with two new additions to the set.

“We just did some ‘fall’ cleaning, and I found a few old pictures,” Eric writes. “The one of Leighton and Chris Gast was given to Denise by Leighton some time in the 80’s, I’m not sure of the provenance of the other.”

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The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

Read moreThe rise of the Gravedigger Five

Two days in Che: A retrospective

(Paul Kaufman flew in from Massachusetts to taste the fury of the Che Underground Rock-‘n’-Roll Weekend July 30 and 31. Here are Paul’s impressions, accompanied by photos from Sean McMullen and Kymri Wilt.)

David Rinck/Dave Doyle; Lestat's, July 30, 2010 (Kymri Wilt)After an early-morning cross-country flight, I was somewhat worse for wear by the time 9pm rolled around on Friday, July 30, but I didn’t want to miss this!

Lou Damian at mic; Lestat's, July 30, 2010 (Kymri Wilt)It had probably been around 20 years since I had been down Adams Avenue. Normal Heights is heavily transformed from the residential neighborhood I remembered, with many new restaurants and shops. The center of the action is Lestat’s gallery, coffee shop and nightclub. A big marquee announces the Che Underground show! In addition to the musicians themselves, lots of blog stars are there: Kristen Tobiason; Chris Mathis; and of course tonight’s MC, Lou Damian.

Read moreTwo days in Che: A retrospective

The Answers Never Existed

(In preparation for the band’s July 31 reunion at the Che Underground Rock-‘n’-Roll Weekend, founding Answer Dave Fleminger unvaults a historic track and the story behind it.)

answers_1982DetailContrary to what this post’s title implies, the Answers did indeed exist; it was just too tempting to suggest that here was a band that never existed in order to introduce a recording few knew existed of a song entitled “Never Existed.” Enough of that …

During the summer of 1982 the Answers had the pleasure of performing a number of times at the Kings Road Cafe, previously known as the International Blend. Among the audience at some of these shows was Terry Marine, who enjoyed our noise enough to mention us in his mag Be My Friend, referring to us as “tight, nervous new stuff.”

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Surfacing the Gravedigger V

A recent comment by Kristen Tobiason has me puzzling over how best to focus conversation on the Gravedigger V, a youthful San Diego band whose brief existence in 1983-1984 has inspired a quarter-century of notoriety.

There are plenty of online references to the band and its album “All Black and Hairy,” but many pieces are of questionable accuracy. What can we do to set the record straight?

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‘I was a Shambles drummer’

(Bart Mendoza of Manual Scan and the Shambles counts off drummers he’s worked with.)

“I was a Shambles drummer” pin (collection Bart Mendoza)No doubt about it: Kevin Donaker-Ring and I have worked with a lot of drummers over the decades, keeping in mind that we first began our team-up in 1976.

Here are a few of the incredible musicians who have spent time behind a drum kit with Manual Scan or the Shambles over the past 30-plus years. Not pictured: Paul Brewin, Morgan Young, Terry Moore, Rob Wilson, Trace Smith, Brad Kiser. … There’s a future post there.

1) “I was a Shambles drummer” pin. People have sat in with the band for one song to obtain one of these.

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Let the games begin!

(Tell-Tale Heart/Town Crier Ray Brandes lays the table for May’s audio feast.)

The Che Underground Weekend Showcase:
Celebrating more than 25 years of San Diego’s underground music history

Backlit AnswersAn incredible opportunity to reconnect, reminisce and rediscover will unfold as 25 years and thousands of miles of distance disappear in a single weekend — May 29 and 30 at the Casbah in San Diego.

The lineups have been set, the bands are rehearsing, and the drinks are on ice. Here’s what to expect:

Read moreLet the games begin!

The Gravedigger V in flyers

Detail: Gravedigger V flyer, August 7, 1984 (artwork by Dave Anderson, collection Tom Goddard)Another Che Underground archivist joins the ranks, as dancing fool-turned-Spain-based sail stitcher Tom Goddard weighs in with a disc of fabulous flyers and photos from the Tell-Tale Hearts, the Morlocks and more.

Detail: Gravedigger V/Meenies flyer, June 16, 1984 (artwork by Dave Anderson, collection Tom Goddard)Today’s installment marks the first flyers in our collection from the Gravedigger V, the short-lived but hugely influential group who tore it up in 1984, recorded one great album and presaged the Morlocks. (I like the flyer dedicated to Tom’s sister Suzie by GDV drummer Dave “Peter Criss” Anderson, who also created both flyers.)

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The Answers: “Annual”

(Answers guitarist/vocalist Dave Fleminger discusses the genesis of another crucial track made more poignant by the years.)

Detail: The Answers’ Dave Anderson, Jeff Lowe, Dave Fleminger (collection Dave Fleminger)The Answers, “Annual,” recorded at Ewing’s SoundTech studios, one of 13 songs recorded one day in February 1983.

I originally wrote this song in advance of receiving my high-school annual. Even before I got the book I didn’t want to read it … I was already trying to form a picture of how my connections with my friends and classmates would last over time and how I would view that period of my life in retrospect … And now in retrospect, I see this more as a way to disassociate rather than feel and experience the process.

Read moreThe Answers: “Annual”

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