David Anderson | The Che Underground

Tuning in to the Trebels

February 8, 2021February 7, 2021 by Mmrothenberg

Trebels bassist Oscar Barajas provides a backgrounder, sounds and images for a band that took California by storm in the mid-’80s.

The first bass I bought was at Freedom Guitar in downtown San Diego, a Fender Precision copy. I couldn’t play a lick. Yet with time and a bit of practice, I became somewhat competent. What helped was some guitar chords and ditties I learned from my older brother Fernando.

Guitarist Xavier Anaya also picked up on the guitar and learned from his Tio Chato, an original Treble. The original Trebles were a popular outfit in Tijuana back in the ’60s and ’70s.

John Chilson was an instant pro at the drums the minute he picked up those sticks, a natural. Jay Wiseman fell in perfectly as singer and frontman.

The Trebels were born, a future of cops breaking up house parties because of our Maximum RnB; a wedding reception where we were bullied by the bride’s father (understandably so, looking back on it); a triumphant show at the White House in Imperial Beach; and thanks to our great friend Dan Holsenback, our most highly compensated gig — the graduation party for UC Davis Law School.

The Answers at Lestat’s: ‘Color Notes’ b/w ‘History’

January 22, 2018February 24, 2011 by Mmrothenberg

(Answers guitarist David Fleminger tells the story behind two Answers classics from the early ’80s, which the reformed band — including bassist Tony Suarez and drummer Dave Anderson — performed Jan. 29 at Lestat’s.)

“Color Notes”
I’m not exactly sure what originally inspired the idea for “Color Notes.”

the song was written in 1982 and perhaps I had seen something somewhere about synesthesia, perhaps not. Often music creates clear images in my mind, but not the kind of visions seen by the synesthete, somebody who literally sees colors that correlate with specific notes.

Years later I did discover that once I might have been trained to equate notes with colors … a folded sheet that came with a favorite childhood toy, a Fisher-Price Pull-A-Tune, one of those rolling xylophones with differently-colored metal bars. Fisher-Price included some examples of melodies complete with ‘Color-Notes’ that correspond to the colors on the toy. Perhaps there was something in the simple melody of this song that reminded me of playing with the xylophone.

The Answers: “Margaret Flies”/
“Creative Art” at Bar Pink

January 21, 2018December 1, 2010 by Mmrothenberg

More Answers for the 21st century: Videotaped at Bar Pink July 31, 2010, at the Che Underground Rock-‘n’-Roll Weekend, “Margaret Flies” and “Creative Art” represent two eras of this incredibly prolific band.

“Margaret Flies” was a highlight of the band I first encountered in spring 1983; Jerry Cornelius’ lyrics, set to music by Jeff Lucas, still take my breath away after all these years. Meanwhile, guitarist/vocalist Dave Fleminger describes the return of “Creative Art” to the Answers set list:

Bandmates/other friends 1982-1990 (+1)

January 1, 2011June 6, 2009 by Mmrothenberg

(Bart Mendoza of Manual Scan and the Shambles — San Diego music historian extraordinaire — shares some highlights from his stacks.)

Some call it being a pack rat; I prefer the tag “archivist”! The dream is to put together a DVD/book with the rooms full of stuff I’ve accumulated in 30 years of collecting San Diego music memorabilia.

But in the meantime, in honor of the recent Che Underground reunion shows, here are 20 relevant vintage photos from my archive. For this fifth picture post, I’ve included a little bit of everything: random photos from 1982-1990 (+1), including bandmates and other friends.

1) Dean Curtis at Club Zu. You know it’s a good show if Dean is in attendance.

‘I was a Shambles drummer’

January 1, 2011May 22, 2009 by Mmrothenberg

(Bart Mendoza of Manual Scan and the Shambles counts off drummers he’s worked with.)

No doubt about it: Kevin Donaker-Ring and I have worked with a lot of drummers over the decades, keeping in mind that we first began our team-up in 1976.

Here are a few of the incredible musicians who have spent time behind a drum kit with Manual Scan or the Shambles over the past 30-plus years. Not pictured: Paul Brewin, Morgan Young, Terry Moore, Rob Wilson, Trace Smith, Brad Kiser. … There’s a future post there.

1) “I was a Shambles drummer” pin. People have sat in with the band for one song to obtain one of these.

From Scan to the Shambles

January 1, 2011May 16, 2009 by Mmrothenberg

(Bart Mendoza of Manual Scan and the Shambles talks about how he got from there to here.)

Of course the various members of the Shambles knew each other for years before the band’s formation, but I can put down the beginnings of the band to two events.

In the late ’80s, Kevin Donaker-Ring co-produced Manual Scan’s “Days & Maybes” EP with Ray Brandes (side note: humorous liners by Mike Stax), and we were all part of a group of musicians that frequented Megalopolis on Fairmount Ave., often playing round-robin style — David Moye and Jon Kanis amongst the round-robiners who didn’t end up in the band (though we did back up Kanis on a compilation-album track).

The Answers: “Lucifer Sam”

January 21, 2018May 1, 2008 by Mmrothenberg

The Answers’ sizzling cover of the mini-masterpiece “Lucifer Sam” by Syd Barrett’s Pink Floyd was a catalyst for myriad musical adventures.

Tell-Tale Heart Eric Bacher recently recounted how bandmate Dave Klowden’s urging to come watch the Answers play “Lucifer Sam” changed his musical life; it’s a tale eerily similar to my own memory of Noise 292’s David Rives insisting I run to watch a San Diego band that was actually covering Barrett! (I’ve long regretted that the Answers’ absence from the UCSD gig with the Three O’Clock prevented us from instigating a mass “Lucifer Sam-off.”) Gravedigger V and Nashville Ramblers vet Tom Ward also vividly recalls the Answers’ “Lucifer Sam” a quarter-century after the fact. It’s astounding the effects two-and-a-half minutes of music can wreak!

This viral gem was recorded in February 1983 and features Dave Fleminger (guitar, vocals); Jeff Lowe (bass); and Dave Anderson (drums). It’s spiky and wonderful, and it still holds the creative fizz of that moment of musical discovery.

Listen to it now!