Cardiac Kidz with Blood on Fire

(The Cardiac Kidz’s Jim Ryan recounts his band’s recent performance to support Gary Heffern’s return to San Diego, including new collaborators and material.)

After a Penetrators reunion show the Sunday before, Gary Heffern appeared once again at the Casbah for his CD release show to debut “Gary Heffern & Beautiful People” and his San Diego all-star band “Blood on Fire.” Those of us who came prepared were able to take not only the show home but the CD from this consummate artist, now living in Finland.

Sean McMullen’s words and images from the Penetrators reunion!

Here I am over 30 years later, remembering my last performance with Gary when the Penetrators, the Cardiac Kidz and the Standbys played the Spirit night club in 1980.

After getting the call from Gary that he would like the Cardiac Kidz to open the show, I was on the move. The boys digging the opportunity and me looking forward to seeing Gary again, I knew this show had to be special. Gary is a special guy.

Read moreCardiac Kidz with Blood on Fire

Gary Heffern: “Hand of the Devil”

Still from Gary Heffern's "Hand of the Devil" videoIn time for his visit to San Diego’s Casbah April 3 and 6 to reunite with the Penetrators and celebrate the pending release of his “Gary Heffern & Beautiful People” CD, Gary Heffern shares this new video for his song “Hand of the Devil” and describes the process of its creation.

“The video was shot at the school Rovala, which I am attending to learn the Finnish language,” Gary writes. “While there it struck me that I was one of the only English-speaking people there, and how many refugees were in my class … And there were many moments when I felt so insecure about what I was doing and why I was here.

“When I began to learn more about these people it seemed that my circumstances were smaller, and I also saw very plainly that they really have no future here in Finland, simply because of not speaking the language, or the color of their skin.

Read moreGary Heffern: “Hand of the Devil”

This We Dug: The Rolling Stones

(David Rinck recalls the moment that made him a rocker.)

The other day, I picked up the obligatory copy of Keith Richards’ new autobiography “Life.” OK, no surprises — there’s some really interesting stuff in here, but it predictably enough reads sort of like “This I Took.” Maybe he should get a program?

Also, I happened to see the new(ish) Martin Scorsese live film of the Stones. “Shine A Light,” about a month ago, and I really didn’t think it was very good. I mean, come on guys: Christina Aguilera? Really? And poor ol’ Keith looks like he’s just exhausted. Well yeah, when you talk about the Stones nowadays, it’s hard to ignore the fact that these guys are getting a bit torn and frayed. But let’s be fair here …

Read moreThis We Dug: The Rolling Stones

Live at Lestat’s: An underground evening

(David Rinck offers a performer’s-eye view of a recent night of musical eclecticism in San Diego.)

On the evening of Thurs., Nov. 4, we again converged on the little theater at Lestat’s Coffee House on Adams Ave. in Kensington, which is beginning to feel like home for some of us here.

Lestat’s most recently hosted the first night of the Che Underground Rock and Roll Weekend on July 30 and 31, and the Nov. 4 show was an exciting follow-up to that event. Some of San Diego’s finest underground musicians offered up an eclectic array of sounds from a range of genres. At the same time, the visual arts were represented by terrific graphics, photography and video recording, some of which is available here.

Read moreLive at Lestat’s: An underground evening

Cardiac Kidz reloaded

(The Cardiac Kidz’s Jim Ryan announces an eclectic night of musical merriment Nov. 4 at Lestat’s Coffee House in San Diego.)

The Cardiac Kidz are winding down their 2010 San Diego “Performance Blitz” tour with the end of the year finally in sight. The band has played an unheard of 10 shows in less than six months.

From what started as a onetime reunion show to an expanded booking schedule, The Kidz have even gone so far as to add the talents of David Rinck (frontman for San Diego’s Wallflowers) to the band.

Read moreCardiac Kidz reloaded

Mali Blues

(Reporting from Burkina Faso, David Rinck searches for our rock-‘n’-roll roots in the landlocked shore of Africa.)

“Live, travel, adventure, bless, and don’t be sorry.” — Jack Kerouac

To a visitor today to these scrappy, drab concrete towns in the center of West Africa, it’s hard to believe that just a century ago this was the epicenter of a magnificent and vital trans-Saharan caravan trade in gold and salt, stretching across the world’s greatest desert. Linking Morocco and Mediterranean Europe with the gold kingdoms of the Gulf of Benin, and giving rise to mysterious and fabled cities that were centers of learning and culture, like Gao; Djenne (with its famous UNESCO World Heritage Grand Mosque); and Timbuktu, today the epitome of remote, it was where the Moors built one of Africa’s earliest universities and a library famous throughout the Islamic world for its handwritten manuscripts and Korans.

Likening it to the shore of the vast sand ocean that is the Sahara, south of which lies the Bilad as Sudan, or “land of blacks” (Sudan, means “black” in Arabic), the Arabs named this part of the world the Sahel, or “shore” (the same root from which we take the word for Kenya and Tanzania’s national language, Swahili, or “the language of the coast” — Saheli).

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Play “Misty” for me:
BOMBAST rocks out at Bar Pink

(David Rinck provides his back story of this meeting of musical minds at the Che Underground Rock-‘n’-Roll Weekend. Plus, let’s go to the video, courtesy of Paul Kaufman!)

Now I’m really perplexed by this one. Dave Fleminger calls for the “end of the Age of Irony,” and then he is largely the perpetrator of a band called BOMBAST. This seems like a contradiction.

And then there’s the song-list issue — a couple old San Diego classics like the Wallflowers (“Rubber Room” and “Survive the Jungle”) and Blues Gangsters (“Tigershark Blues”), some Arthur Lee and Love (“Bummer In the Summer”), and even the Stooges (“TV Eye”) and Parliament (“Unfunky UFO”). Seems like a pretty strange brew, more contradictions? “Well, what do we all agree on?” I asked with great trepidation as the project grew. Pretty much one thing — BOMBAST is LOUD! Okay, that’s enough for me. I’m good to go.

Read morePlay “Misty” for me:
BOMBAST rocks out at Bar Pink

DaveFest Four: ‘Richie Dagger’s Crime’
b/w ‘Let’s Lynch the Landlord’

Daves Fleminger and Rinck; DaveFest Four at Lestat's, July 30, 2010More highlights from the Che Underground Rock-‘n’-Roll Weekend July 30 and 31, 2010, in San Diego: Che Underground supergroup the DaveFest Four performs the Dead Kennedys’ “Let’s Lynch the Landlord” and “Richie Dagger’s Crime” by the Germs.

The DaveFest Four plays “Richie Dagger’s Crime”: Listen now!

“Dave Rinck came up with the idea to do an all-Dave set of our favorite punk anthems with a semi-acoustic roots sensibility,” writes Dave Fleminger.

Read moreDaveFest Four: ‘Richie Dagger’s Crime’
b/w ‘Let’s Lynch the Landlord’

DIY: The Rise and Fall of Ziggy Stardust
and the Punk Rockers from San Diego

(David Rinck freaks out to a Moon Age daydream.)

"Ziggy Stardust" coverNOTE: This post works best if you slip on Bowie’s Ziggy Stardust album and cue up the tune “Soul Love” as you read it.

That tune, “Soul Love,” always takes my mind to a hip London of the very early ’70s, a sleepy, happy, self-contented London where hippies happily ate organic alfalfa sprouts in little cafes, and men wore frocks, complacently proud of having created and survived the ’60s, and looking forward to wallowing in their achievements spreading peace and love ad infinitum. The war was protested, the pot was plentiful, and everybody’s hair was down to his or her ass.

But it’s actually an unsuspecting London, on the eve of the explosion that was Glam, and then the firestorm of punk rock.

Read moreDIY: The Rise and Fall of Ziggy Stardust
and the Punk Rockers from San Diego

Why don’t we sing this song all together?

Tom Ward; Lestat's, July 30, 2010 (Kymri Wilt)For many of the participants in this blog, our involvement with San Diego music ended with our wholesale departure from San Diego. A large contingent of us decamped first to San Francisco, and we now make our homes in places like Seattle, Oregon, New York, Boston, Wisconsin and Haiti.

That means the string of Che Underground gigs we’ve hosted in San Diego (including May 2009 and January and July 2010) marked the first time in more than two decades that many of our musicians have played in front of a hometown crowd.

Read moreWhy don’t we sing this song all together?

The Che Underground