Reviving San Diego's Rock Renaissance
Here’s a striking new collaboration with deep roots in San Diego: Eris Sisters, an electronica duo featuring Kristi Maddocks (Everybody Violet) and Clay Colgin (Men of Clay), a k a MCC.
They recently released their debut record “DownHEAR” on True Node Records.
Ava points out that it was exactly one year ago that Che Underground: The Blog hosted its first-ever reunion gig (a k a “Che Games for May”) at San Diego’s Casbah.
The two-night blowout included eight great San Diego bands (nine, if you count the unannounced, sizzling first-night mini-set by Lemons Are Yellow), most of whom hadn’t played together in a quarter-century. It marked the first time most of us had been together since the mid-’80s — and the opportunity to meet a few new friends who’d met through the site and their shared San Diego musical history.
This anniversary thus represents an interesting object lesson in the recursive nature of memory: This event itself has now passed into its realm and hence deserves its own commemorative post!
Read moreForever changes: Che Games for May
and the the perpetual nostalgia machine
(Bart Mendoza of Manual Scan and the Shambles contributes a selection of flyers from his capacious archives.)
1. One of my infamous paste-&-cut flyers, this one for Julie at 2581, when I helped promote a batch of shows in 1983 1988 — you can probably tell the numbers are from an old calendar.
I collected photos, and friends gave me old magazines to cannibalize into quick flyers, though this one is from my collection of vintage TV-show stills. That’s a pretty diverse calendar, from the Event to Claude Coma, with stops at the Nephews; Outriders (with Rick Wilkins); and Berkeley combo the Birminghams; as well as lots of others.
A quick one, while he’s away: I’m tying up some loose ends before my flight back from San Diego to New Jersey after Day Two of the Che Underground’s Che Games for May reunion event at the Casbah Club.
Thanks to a crack team of documentarians, we’ve got audio, video and photos to share and enjoy — and those will be making their way onto the site in the coming weeks.
But for now, a simple “Thank you!” and an open invitation to talk about what our quarter-century reunion did to or for you.
You’re all very, very important to me, and easily my biggest regret is that I couldn’t be everywhere at once to talk to you and share time. But please: Let’s come together here and swap a few stories for each other and for our friends who couldn’t be with us this time out.
What’s an iconic concert without an iconic poster? In honor of Che Games for May, the 25th anniversary tribal gathering slated for May 29-30 at San Diego’s Casbah, Ray Brandes and artist Kevin Diamond have created this handsome memento so participants near and far can own a piece of music history.
Enjoy this commemorative gift, and we hope to see you there!
(Tell-Tale Heart/Town Crier Ray Brandes lays the table for May’s audio feast.)
The Che Underground Weekend Showcase:
Celebrating more than 25 years of San Diego’s underground music history
An incredible opportunity to reconnect, reminisce and rediscover will unfold as 25 years and thousands of miles of distance disappear in a single weekend — May 29 and 30 at the Casbah in San Diego.
The lineups have been set, the bands are rehearsing, and the drinks are on ice. Here’s what to expect:
Set the controls for the heart of the sun: The Che Underground’s quarter-century reunion looms ever larger — so large, in fact, that one night just couldn’t contain it.
Now scheduled for May 29 and 30 at Tim Mays’ legendary Casbah Club in San Diego, the event will comprise:
Packing so much musical talent into the confines of the San Diego scene pushed the Che Underground Mixmaster into overdrive. A couple of short years produced a dizzying melange of amputations, collaborations and creative explosions as assorted musicians formed new combinations.
Sergio of Hair Theatre sang for the Answers; guitarist David Rives from Noise 292 joined them for one performance as Painted Sun; Sam Wilson moved from the Rockin’ Dogs to the Wallflowers to Hair Theatre; Joanne Norris drummed for the Injections, Noise 292 and Everybody Violet; Crawdaddys and Gravediggers became Nashville Ramblers; half of our bands converged into the Morlocks; and Dave Anderson kept the beat for everybody else.
(Everybody Violet co-founder Kristi Maddocks reminisces about making the band. Read these excerpts, then check out the full account in our Related Bands section!)
I hung out in the San Diego underground late ’81 to early ‘82, but I wasn’t an out-‘n’-out player until 1983. After years of watching shows I began to assert myself as a writer, a poet — and a wannabe singer/songwriter.
It was like kismet: As soon as my old roommate moved out, Michelle [Krone] moved into the Madison Avenue place. Tired of being known as just “The Morlocks’ Girls,” Michelle and I looked at each other and said, “Let’s start our own band!” I would sing lead, and Michelle would sing back-up and learn the bass guitar.
Word got around the scene we were looking to become a legitimate group. A couple of days later, Michelle and I were introduced to Anni and Carina, and the great musical partnership of Everbody Violet was born.
(Everybody Violet founder and SD scenestress extraordinaire Kristi Maddocks contributes practical tips for female food ‘n’ frolic in the San Diego underground.)
Author’s note: I have so much to say about the Che Underground, but I didn’t know where to start. So I began with the obvious: Being a female in the scene put you at a bit of a disadvantage … Even if you were smart and had creative contributions to make, the better sex was still received, perceived and judged on its looks and physical persona first and foremost.
Even though the sexual revolution had occurred in the ’60s-’70s, ironically feminism wasn’t a player in the retro mod/psyche scene of early-’80s San Diego. I was as guilty as the next girl for using my legs as a personal weapon or batting my big eyes at the boys in the band. Heck, these maneuvers got me in the door — and definitely helped me get deep into the scene and later helped me front my own band, Everybody Violet.
