There to Here: Mark Stern, Soup Nation

(In the first installment of a series, Che Underground: The Blog considers how a young San Diego show promoter became a Eugene, Ore., soup titan. Plus: a bonus after-party recipe from Mark! If you’d like your story told, e-mail cheunderground@gmail.com!)

Mark Stern, HalloweenThe last time we were in the same town, you were playing in the Frame and promoting gigs in SD and Orange County at spots like Greenwich Village West, Big John’s and Club Cult. How did you move from there to the culinary arts?

I started at a steak-and-seafood joint as a dishwasher in Mira Mesa when I was in 10th grade, moved into doing salad station. There were all these “college” girl waitresses who would flirt with the new kid.

After that I got a job across the street at Chuck E. Cheese, doing pizza, and I would go out and do promos as the rat. My favorite was when they had me do an event for kids with Daryl Strawberry, then a Padre, who took me aside roughly when he thought I was upstaging him and whispered, “Take it easy, Chucky.”

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Scott Harper: An appreciation

(Bart Mendoza remembers a friend and dedicated member of San Diego’s mod community, who passed away at age 44.)

Scott Harper, early '80sThe ’80s?

I couldn’t imagine them without Scott Harper. His passing last week is another devastating blow to the San Diego community and yet another reminder how short and unfair life can be.

Scott was such a part of my life for most of the ’80s, he was like a brother. Adventures were legion, he rarely missed a Manual Scan show and was instrumental in helping with the New Sounds festivals.

My fondest memories, apart from some nights spent in discourse over a few drinks, is the way he always pitched in to help with crises big and small. At events, whenever there was static, or a question about something being done, he’d always be the first to jump in and say, “I’ll do it.” Worth his weight in gold.

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“Should 5% appear too small …”

(Jeremiah Cornelius considers the reach of the Fab Four into contemporary economic debate.)

It’s been said, ‘in oh so many ways’, that everybody loves the Beatles.

With that in mind, here’s a little salute, to the 100%:

And now, a little consolation for the injured parties in the last video. They can hum this little ditty to themselves at night, and muse that, at least George, once sympathised with their plight…

The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

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Seen any good shows lately? Dinosaur Jr.

(Father to a fast-moving toddler/ adoptive New Englander/ Ché fan at large Paul Kaufman currently makes it out of the house at night a couple of times a year, so they better count. This one did.)

Dinosaur Junior todayIn the future, I’ll have to contain the instinct to rile when I see current concert calendars loaded with bands you could have seen in the mid-’70s: Pat Benatar, America, Kansas, James Taylor. Sure, most of this stuff is hurl-worthy, but I can’t pretend that nostalgia is of no interest to me.

Dinosaur Jr. beforeWhat were the last three shows I’ve seen? Sonic Youth, Pavement, and now, Dinosaur Jr. True, the first of these is a band still actively exploring new territory, but the others weren’t. The Pavement show was one-off reunion of my favorite band of the ’90s, playing their classics. This Dinosaur Jr. show was an even more specific revisit to a place and time: late-’80s Boston. “Playing the album ‘Bug’ (1988) in its entirety!” read the announcement. I bought a ticket the moment I saw the ad.

The show was at The Paradise Club in the student-centric Allston neighborhood, a few blocks and 22 years from the first time I had seen them. Back then, Dinosaur Jr. was the “it” band among the many Boston college radio stations, and they had joined the übercool SST indie label, but I was lucky to catch them at a small place (“Bunratty’s,” now defunct, still notorious.

Read moreSeen any good shows lately? Dinosaur Jr.

Crawdaddys/Unknowns reunion flyers
from Kristen Tobiason

(To celebrate Labor Day weekend’s 30-year reunions of the Crawdaddys and the Unknowns at San Diego’s Casbah, longtime graphic artist and Che Underground blog contributor Kristen Tobiason has prepared a striking pair of flyers to feature each night’s lineup. Here’s the story behind the art and a glimpse of the sociology of music flyering.)

The Unknowns, the Sidewalk Scene, the Comeuppance; Casbah, Sept. 3, 2011 (Kristen Tobiason)It seems like yesterday I was drawing a flyer for the Wallflowers’ first gig with a black Sharpie.

Twenty years later, here I am putting together a poster for the Unknowns, while listening to one of their songs on YouTube.
I still sketch my preliminary ideas on paper, but my medium has evolved, becoming less primitive and infinitely more digitized.

Buy your tickets now for the Crawdaddys and the Unknowns at San Diego’s Casbah, Sept. 2-3!

The Crawdaddys, the Amandas, the Baja Bugs; Casbah, Sept. 2, 2011 (Kristen Tobiason)Some girls love shoes, I love color and typography. I was never patient enough to learn guitar, but drawing came naturally. I loved record albums as a kid, and some of my earliest memories are of studying the covers from my dad’s collection. As a teenager in the San Diego music scene, flyering was a way that I could contribute to the music without having to actually be in a band. When I was 16 I got my first box of rapidograph inking pens, which I had seen Jerry Cornelius use for his illustrations. Jerry’s art was intimidating, but inspiring too. I learned by emulating his style, and used to sit and copy Tennielle’s drawings from “Alice in Wonderland,” or the covers of H.P. Lovecraft, to learn how to do the crosshatching/shading.

Read moreCrawdaddys/Unknowns reunion flyers
from Kristen Tobiason

Todd Tomarrow memorial mixer!

Todd Tomarrow; Go-Go Impossible, August 30, 1985 (collection Kristi Maddocks)As Che Underground: The Blog reported in May, San Diego’s extended arts family lost a member with the passing of the hugely talented costumer Todd Tomarrow in San Francisco. Now, a circle of friends plan to round out the Labor Day weekend at San Diego’s Casbah with a celebration of Todd’s life.

Catherine Pierson Waters, Kelsey Farris and Kristi Maddocks will host “The Todd Tomarrow (Todd Bundy) Memorial Celebration & Pot-luck BBQ” Sunday, Sept. 4, from 2pm to 6pm. (Since it’s in a bar, guests must be over 21.)

Todd Tomarrow, Kristi Maddocks; Go-Go Impossible, August 31, 1985“The Memorial Celebration will begin with ‘An Hour of Remembrance,’ ” the Facebook event announcement reads, “followed by a pot-luck BBQ & dance in the Casbah’s back patio. The event will feature a no-host bar. … DJ Van Richter will be spinning music for your Dancing Pleasure (just as Todd would have wanted)!

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Save the Che Cafe!

Detail: Sergio and David Rives, Che Cafe, 1983 (collection Carol Coleman)A Che PSA: UCSD’s Che Cafe is the target of a fundraising campaign to continue its decades-long run of music and memories. I hope a few of our many readers can get behind this cause with their wallets and creativity.

Followers of this blog will recall that the Che (for which this blog is named) suffered the catastrophic theft in August 2009 of its sound equipment, and insurance costs for the venue bring the fundraising goal to $12,000, according to the site.

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Goodbye, Bob Sinclair

(Kristi Maddocks, assistant manager at the La Jolla Pannikin at the time I held the same title in Encinitas, contributes her memories of the San Diego coffee chain’s founder.)

Pannikin founders Bob and Gay SincloairIt is with great sadness I say adieu to Pannikin co- founder Bob Sinclair, who was killed in a motorcycle accident last month. Bob died while riding his Moto Guzzi in the New Mexico desert.

Like many Pannikin employees, I started my stint there as a bright-eyed teenager, fueling up on coffee as I pored over notes with high-school study groups at the Del Mar and Encinitas Station cafés. Then, it graduated to hanging out at La Jolla café on weekend mornings, after a later night of dancing or at the tail end of a very cold scooter ride up the beautiful Southern California coast. Nothing was cooler than congregating on the deck of La Jolla Pannikin in the warm sun with your friends, living off an almost endless cup of coffee and bags of day-old bagels & day-old pastries. (That is back when the first cup of coffee was 75 cents, refills were 25 cents each!)

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The genesis of Elvis Christ

(Jack Gamboa continues his Che-infused memoir of his mid-’80s band.)

Elvis Christ "On the Gym Steps"; UCSD, Friday March 6, 1987 (collection Jack Gamboa)It was the very first day of school after summer break. I was walking to my Propaganda Films of the Third Reich lecture. (I had already taken Bram Dijkstra’s “Devils, Vampires and Other Horrible Creatures of 19th Century Literature.”) Suddenly on the path to the quad I saw my best childhood friend Steve. I had not seen him in months!

Elvis Christ; "On the Gym Steps," UCSD, March 6, 1987 (collection Jack Gamboa)He was a guitarist, so we were talking about the local band scene, I was telling him about the rockabilly outfit the Wild Desires. I “BongoChild” drummed for Dave “LadiesLove” Ellison on Magnatone Typhoon and bass legend Andy “ThunderTrain” Seidlinger on lownotes. A bad-ass situation too perfect to last. We had broken up a few months before. Andy had also been playing my borrowed drums for a pair of punks who called themselves Leather Geek, but he transferred to UCLA to study Structural Engineering. I told Steve: “I would love to meet up with Leather Geek! I never saw them play, but I hear that they threw legendary parties. Rumor has it that Jory is an excellent guitarist, and Eric did a poetry reading of ‘Walk This Way’ by Aerosmith!” Steve was laughing and digging that. So we were gossiping about musicians and stuff like that. We turned a corner and entered an open lawn area (I think it was called ‘the Quad’ in those days) …

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