Seen any good shows lately? Dinosaur Jr.

(Father to a fast-moving toddler/ adoptive New Englander/ Ché fan at large Paul Kaufman currently makes it out of the house at night a couple of times a year, so they better count. This one did.)

Dinosaur Junior todayIn the future, I’ll have to contain the instinct to rile when I see current concert calendars loaded with bands you could have seen in the mid-’70s: Pat Benatar, America, Kansas, James Taylor. Sure, most of this stuff is hurl-worthy, but I can’t pretend that nostalgia is of no interest to me.

Dinosaur Jr. beforeWhat were the last three shows I’ve seen? Sonic Youth, Pavement, and now, Dinosaur Jr. True, the first of these is a band still actively exploring new territory, but the others weren’t. The Pavement show was one-off reunion of my favorite band of the ’90s, playing their classics. This Dinosaur Jr. show was an even more specific revisit to a place and time: late-’80s Boston. “Playing the album ‘Bug’ (1988) in its entirety!” read the announcement. I bought a ticket the moment I saw the ad.

The show was at The Paradise Club in the student-centric Allston neighborhood, a few blocks and 22 years from the first time I had seen them. Back then, Dinosaur Jr. was the “it” band among the many Boston college radio stations, and they had joined the übercool SST indie label, but I was lucky to catch them at a small place (“Bunratty’s,” now defunct, still notorious.

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It was 70 years ago today …

(Paul Kaufman gets Crass with a Beatle’s musical legacy.)

On Saturday, John Lennon would have been 70 years old. Hard to fathom for someone who personified youthfulness; I felt the same way when this occasion passed for John Kennedy back in the ’80s.

These days, everything in this country is FOR $ALE, including democracy itself. So I’m afraid the most likely scenario I imagine had he lived is a barrage of advertisements, ready to ride the huge demographic wave of baby-boomer retirees:

“Picture yourself taking some Metamucil…”

“Well, you should see Polygrip Pam…”

“Viagra, yeah, yeah, yeah … Viagra, yeah, yeah, yeah … And with a pill like this, you know you should be glad … ”

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Seen any good shows? Pavement

(Infrequent concertgoer Paul Kaufman catches up with a band from the last era he had time to appreciate.)

Friends, San Diegans, countrymen, lend me your ears. There actually were good records made in the 1990s!

Curiously, most of my faves from that decade came out on a single record label, Matador, which boasted Guided by Voices; Liz Phair; Cat Power; and today’s topic, Pavement. After a decade of Splitsville, they’ve reunited and are coming to a town near you!

Tickets had gone on sale ages ago. I had snapped one up, sure that this was my one chance to see them live, having gotten into them late (that is, after their best records, around 1997). Right before I left for the show, I was thumbing through the New Yorker, which had an article about nostalgic 40-somethings desperately searching their apartments for the Pavement tickets they had lovingly bought the previous year. You know you’re middle-aged when your fave indie band is profiled in the New Yorker.

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Father’s Day: Past, present and future

(Old Lemons Are Yellow guitarist/new dad Paul Kaufman has something extra to celebrate this weekend.)

Courtship of Eddie's Father promo photoThis is the first Father’s Day that I’m actually a father! This prompted me to share some musical thoughts with all of you.

Last fall, my dad was visiting the new baby and us, and one evening we saw one of those PBS retrospective/fundraiser specials highlighting major musical performances that had been on the Ed Sullivan show. Lots of classic bands at their peak: Beatles, Stones, Sam and Dave, Sly Stone, Byrds, et al.

This footage had all been shot when I was 0-5 years old, and that era remains the bedrock of my musical upbringing. However, to my daughter, the January 1967 performance of Mick Jagger asking to spend some … time … together is as distant from her birth as a scratchy newsreel of flappers dancing the Charleston is to mine.  So, 40 years from now, will I be watching a Justin Bieber documentary with our grandkids?

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Songs for the DIYper set

(Paul Kaufman kicks out the jammies with new kid-friendly lyrics to old favorites.)

I’ve mentioned before that a little bundle of joy arrived at our house last fall.  Our daughter is six months old now, and she’s a wonder to behold. She’ll soon reach the age at which I have to stop singing the real lyrics to “I Wanna Be Your Dog” during our musical play times.

But I’m thinking that instead of discarding such classics altogether, how about substitution of age-appropriate lyrics? I think Dr. Seuss could probably help with a lot of these situations:

Somebody’s calling on the phone,
A voice says, hey, is Dee Dee at home?
Do you want to wear some socks?
Do you want to box a Gox?
Do you want wear some Gox box socks
?”

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Songs that were separated at birth?

(Paul Kaufman gives new meaning to the phrase “Trivial Pursuit.”)

Paul McCartneyHere’s another parlor-type game: Describe two songs that seemingly have nothing in common (era, style, etc.) yet have multiple disturbingly similar characteristics once you list them.

Here’s an example: The Beatles “I Saw Her Standing There” and “Rock ‘n’ Roll All Night” by KISS. You’re thinking this is crazy, but hear me out:

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Seen any good shows lately?

(Distracted dad Paul Kaufman pops in for what is sure to be an infrequent concert review.)
Thurston Moore with Sonic YouthRegular readers of this blog will understand why I’ve been pretty scarce lately: We have a newborn daughter in the house! She’s brought lots of joy, but naturally this means my extracurricular activities are pretty limited, and our baby-centric bedtime rules out most nighttime excursions.

I’ve made one exception since she’s arrived; a few weeks ago, I went to the first concert I’ve been to in quite some time (first since the Ché reunion, actually) to see Sonic Youth play.

People either love or hate this band, and I’m not writing this to promote my own fandom, but the show did make me think of a couple of things of more general interest. First, I couldn’t but help think about the fact that it was over 20 years ago I first saw them. That alone wouldn’t be so remarkable, except this show displayed no hint of nostalgia — they played mostly new material. (Though they never had chart-topping hits in the first place, “Teenage Riot,” their biggest college-radio tune, was not on the set list.)

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‘Sesame Street’: Forty years ago today …

(Paul Kaufman commemorates the Nov. 10, 1969, launch of a kid’s show that defined a generation.)

Sesame Street Characters Sesame RoadI’m just the right age for this tribute, because I recall the day this new show first appeared in the afternoon lineup when I was five.

“Sesame Street”‘s short scenes, fast action and large cast of adorable puppets were very different from other kids’ shows at the time (Captain Kangaroo and Mister Rogers had been my faves). The respectful multiculturalism of this show was groundbreaking, but I won’t try to catalog all the positive social influences of this show here, as I’m sure that’s being discussed at great length elsewhere. (What other anniversary has had a whole week of specialized Google logos?)

For this blog, I do want to emphasize how “Sesame Street” literally rocked in ways that kids’ TV hadn’t before, both with outstanding outside guests:

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Beatles: Rock Band … The missing buttons

(Paul Kaufman contemplates exciting new hacks for the Beatles simulation game.)

VH1 is in full promotional mode for the release of the The Beatles: Rock Band game. I’m an unabashed fan of the band, and I’m generationally marked as one who never tires of hearing these tunes and seeing the film footage. Seth Schiesel of the New York Times raves that “by reinterpreting an essential symbol of one generation in the medium and technology of another, The Beatles: Rock Band provides a transformative entertainment experience.”

I like that idea in concept, and teaching a new generation about this music via today’s electronic vernacular is a great idea. But somehow, hitting color-coded buttons in time to the music strikes me as a rather limited goal. As the technology grows, these are the buttons I’d like to be able to push:

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This we Dug: Wire

(Guest columnist Paul Kaufman picks his favorite late ’70s LP as part of the ongoing series originated by Wallflowers frontman David Rinck.)

Best album from 1977? There’s a lot of competition. Of course, a lot of press covered the Sex Pistols’ “Never Mind the Bollocks” and the first Clash album; deservedly so.

But if I had to choose just one from that year to take to a desert isle, it would be “Pink Flag” by Wire. This primitive collection of 20 very short songs (some under 1 minute) dramatically threw down the aesthetic gauntlet back then: all you boring, epic-writing, guitar soloing prog rockers are now obsolete. Without the overt political slogans of the time, they were nevertheless revolutionary in their sound and approach. Spare three chord music; spare imagery:

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The Che Underground