The genesis of Elvis Christ

(Jack Gamboa continues his Che-infused memoir of his mid-’80s band.)

Elvis Christ "On the Gym Steps"; UCSD, Friday March 6, 1987 (collection Jack Gamboa)It was the very first day of school after summer break. I was walking to my Propaganda Films of the Third Reich lecture. (I had already taken Bram Dijkstra’s “Devils, Vampires and Other Horrible Creatures of 19th Century Literature.”) Suddenly on the path to the quad I saw my best childhood friend Steve. I had not seen him in months!

Elvis Christ; "On the Gym Steps," UCSD, March 6, 1987 (collection Jack Gamboa)He was a guitarist, so we were talking about the local band scene, I was telling him about the rockabilly outfit the Wild Desires. I “BongoChild” drummed for Dave “LadiesLove” Ellison on Magnatone Typhoon and bass legend Andy “ThunderTrain” Seidlinger on lownotes. A bad-ass situation too perfect to last. We had broken up a few months before. Andy had also been playing my borrowed drums for a pair of punks who called themselves Leather Geek, but he transferred to UCLA to study Structural Engineering. I told Steve: “I would love to meet up with Leather Geek! I never saw them play, but I hear that they threw legendary parties. Rumor has it that Jory is an excellent guitarist, and Eric did a poetry reading of ‘Walk This Way’ by Aerosmith!” Steve was laughing and digging that. So we were gossiping about musicians and stuff like that. We turned a corner and entered an open lawn area (I think it was called ‘the Quad’ in those days) …

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A decade of Hair Theatre from the Allen Collection

Detail: Hair Theatre flyer; Studio 517, August 31, 1984 (collection Paul Allen)Of all the bands launched by the Che Underground diaspora, Hair Theatre was easily the most consistently active, gigging on the West Coast well into the 1990s.

Detail: Hair Theatre/Eleven Sons/Faces of Drama flyer; Rock Palace, Feb. 16, 1985 (collection Paul Allen)This set of flyers from the collection of Hair Theatre lead guitarist Paul Allen spans a full decade, from 1984 to 1994. In the intervening years, the band underwent some personnel changes — most notably in the lead-guitar position — but they never stopped working.

Warning: Flyer #4 below is most likely Not Safe for Work (unless you work in a specialty bookstore or urologist’s office).

Detail: Hair Theatre/Morlocks ad; Roxy/Club Cult, Dec. 26, 1984 (collection Paul Allen)Detail: Hair Theatre/Eleven Sons/Faces of Drama flyer; Rock Palace, Feb. 16, 1985 (collection Paul Allen)Detail: Hair Theatre/Eleven Sons/Faces of Drama ad; Rock Palace, Feb. 16, 1985 (collection Paul Allen)Detail: Hair Theatre/Penguins Slept/the Society flyer; Gaslamp Quarter Theater, Dec. 28, 1985 (collection Paul Allen)Detail: Hair Thatre flyer; Dreamstreet, Jan. 14, 1994 (collection Paul Allen)Detail: Hair Theatre/Swivelneck; Bodie’s, March 10, 1994 (collection Paul Allen)

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The Che Underground