Performance History | The Che Underground

CD release: Wendy Bailey & True Stories

December 29, 2011December 29, 2011 by admin

(Bart Mendoza invites you out for an evening of free music to celebrate the debut of “String Theory.”)

On Friday, Dec. 30, Wendy Bailey & True Stories will celebrate the release of their new album, “String Theory,” with an event at Bar Pink, 3829 30th St., in San Diego’s North Park.

For this special show, the band will perform two sets. In the first, the quartet will play the new album in its entirety, plus a few old favorites. In the second, Wendy Bailey & True Stories will be joined by special guest musicians for a run through of a dozen choice R&B and rock-‘n’-roll classics — a different guest for each song.

“String Theory” is the debut album from Wendy Bailey & True Stories, featuring lead guitarist and vocalist Wendy Bailey; bassist Billy Fritz; guitarist Bart Mendoza (Manual Scan, the Shambles et al.); and drummer Danny Cress (the Coyote Problem, Skid Roper and more).

Pink Panther 25th anniversary!

December 11, 2017December 12, 2011 by admin

(Bart Mendoza ushers in this salute to the big cat.)

Saturday, Dec. 17, The Casbah will be the site of the Pink Panther’s 25th anniversary party. Expect many familiar faces in attendance to celebrate the late bar’s brief existence. Founded by future Casbah proprietor Tim Mays, Peter “English” Verbrugge and Bob Bennett, the Pink Panther was the meeting spot for much of San Diego’s music scene during its run and fittingly, the night features an eclectic bill.

Tickets are $15 and available online.

Opening the night will be the soul and rock dance combo The Amandas. Fronted by Amanda Suter, the band includes the ace rhythm section of Tom Ward (bass) and David Klowden (drums), with guitarist Jon Erickson, saxophonist Aaron Rossi and keyboardist A.J. Croce.

Scott Harper: An appreciation

December 18, 2017December 8, 2011 by admin

(Bart Mendoza remembers a friend and dedicated member of San Diego’s mod community, who passed away at age 44.)

The ’80s?

I couldn’t imagine them without Scott Harper. His passing last week is another devastating blow to the San Diego community and yet another reminder how short and unfair life can be.

Scott was such a part of my life for most of the ’80s, he was like a brother. Adventures were legion, he rarely missed a Manual Scan show and was instrumental in helping with the New Sounds festivals.

My fondest memories, apart from some nights spent in discourse over a few drinks, is the way he always pitched in to help with crises big and small. At events, whenever there was static, or a question about something being done, he’d always be the first to jump in and say, “I’ll do it.” Worth his weight in gold.

Geeked Podcast Episode 1:
Pure Boom Hi-Fi Live

December 17, 2011November 1, 2011 by Paul.Howland

(Paul Howland, a k a P Man, ushers in a new podcast straight out of San Diego.)

Oct. 11, 2011, was the official launch night of a new dance called “Geeked.” Geeked was very pleased to be able to present The Pure Boom Hi-Fi.

Episode 1; Pure Boom Hi-Fi Live at Geeked Launch Night 10.09.11

Pure Boom is one of my very favorite selectors. I met him through the Dubstep scene in San Diego in early 2009. Here though, by special request of Geeked, he’s playing roots steppers dub. Pure Boom is the only selector I know of who actually mixes this type of music, as it’s usually played “sound system style” (play the dub, flip over, play the vocal, no beatmatching). Heavy-duty mixing chops and super-sick selecting and programming skills, combine to make each of his sets a very special occasion.

The rise of the Gravedigger Five

September 15, 2014October 2, 2011 by admin

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

I was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

Seen any good shows lately? Dinosaur Jr.

December 19, 2011September 25, 2011 by Paul Kaufman

(Father to a fast-moving toddler/ adoptive New Englander/ Ché fan at large Paul Kaufman currently makes it out of the house at night a couple of times a year, so they better count. This one did.)

In the future, I’ll have to contain the instinct to rile when I see current concert calendars loaded with bands you could have seen in the mid-’70s: Pat Benatar, America, Kansas, James Taylor. Sure, most of this stuff is hurl-worthy, but I can’t pretend that nostalgia is of no interest to me.

What were the last three shows I’ve seen? Sonic Youth, Pavement, and now, Dinosaur Jr. True, the first of these is a band still actively exploring new territory, but the others weren’t. The Pavement show was one-off reunion of my favorite band of the ’90s, playing their classics. This Dinosaur Jr. show was an even more specific revisit to a place and time: late-’80s Boston. “Playing the album ‘Bug’ (1988) in its entirety!” read the announcement. I bought a ticket the moment I saw the ad.

The show was at The Paradise Club in the student-centric Allston neighborhood, a few blocks and 22 years from the first time I had seen them. Back then, Dinosaur Jr. was the “it” band among the many Boston college radio stations, and they had joined the übercool SST indie label, but I was lucky to catch them at a small place (“Bunratty’s,” now defunct, still notorious.

Crawdaddys/Unknowns Labor Day
showcase from the McMullen Collection

January 19, 2012September 15, 2011 by admin

San Diego photographer Sean McMullen is a true friend of Che Underground: The Blog and of most of the participants featured here. He’s also a friend to anyone who cares about preserving gorgeous images of the town’s most exciting gigs.

Sean McMullen, Dave Doyle talk photography

I’m very grateful to him for his latest contribution: this wonderful set of photos from our recent showcase at the Casbah, which ran Sept. 2 and 3 and featured the 30-year San Diego reunions of the Crawdaddys and the Unknowns, supported by a galaxy of local stars.

Stay tuned in the coming weeks for video and audio from Labor Day Weekend 2011!

Here are the acts, in chronological order:

The Ciros at Lestat’s

December 19, 2011September 9, 2011 by admin

Here’s another dose from the July 30, 2011, event “Che Underground present Sounds of the Sunset Strip”: two songs from 1960s Los Angeles performed with skill and élan by the Ciros, making their debut at Lestat’s Coffee Shop.

Like headliners the Sidewalk Scene, the Ciros feature a formidable list of names from San Diego’s music history, as well as some notable newcomers: Thomas Ward (12-string guitar); Anthony Suarez (rhythm guitar); David Klowden (drums); Dave Fleminger (lead guitar); Dave Doyle (bass); Lou Damian (reeds); Dylan Rogers (vocals); Heather Vorwerck (cello); Graziela Damian (vocals).

The Sidewalk Scene plays “Richard Cory”

December 11, 2017August 30, 2011 by admin

It may be a new band on the block, but the Sidewalk Scene represents a veritable Murderer’s Row of San Diego musical talent. (Don’t miss your chance to see the band open for the Unknowns along with the Comeuppance on Sept. 3 at the Casbah — Day Two of a Labor Day weekend blowout that also features an evening comprising the Crawdaddys, the Amandas and the Baja Bugs.)

Buy your tickets now for the Crawdaddys and the Unknowns at San Diego’s Casbah, Sept. 2-3!

This video clip (accompanied by photos shot by Unknowns bassist Dave Doyle) portrays the Sidewalk Scene tearing into Paul Simon’s “Richard Cory” at Lestat’s July 30, when they headlined “Che Underground present Sounds of the Sunset Strip.” A great band with hundreds of years of San Diego history among them, delivering with the passion we’ve come to expect from these consummate musicians!

The Penetrators, the Bedbreakers
and Manual Scan at the Casbah

September 30, 2011August 17, 2011 by admin

(After collecting a lifetime achievement award at last week’s San Diego Music Awards, the Penetrators performed Saturday at the Casbah Club, supported by fellow music veterans the Bedbreakers and Manual Scan. Che Underground: The Blog presents accounts of the evening by Sean McMullen, Gary Heffern and Kevin Donaker-Ring as well as a luminous selection of photos by Mr. McMullen.)

It was a full moon, I remember, and I was already sweating and thirsty after walking down from Banker’s Hill to the club, but couldn’t seem to get past the patio to the bar for a bubbly cold Tecate due to the onslaught of embracing and handshakes and stories that followed. Every one of these nights serves to reinforce the depth of this bizarre alter-family I have collected since I was a wild-eyed runt getting dropped off at Golden Hall for a Penetrators show, amongst others, full circle.

Indeed there are few things in my life as gratifying as seeing people who used to revolt and butt heads like rams getting along with so much love and joy and pride. And the sheer fact that we remain so devoted to our music, to this town and each other, speaks volumes of the magnitude of our youth, and how we carry it forward incessantly with age.