Leighton Koizumi talks ‘Power Hits’

Album cover of "Power Hits" While his musical roots lie deep in the sandy soil of San Diego, Leighton Koizumi has spent recent decades thousands of miles up and to the right, rocking venues from Spain to Sweden (with side trips to China and other ports of call).

Now, the legendary frontman for The Morlocks and The Gravedigger V has crafted a double album in collaboration with Italy’s Tito and the Brainsuckers — and you don’t want to miss these 24 tracks of pure chewing satisfaction.

Due out August 13, Power Hits comprises covers from the Stooges, Love, Moving Sidewalks, Kinks, Eyes, Banshees and even Gordon Lightfoot.

Leighton kindly provided Che Undeground: The Blog insights into his history with lead Brainsucker Tito Macozzi and their creation of Power Hits.

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Che Underground meets Sunset Strip

(Sidewalk scenes and black limousines: On July 30, Che Underground presents Sounds of the Sunset Strip at Lestat’s Coffee Shop, featuring the Sidewalk Scene, the Ciros, Wendy Bailey & True Stories, and James Ruelas. Show organizer and Ciros reed player Lou Damian reflects on how Los Angeles’ sound of the ’60s influenced so many San Diegans who came of age 15 years later.)

Sunset Strip detailThe crazy thing about this July 30 show is that we relate to this music from the Sunset Strip of the mid- to late ’60s as our music, as the music we grew up with. But in actuality, we were just tots or infants when it was first published. There’s something about this music that stays within our fabric even today. When I hear a Byrds song or a Buffalo Springfield song, I know that I heard it as a young man on the radio. I know I heard that song when I was a year or two old. And it’s just another part of who I am.

The garage rock, psych rock, and blues and folk rock of that era is an important contribution to American music and the West Coast sound. This is what we always championed as our West Coast identity … in the so-called “Che Underground.”

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This We Dug: Buffalo Springfield

(Graphic artist extraordinaire and “Then and Now” documentarian Kristen Tobiason describes how Buffalo Springfield pushed us beyond the fringe.)

Buffalo Springfield portraitIn the early ’80s, American hardcore punk rock was at its peak. New Wave was also flourishing amidst Studio 9 dance crowds. Bi-curious, lipstick boys. Giant shelves of sprayed hair in several shades of Clairol color.

What better way to rebel against your peers than to emulate a ’60s folk-rock band …

Buffalo Springfield. seriously?

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The Che Underground