Tuning in to the Trebels

Trebels bassist Oscar Barajas provides a backgrounder, sounds and images for a band that took California by storm in the mid-’80s.

Trebels seated group portraitThe first bass I bought was at Freedom Guitar in downtown San Diego, a Fender Precision copy. I couldn’t play a lick. Yet with time and a bit of practice, I became somewhat competent. What helped was some guitar chords and ditties I learned from my older brother Fernando.

Guitarist Xavier Anaya also picked up on the guitar and learned from his Tio Chato, an original Treble. The original Trebles were a popular outfit in Tijuana back in the ’60s and ’70s.

The Trebels outdoor portrait against a wall. John Chilson was an instant pro at the drums the minute he picked up those sticks, a natural. Jay Wiseman fell in perfectly as singer and frontman.

The Trebels were born, a future of cops breaking up house parties because of our Maximum RnB; a wedding reception where we were bullied by the bride’s father (understandably so, looking back on it); a triumphant show at the White House in Imperial Beach; and thanks to our great friend Dan Holsenback, our most highly compensated gig — the graduation party for UC Davis Law School.

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New Sounds Festivals 1985-1991

(Bart Mendoza describes the arc of an important San Diego music festival he co-founded.)

NewSoundsClippingHelmed by myself and, at first, Ron Friedman, and later Matt Fidelibus (with huge help from Secret Society Scooter Club, Dimitri Callian and many others), there were seven New Sounds Festivals in all, always one big blowout event surrounded by a week of gigs by the touring acts.

Stax-Bart modfest UT (Photo RIFE!)I had been bringing groups to town for awhile anyway, so the idea of focusing efforts appealed; the chance to do these events as a benefit for SDSU’s student-run radio station, KCR, was even better. The motive for the New Sounds Festivals was simply to promote and showcase music influenced by Mod / ’60s/ Garage, in particular local groups like the Tell-Tale Hearts, the Nashville Ramblers, Donkey Show, the Trebels and the Event. With short sets and a backline, it was like a really, really cool jukebox.

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Mod flyer fun from the Fugate Collection

Detail: Morlocks at Swedish American Hall (collection Ken Fugate)Always seeking better ways to digitize your San Diego youth, the Che Underground blog today attempts a new delivery mechanism: a downloadable PDF file encapsulating more than 70 high-resolution pages of mid-’80s, mod-friendly flyers courtesy of Ken Fugate.

Every page of this magnum opus is a Proustian gem featuring performances by the Tell-Tale Hearts, the Morlocks, Manual Scan, the Trebels, the Nephews, the Nashville Ramblers, the Sovereigns, 39 Steps and many more. (I’m especially excited by the flyer hailing the debut of the Town Criers.)

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David Anderson: Drummer at large

(Manual Scan/Lemons Are Yellow vet Paul Kaufman recognizes a man who set the pulse of the scene.)
Detail:The Answers’ Dave Anderson (collection Dave Fleminger)Many contributors to Che Underground: The Blog have already mentioned David Anderson, a legendary figure in our musical history. To recap, he made major contributions to The Gravedigger V, The Answers, Manual Scan, The Crawdaddys, The Trebels and I Spy. This vast resumé reflects the fact that Dave was already a formidable drum talent by his early teens. At one point his kick drum read, “Your Band Name Here.”

But Dave was much more than just a guy behind the drum kit. Answers bandmate David Fleminger says, “I first met Dave (I think he was 13) when he was playing with I Spy. He’s an amazingly energetic and innovative talent who can lay down a foundation beat like no one else. A fantastic bandmate with a great sense of humor.”

“David Anderson? A legend!” Manual Scan co-founder Bart Mendoza recalls. “Some of my fondest tour stories involve him. We once snuck all our friends into the General Public shows we were opening in San Francisco and had one of the best parties ever. I remember playing bumper chairs as beer was spilled all over the floor of our dressing room at The Kabuki Theatre and the night getting pretty rowdy. David nearly caused a riot in Las Vegas because he went commando onstage. He played a squeaky-toy solo at the Mabuhay Gardens in San Francisco.

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Later days at the Che

Detail: Lyres/Yard Trauma/Hair Theatre/Manual Scan/the Events/Hottentots flyer(collection Bart Mendoza)Like many Che Underground musicians, I left San Diego in the mid-’80s (February 1987 in my case). However, the Che Cafe itself continued to host music by a variety of acts, many of them related to the bands that staked out the turf in the earlier ’80s.

Generous donors including Bart Mendoza and Bruce Haemmerle have sent me flyers from late-’80s Che Cafe shows. I’m eager to start making connections between the gigs of 1983-’85 and those that happened (at the Che and elsewhere in San Diego) after many of us here had decamped to San Francisco or other ports of call.

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