Answers | The Che Underground

Vote for the Comeuppance for SDMA

June 21, 2012June 20, 2012 by Mmrothenberg

(Paul Kaufman solicits support for a new project by Che Underground’s own.)

San Diego has embraced its prodigal musicians as they return after decades. Consider the Comeuppance, a “chamber pop” combo led by David Fleminger (guitar, vocals) and Heather Vorwerck (cello).

This ensemble has a distinctive sound influenced by diverse jazz, country and classical traditions, all the while staying true to the high standards of songwriting that Che Underground readers know to expect from all of Dave’s endeavors.

Readers of this blog will recall that the Comeuppance relocated last spring to San Diego. The move marked a homecoming for David after 25 years in San Francisco; it’s a return to the city where he created so many memories as the creative force of bands like the Answers and the Mirrors as well as a founding member of a wide array of musical notables from Social Spit to Manual Scan.

Gary Heffern & Beautiful People:
‘Baby You Just Don’t Get It’

February 16, 2012 by Mmrothenberg

(Just in time for Che Underground: The Blog’s fourth birthday, Gary Heffern shares an international collaboration featuring some of San Diego’s finest!)

Here is a new song by Gary Heffern & Beautiful People with lyrics written by myself, music by Rustman, and arrangement by Beautiful People: Selinda Shirley, Oulujoe, Mad Mulligan and Rustman.

It also features Ray Brandes, Joe Piper and Dave Fleminger on backup vocals and Ray doing some great harmonica as well. I thought if you would want to feature it on Che, you can do so and have first grabs at featuring the song.

Back to the Blend

January 23, 2018January 19, 2012 by Mmrothenberg

(Dave Fleminger revisits the sights and sounds of this cornerstone of the early-’80s San Diego scene.)

2012 still sounds to me like a year from the future (or perhaps a Rush album). But here it is, and here we are, and 2012 will contain the 30th anniversaries of many happenings already chronicled on this blog. In the spring of 1982 the North Park venue known as the International Blend was re-named The Kings Road Cafe.

Within an unassuming building on 30th St., an incredible stew of various musics were served up to an all-ages crowd. There were even after-school shows that felt like a continuation of some grand afternoon dance-party tradition.

Whether it was the Iblend or the Kings Rd., the decor inside of the club was pretty much the same: bare-bones and all about the music. The stage was immediately on your left as you walked in the door and in the back of the room was a pinball machine that would shout “The … Black … Knight … challenges …. you!” every couple minutes.

The rise of the Gravedigger Five

September 15, 2014October 2, 2011 by Mmrothenberg

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

I was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

Crawdaddys/Unknowns Labor Day
showcase from the McMullen Collection

January 19, 2012September 15, 2011 by Mmrothenberg

San Diego photographer Sean McMullen is a true friend of Che Underground: The Blog and of most of the participants featured here. He’s also a friend to anyone who cares about preserving gorgeous images of the town’s most exciting gigs.

Sean McMullen, Dave Doyle talk photography

I’m very grateful to him for his latest contribution: this wonderful set of photos from our recent showcase at the Casbah, which ran Sept. 2 and 3 and featured the 30-year San Diego reunions of the Crawdaddys and the Unknowns, supported by a galaxy of local stars.

Stay tuned in the coming weeks for video and audio from Labor Day Weekend 2011!

Here are the acts, in chronological order:

The Ciros at Lestat’s

December 19, 2011September 9, 2011 by Mmrothenberg

Here’s another dose from the July 30, 2011, event “Che Underground present Sounds of the Sunset Strip”: two songs from 1960s Los Angeles performed with skill and élan by the Ciros, making their debut at Lestat’s Coffee Shop.

Like headliners the Sidewalk Scene, the Ciros feature a formidable list of names from San Diego’s music history, as well as some notable newcomers: Thomas Ward (12-string guitar); Anthony Suarez (rhythm guitar); David Klowden (drums); Dave Fleminger (lead guitar); Dave Doyle (bass); Lou Damian (reeds); Dylan Rogers (vocals); Heather Vorwerck (cello); Graziela Damian (vocals).

Support for ‘The Lion’s Jaw’

December 19, 2011September 6, 2011 by Mmrothenberg

Here’s an urgent opportunity to support one of our own and get some fine, fine music in return!

San Diego expat-turned-San Francisco solo artist Jeffrey Luck Lucas is preparing to re-release his third CD, “The Lion’s Jaw,” and it will require $1,300 within the next two weeks to print the CDs his record label will distribute and promote.

It’s a quid pro quo: Donate to to “JLL, The Lion’s Jaw CD Release and General/Overall Local Artist Support Fund,” and Jeff will send you a signed copy of the newly redesigned “Lion’s Jaw” CD as well as his nearly completed new studio album, “The Love of Leaving.”

Read moreSupport for ‘The Lion’s Jaw’

The Penetrators, the Bedbreakers
and Manual Scan at the Casbah

September 30, 2011August 17, 2011 by Mmrothenberg

(After collecting a lifetime achievement award at last week’s San Diego Music Awards, the Penetrators performed Saturday at the Casbah Club, supported by fellow music veterans the Bedbreakers and Manual Scan. Che Underground: The Blog presents accounts of the evening by Sean McMullen, Gary Heffern and Kevin Donaker-Ring as well as a luminous selection of photos by Mr. McMullen.)

It was a full moon, I remember, and I was already sweating and thirsty after walking down from Banker’s Hill to the club, but couldn’t seem to get past the patio to the bar for a bubbly cold Tecate due to the onslaught of embracing and handshakes and stories that followed. Every one of these nights serves to reinforce the depth of this bizarre alter-family I have collected since I was a wild-eyed runt getting dropped off at Golden Hall for a Penetrators show, amongst others, full circle.

Indeed there are few things in my life as gratifying as seeing people who used to revolt and butt heads like rams getting along with so much love and joy and pride. And the sheer fact that we remain so devoted to our music, to this town and each other, speaks volumes of the magnitude of our youth, and how we carry it forward incessantly with age.

Che Underground meets Sunset Strip

September 30, 2011July 12, 2011 by Mmrothenberg

(Sidewalk scenes and black limousines: On July 30, Che Underground presents Sounds of the Sunset Strip at Lestat’s Coffee Shop, featuring the Sidewalk Scene, the Ciros, Wendy Bailey & True Stories, and James Ruelas. Show organizer and Ciros reed player Lou Damian reflects on how Los Angeles’ sound of the ’60s influenced so many San Diegans who came of age 15 years later.)

The crazy thing about this July 30 show is that we relate to this music from the Sunset Strip of the mid- to late ’60s as our music, as the music we grew up with. But in actuality, we were just tots or infants when it was first published. There’s something about this music that stays within our fabric even today. When I hear a Byrds song or a Buffalo Springfield song, I know that I heard it as a young man on the radio. I know I heard that song when I was a year or two old. And it’s just another part of who I am.

The garage rock, psych rock, and blues and folk rock of that era is an important contribution to American music and the West Coast sound. This is what we always championed as our West Coast identity … in the so-called “Che Underground.”

Welcome home, Dave Fleminger!

September 4, 2011June 21, 2011 by Mmrothenberg

(Lou Damian salutes Dave’s relocation to San Diego after a 25-year absence and cuts the ribbon on a groovy summer night in the city.)

Che Underground presents SOUNDS of the SUNSET STRIP: Saturday night 9pm on July 30, 2011, at Lestat’s Coffee Shop.

We always wanted to pay tribute to the bands we dug from this era … And now with the return of Flem to San Diego, the scene is set and we can move forward on this idea … We also decided to call ourselves The CIROS in honor of nightclub where the BYRDS made their debut.