Che Underground: The Blog

The Unclaimed get back to San Diego for ‘A Midwinter Masque’!

January 28, 2022January 26, 2022 by admin

Among the San Diego legends slated to play “A Che Underground Midwinter Masque” Feb. 18 and Feb. 19 at The Casbah San Diego, The Unclaimed stand out as honored guests and faithful friends of the SD scene.

A musical force in their own right, the Los Angeles garage-rock pioneers also inspired and mentored successive generations of musicians, including the set of LA-area bands that came to be designated the “Paisley Underground” as well as San Diego bands that shared their ethos and aesthetic.

The Unclaimed put out their first EP in 1980 and played memorable (and occasionally infamous) shows in San Diego, often with L.A. compatriots like The Pandoras, The Salvation Army and The Bangs. What’s more, Unclaimed founder Shelley Ganz credits Mike Stax with re-energizing the band when he invited them to play the 30th anniversary party for Ugly Things magazine on Memorial Day 2013. (The current lineup also includes guitarist Patrick Cleary, bassist John Worley and drummer Shaun Bryant.)

It’s fitting that they return to San Diego Feb. 19 to cap off our musical weekend!

Discover the Secret Squares!

January 7, 2022 by admin

(Ray Brandes provides a brief history of a new band with a long San Diego history.)

The Secret Squares: pleased to make your acquaintance!

The Secret Squares is a musical project that has its origins in Gary’s Kids, a band assembled to back Gary Heffern on a solo performance at the Casbah in January 2019, and The Wrecktangle, which performed once at the Che Underground’s Leap Year show at the Riviera Supper Club, mere days before the world went into quarantine in March 2020.

Mike Stax talks Loons in lockdown

January 1, 2022 by admin

As The Loons prepare for their Feb. 19 appearance at The Casbah San Diego for A Che Underground Midwinter Masque, lead singer Mike Stax reflects on how he and the rest of the band — Chris Cancelliere, Chris Marsteller, Marc Schroeder and Anja Stax — have kept their collaboration fresh despite pandemic pressures.

Navigating the lockdown as a band was strange.

I know some other bands were anxious to stay “relevant” and felt the need to release new music or new videos to remind people of their existence. We never felt compelled to do that.

We figured that everybody was preoccupied with a potentially life-threatening global pandemic — that raised uncertainty about their income, their health, their families, their futures — and the last thing on their minds would be whether or not the Loons had any new music to share. So we went about our lives, and took care of our families and didn’t fret about staying “relevant.”

Friday was always the Loons’ practice night, so during the lockdown Fridays nights were Loons Zoom meetings. We’d spend two, three, four hours hanging out on camera, having some laughs, catching up on the previous week’s news and of course talking about music. So even though we weren’t playing music, we still felt bonded as a band.

Birth of the Nephews!

December 25, 2021December 25, 2021 by admin

A Che Underground exclusive: San Diego legends The Nephews revisit four decades of music ahead of their Feb. 18 appearance at The Casbah San Diego for A Che Underground Midwinter Masque. Book your tickets early and often!

The Nephews began as a comedy act in middle school around 1980. The original name was Ceilings and Floors, but we changed it to The Nephews (which has the same amount of meaning as “Ceilings and Floors”) around 7th grade.

We were very heavily into music, started playing as a rock band in high school, and were able to start playing club shows fairly quickly. Actually, our very first show outside of inland North County where we grew up was at the Che Cafe in 1984. We supported Manual Scan at Club Zu pretty early on.

Eric Cullen (Nephews keyboardist, 1989): “The first memory I have of The Nephews is of them playing during lunchtime at Poway High School. The
thing that immediately hit me about their music was how sophisticated their sound was, considering this was high school and all. Their harmonic language was dense, their chord progressions rather abstract, the lyrics obtuse. The Nephews’ music seemed advanced and not really belonging to the time, which was 1984 or ‘85. They were mining their own sound, and to this 17-year-old it sounded great. They had an air of ’60s psychedelia but were in touch with current underground bands like R.E.M., Minutemen and Pere Ubu. They also had a slight Zappa/Beefheart side about them, as well.”

Shaken, not stirred: The Goldfingers at A Che Underground Midwinter Masque

December 15, 2021 by admin

David Rinck shares a recent interview about the etymology of his band The Goldfingers. Featuring Eric Bacher (guitar), Kinch Degrate (keyboards), Dave Doyle (bass) and Matt Johnson (drums), The Goldfingers will rip it up at Casbah San Diego Feb. 19 for A Che Underground Midwinter Masque.

AMR Reporter Doug Faride caught up with Goldfingers rhythm guitarist and vocalist Dave Goldfinger in his native San Diego. What he learned about the origins of the band and their plans for the future are revealed here in this exclusive interview. These guys are definitely shaken, but not stirred in the least!

AMR: So, when I mention the Goldfingers, a lot of people say, “Yeah, I’m not that familiar with their music, but I do know the name.” Why do you think that is?

DG: Well, it’s the name of a James Bond movie.

AMR: Really? Is that true?

DG: Yeah, it’s like the third Bond film, with Sean Connery.

AMR: Oh wow, okay. So why did you pick that one?

DG: Well, a lot of the other the films wouldn’t make good band names. Like, if we called ourselves “The Spies Who Loved Me” or “The Men with the Golden Gun,” that would be lame.

Get your Mystery Machine EP!

December 11, 2021 by admin

During its short-but-storied run in 1983, The Mystery Machine brought together some of San Diego’s most talented young musicians — but left little audio evidence in its wake. That historical record has just been corrected: A freshly pressed Mystery Machine EP is available now at the Ugly Things webstore!

The limited-edition run comprises 500 copies: three hundred pressed on black vinyl and priced at $10, and 100 each in green and orange, priced at $12 for either color. The EP features a remastered version of “She’s Not Mine,” an original written by singer/guitarist Carl Rusk that was first released in 1984 as part of Bomp Records’ Battle of the Garages Volume 3 and also appeared on 1994 compilation The Roots of Powerpop!

Side Two features two songs recorded in 2012: “Wood and Smoke,” written by vocalist Ray Brandes, and a cover of The Free-For-All’s “Show Me the Way.” The sleeve was designed by fellow San Diego legend Darren Grealish and includes two full-color postcards and liner notes by Mike Stax.

Come get your copy signed by Ray and Carl at A Che Underground Midwinter Masque Feb. 18, when Carl performs with The Nashville Ramblers and Ray teams up with The Secret Squares!

Mark your calendars for ‘A Che Underground Midwinter Masque’!

February 15, 2022November 12, 2021 by admin

Mark ye well: A neat two years since “A Che Underground Leap Night Showcase,” the tribes will gather again in February 2022 for an effervescent weekend of mirth and music.

“A Che Underground Midwinter Masque,” Feb. 18 and Feb. 19 at The Casbah San Diego, will feature legends of the San Diego scene and beyond.

Fancy dress is highly encouraged but not required. (Stay tuned for costume contest details.)

And check out this boffo lineup (with more names to come)!

Skeleton Club vs. SDPD: The trial of Laura Fraser

July 24, 2021July 24, 2021 by admin

A fabulous gift arrived just arrived for Che Underground: The Blog, and ultimately the San Diego Punk Archive!

Skeleton Club founder Laura Devlin (née Fraser) sent along a trove of photos, flyers, ‘zines and other ephemera of the San Diego punk scene in the late ’70s.

“I painted that sign myself, with some leftover house paint.” (Photo D. Reutter)

Her contribution comprises many posts’ worth of seminal rock-‘n’-roll history. Today, we’ll start with Laura’s own account of the rise and fall of the Skeleton Club (which operated from 1978 to 1980 at 202 Market St., then 921 Fourth Ave.). Her tale illustrates the resistance, corruption and downright brutality San Diego music pioneers faced from the authorities at the turn of the ’80s.

Were you there for the Skeleton Club’s last night — or at the subsequent trial? Tell us about it in the comments below!

Laura Devlin writes: A little bit of my personal history: In 1977, I was a nursing student at San Diego State, living with my boyfriend Greg Willis, bass player for the beloved Glory band. Greg was a wonderful man and helped me with the Skeleton Club, along with many other people.

Leighton Koizumi talks ‘Power Hits’

July 15, 2021 by admin

While his musical roots lie deep in the sandy soil of San Diego, Leighton Koizumi has spent recent decades thousands of miles up and to the right, rocking venues from Spain to Sweden (with side trips to China and other ports of call).

Now, the legendary frontman for The Morlocks and The Gravedigger V has crafted a double album in collaboration with Italy’s Tito and the Brainsuckers — and you don’t want to miss these 24 tracks of pure chewing satisfaction.

Due out August 13, Power Hits comprises covers from the Stooges, Love, Moving Sidewalks, Kinks, Eyes, Banshees and even Gordon Lightfoot.

Leighton kindly provided Che Undeground: The Blog insights into his history with lead Brainsucker Tito Macozzi and their creation of Power Hits.

Jerry Cornelius & The Cooler Heads: ‘Electric Flowers’

February 28, 2021February 28, 2021 by admin

When do you celebrate the first anniversary of an event that happened on a Feb. 29? Che Underground: The Blog is jumping the gun with its birthday salute to “A Che Underground Leap Night Showcase,” which transpired Feb. 29, 2020, and featured performances by The Wrecktangle; Jerry Cornelius & The Cooler Heads; and P-Touch All Stars.

On offer today: JC & TCHs’ cover of The Answers classic “Electric Flowers,” along with some liner notes by Mr. Cornelius himself!

“Memories, they have no place/They take up precious time and space.”

When I first saw David Fleminger and The Answers in their form with Tony Suarez and Dave Anderson at the Adams Avenue Theater, I was struck by the force and musicality of what they were playing.

Over the 37 years since then, several of these songs — especially “Color Notes” and “Electric Flowers” — have never been far from my mind.