Leighton Koizumi talks ‘Power Hits’

Album cover of "Power Hits" While his musical roots lie deep in the sandy soil of San Diego, Leighton Koizumi has spent recent decades thousands of miles up and to the right, rocking venues from Spain to Sweden (with side trips to China and other ports of call).

Now, the legendary frontman for The Morlocks and The Gravedigger V has crafted a double album in collaboration with Italy’s Tito and the Brainsuckers — and you don’t want to miss these 24 tracks of pure chewing satisfaction.

Due out August 13, Power Hits comprises covers from the Stooges, Love, Moving Sidewalks, Kinks, Eyes, Banshees and even Gordon Lightfoot.

Leighton kindly provided Che Undeground: The Blog insights into his history with lead Brainsucker Tito Macozzi and their creation of Power Hits.

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In the cards: The Tell-Tale Hearts and Gravedigger Five

Gravedigger Five business card (collection Dylan Rogers) Two small pieces of paper tell a story: When I noticed Dylan Rogers had posted to Facebook a photo of a Gravedigger Five business card, I asked him if I could share it on Che Underground: The Blog, along with the back story on where he acquired it.

“Ron Rimsite gave the card around 20 years ago while I was living in New York,” Dylan replied. “He knew I was big fan of GDV and they had a big influence on my music, so he gave it and a Tell-Tale Hearts card to me.”

Business card for the Tell-Tale Hearts (collection Dylan Rogers) Both cards completed a round trip to San Diego when Dylan returned there, and he’s provided photos of both. Like other ephemera from those days, they each include contact information for members of their respective bands: The Gravediggers card provides phone numbers for rhythm and lead guitarists John Hanrattie and Ted Friedman, and the Tell-Tale Hearts card directs recipients to call bassist Mike Stax and keyboardist Bill Calhoun.

Gravedigger V from the Bacher Collection

Leighton Koizumi and Chris Gast, Gravedigger V, ca. 1983Befitting their short, colorful career from the summers of 1983 to 1984, souvenirs of the Gravedigger V have been in short supply on Che Underground: The Blog. Now, Tell-Tale Hearts guitarist Eric Bacher steps up with two new additions to the set.

“We just did some ‘fall’ cleaning, and I found a few old pictures,” Eric writes. “The one of Leighton and Chris Gast was given to Denise by Leighton some time in the 80’s, I’m not sure of the provenance of the other.”

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The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

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