Joanne Norris | The Che Underground

Noise 292: “Chanson Dada” at the Casbah

July 3, 2011November 20, 2010 by Mmrothenberg

Here’s a song that’s traveled with me since age 16 (when I first translated the words from the 1923 poem by Tristan Tzara) and got its definitive treatment when we formed Noise 292 in 1982.

I’ve played “Chanson Dada” in a lot of bands since (and even recently found my translation had been covered by some wacky Scandinavians!), but it’s probably the composition of mine I identify most closely with Noise 292. That made it a special pleasure to perform at our reunion May 31, 2009, when we presented Che Games for May at San Diego’s Casbah.

Noise 292 plays ‘Mr. Pumpkin’
b/w ‘Talking in Circles’

July 3, 2011October 30, 2010 by Mmrothenberg

I’ve written before on the blog about my oldest musical connection within our scene: with David (a k a Kavika) Rives, the fantastically talented lead guitarist, vocalist and songwriter for Noise 292. My musical association with Kavika began in eighth grade, ca. 1977, and was rekindled after a long separation when Noise 292 reunited to play Che Games for May 2009.

Here are two examples of Mr. Rives’ talent: his songs “Mr. Pumpkin” and “Talking in Circles.”

Noise 292: “Never Come Near”

January 1, 2011February 27, 2009 by Mmrothenberg

(Dave Fleminger recalls this performance from Noise 292’s April 25, 1984, appearance at UCSD’s Center for Music Experiment.)

I strongly remember this show, and especially this song. It was one of the last shows I saw before I left San Diego. Noise 292’s set was solid and focused, and unrelenting. This song, the last one in the set, struck me especially in its cold and alienating embrace.

The vocals and the high melody lock together into a single statement that shatters by the end into a mass of confusion and disjointed thought. Like so many great songs, it was easy to relate to it as a manifestation of my own mixed feelings — in this case about leaving home, my friends, this amazing music scene, everything familiar.

Read moreNoise 292: “Never Come Near”

Noise 292 gets into gear

January 1, 2011January 23, 2009 by Mmrothenberg

Preparations for the May 30 Che Underground reunion at San Diego’s Casbah are picking up steam and uniting musical collaborators separated by miles and decades.

Last weekend marked the first studio reunion of the Northern California contingent of Noise 292, comprising four of the five musicians who played together at the Che Cafe in July 1983: vocalist/ bassist/ guitarist Kristin Martin; vocalist/ guitarist David “Kavika” Rives; percussionist Hobie Hodge; and the Answers’ Dave Fleminger, who reprised his historical role as substitute drummer. (The San Diego faction — drummer Joanne Norris and percussionist Wendell Kling — are on deck to join the festivities in time for the May performance.)

Noise 292: “Sister Ray”

January 1, 2011July 2, 2008 by Mmrothenberg

Performing at the Che Cafe Nov. 17, 1983 (with Hair Theatre and 11 Sons), Noise 292 pays homage to two of its bedrock influences, covering the Velvet Underground’s epic “Sister Ray” and throwing in a few stylings from Joy Division’s version for good measure. (Check out Kristin Martin and me tearing into the “Good night” vocals at the end, à la mode d’Ian Curtis!)

“My first memory of witnessing a Noise 292 show has you screaming your ass off during a performance of ‘Sister Ray,’ incredibly cathartic and tribal,” writes Dave Fleminger. “I’d never seen anything like it … way scarier and more musically violent than Fairmont Hall fare. Ear-punishing.

Noise 292: “The Assassin”

January 1, 2011June 15, 2008 by Mmrothenberg

Here’s a prime example of the Noise 292 dark cabaret — and of Kristin Martin’s power as a singer and storyteller.

Recorded July 29, 1983 (when we performed with the Answers and Hair Theatre at the Che Cafe),
“The Assassin” showcases Noise 292 at its most atmospheric — it’s another facet of the modernist vibe of “Chanson Dada.” (Check out how the drums and scrap-metal percussion complement Kristin’s haunting vocals and David Rives’ spooky guitar work!)

Kristin Martin (rhythm guitar, vocals); David Rives (lead guitar); Hobie Hodge (trash percussion); Joanne Norris (drums); Matthew Rothenberg (bass).

Listen to it now!

The birth of Everybody Violet

January 1, 2011June 14, 2008 by Mmrothenberg

(Everybody Violet co-founder Kristi Maddocks reminisces about making the band. Read these excerpts, then check out the full account in our Related Bands section!)
I hung out in the San Diego underground late ’81 to early ‘82, but I wasn’t an out-‘n’-out player until 1983. After years of watching shows I began to assert myself as a writer, a poet — and a wannabe singer/songwriter.

It was like kismet: As soon as my old roommate moved out, Michelle [Krone] moved into the Madison Avenue place. Tired of being known as just “The Morlocks’ Girls,” Michelle and I looked at each other and said, “Let’s start our own band!” I would sing lead, and Michelle would sing back-up and learn the bass guitar.

Word got around the scene we were looking to become a legitimate group. A couple of days later, Michelle and I were introduced to Anni and Carina, and the great musical partnership of Everbody Violet was born.