Personal Conflict | The Che Underground

Scheming Intelligensia rides again

December 17, 2017November 7, 2010 by admin

(Abortive record mogul Kevin Chanel heralds the post-Internet return of his label with two releases into the brave new world of online media.)

“Why now?”

Been asking that myself. After 15 years of somewhat complete dormancy, Scheming Intelligentsia Records is back with a line of retro classics and unfinished tchotchkes of historical whatnot.

“But why?”

If you recall, back in ’95 we didn’t have no MP3 technology or iZunes being given away with a ten-pak of ramen. You wanted music, you had to buy it on cassette, vinyl or CD. For us instant-gratification enthusiasts, this is a great time to be human.

We are celebrating with the first two releases in our exhumation process: 1987’s PERSONAL CONFLICT album “Rest In Peace” and the previously unreleased, half-baked SOUL BROTHERS masterwerk, “Find My Keys And We’ll Drive Out Of Here.”

‘Our Blow Out’: Reloaded

January 1, 2011July 30, 2009 by admin

(Injections, Noise 292 and Everybody Violet drummer Joey Miller makes a public-service announcement — with guitar!)

DISCLAIMER: This is not a project of either Matthew or me, and there will understandably be different perspectives on it. Great. Please feel free to make /post your thoughts here, but KNOW and UNDERSTAND we are only the messengers.

“Our Blow Out” was a compilation that was originally put together and released in 1983 by Cliff from Social Spit. It was an energetic and amazing accomplishment for its time, and (as many of us can attest) it was an amazing compilation.

Read more about “Our Blow Out”!

Curtis, the owner of TAANG Records, has expressed interest in re-releasing this compilation; he would like to make contact with as many band members as possible to set up a meeting. He is extremely interested in seeing this move forward, and it is our hope to put the word out to see how many originals that this information would reach.

Punk flyer blow out from the Seibert Collection

January 1, 2011January 4, 2009 by admin

You asked for it, we’ve got it: The recent success of the PDF set of mod-themed flyers from the Ken Fugate Collection prompts a 31-page volume of punk classics from early ’80s San Diego, courtesy of our beloved Jason Seibert.

The Seibert flyers reference a variety of venues, including Fairmount Hall, North Park Lions Club and the Adams Avenue Theater (many of them organized by Marc Rude’s Dead or Alive). San Diego acts include Personal Conflict, Men of Clay, No Age Limit, the Skullbusters, Social Spit, Manifest Destiny, Catch-22, Moral Majority, V-5, 5051, the Nutrons, the Middle Class, Battalion of Saints, District Tradition, the Front, Sacred Lies, the Injections and Black Tango.

Read morePunk flyer blow out from the Seibert Collection

Opening Kings Road Cafe

January 1, 2011August 25, 2008 by admin

Jason Seibert’s generous donation of early-’80s San Diego flyers offers a prime opportunity to open discussion of the Kings Road Cafe (née the International Blend), a small venue that played an enormous role in fostering and showcasing an eclectic mix of bands.

The Seibert Collection represents a slice of life at Kings Road in the summer of 1982, starting in June when the club morphed from the I-Blend under the management of Peter “English” Verbrugge. Other artifacts, including a July 1982 calendar (with membership card offer!), highlight the variety of performers that visited 4034 30th St. that summer, both San Diego regulars and up-and-coming out-of-towners.

Then and now: Studio 517

January 1, 2011July 25, 2008 by admin

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Studio 517 sheds its leathers for pinstripes.)

Studio 517 was in full swing during the summers of 1982-’83. Managed by Steve Epeneter — a tall, idiosyncratic fellow nicknamed “Lurch” — its concrete walls housed outstanding performances by the Gravedigger V, The Tell-Tale Hearts, The Wallflowers, Personal Conflict, The Front and many others.

Sean McDaniels (inveterate troll of San Diego hangouts) recalls, “It was only open in the summer, and it was hot. We hung out on the sidewalk out front or in the park more than we did inside where the bands were playing. I remember there was a Chinese lady who used to yell at us from across the street.”

Our Blow Out

January 1, 2011May 22, 2008 by admin

Personal Conflict bassist Toby Gibson and I have been corresponding about a seminal document in the history of San Diego punk: the “Our Blow Out” cassette. Released in 1983 under the Slow Death label, this compilation featured 34 tracks from 14 bands, including some we’ve discussed before (5051, Personal Conflict, Social Spit, the Injections, Sacred Lies) as well as Battalion of Saints, Manifest Destiny, Moral Majority, the Skullbusters, Men of Clay, Black Tango, the Front, Catch 22 and District Tradition. I remember this tape well as the definitive snapshot of a major slice of SD underground history.

Toby’s a far more acute observer, however. Here’s what he has to say: “I posted this on Dave Klowden’s thread but rethought that, both because ‘Our Blow Out’ will make a decent topic on its own and because I didn’t want to detract from the topic of how great 5051 were. But District Tradition were pretty great in their own right, and I think Tommy Rulon could have taken that thing a lot farther. Musically speaking.

What are we listening to NOW?

January 1, 2011April 4, 2008 by admin

In a brief break with the past, Personal Conflict bassist-turned-punk-historian par excellence Toby Gibson suggests an amusing palate-cleanser to catch up with our present doings: What is everyone listening to today, and what are your guilty musical pleasures?

“I’m presently working on a pointless short story whose conclusion has been eluding me while my kid naps on the couch,” Toby writes to tee things up, “and I’m listening to Joe Jackson’s old stuff on the headphones. Twenty years ago there’s just no chance — no way — I never would have guessed this is where I’d be right now here today, but I guess to some extent there’s just no predicting what path a certain person will end up taking. I certainly was ‘too punk’ to admit to enjoying Joe Jackson — or about a million other bands and performers I missed until much later in life. Sad but true.”