Reviving San Diego's Rock Renaissance
(Wallflowers bassist Paul Howland extends an invitation to experience his current avocation.)
Matthew Rothenberg keeps encouraging me to talk about new music on here, so here goes:
Anyone in SD even mildly curious about dubstep and grime should check out MRK1 at the Kava Lounge this week. Read more here. See you there.
P.S. if you do make it down, hit me up for one of my mix CDs.
— Paul Howland
Yet another Wallflowers signature returns from Canada after a 25-year hiatus.
Like the rest of this cache, “Walldrugs” features the original Wallflowers lineup of Dave Rinck (vocals), Paul Howland (bass), Tommy Clarke (guitar) and Aaron Daniels (drums).
“’Walldrugs’ and [Stooges cover] ‘TV Eye’ were recorded in a ’studio’ at Music Power,” Dave Rinck writes. “‘Raw Power’ [another Stooges cover] was, too, but not until a little later than the other two.
“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.
“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!
‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”
(Roving correspondent/photographer Kristen Tobiason finds that Funland — downtown arcade that inspired a Wallflowers song of the same name — has been plowed under: “This swarthy beast consumed the whole lower Broadway strip. Another boring-ass hotel. I miss Funland and all its classic wooden pinball machines.” Wallflowers singer Dave Rinck offers a requiem.)
This is not universally recognized, but the decline of arcade games reflects the soul-sucking changes that have taken place in modern life. Back in the day, arcade games had real physical moving parts, like pinball machines and Skee-ball. Then they invented computer games, and people started going to arcades to stare at computer screens.
Nowadays, kids play home video games on their TV sets, and I believe there aren’t really arcades anymore. This happened simultaneously with the computerization of the movie and music industries. Someday kids won’t even know what an arcade or a cinema even is — and as to music, well, we all know how that’s going. …
(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Studio 517 sheds its leathers for pinstripes.)
Studio 517 was in full swing during the summers of 1982-’83. Managed by Steve Epeneter — a tall, idiosyncratic fellow nicknamed “Lurch” — its concrete walls housed outstanding performances by the Gravedigger V, The Tell-Tale Hearts, The Wallflowers, Personal Conflict, The Front and many others.
Sean McDaniels (inveterate troll of San Diego hangouts) recalls, “It was only open in the summer, and it was hot. We hung out on the sidewalk out front or in the park more than we did inside where the bands were playing. I remember there was a Chinese lady who used to yell at us from across the street.”
Packing so much musical talent into the confines of the San Diego scene pushed the Che Underground Mixmaster into overdrive. A couple of short years produced a dizzying melange of amputations, collaborations and creative explosions as assorted musicians formed new combinations.
Sergio of Hair Theatre sang for the Answers; guitarist David Rives from Noise 292 joined them for one performance as Painted Sun; Sam Wilson moved from the Rockin’ Dogs to the Wallflowers to Hair Theatre; Joanne Norris drummed for the Injections, Noise 292 and Everybody Violet; Crawdaddys and Gravediggers became Nashville Ramblers; half of our bands converged into the Morlocks; and Dave Anderson kept the beat for everybody else.
Just as Canada offered political asylum to Wallflowers artifacts over the past quarter-century, Croatia emerges as the sanctuary for sounds of the original Morlocks.
Drummer Mark Mullen last week received this track fresh from the former Yugoslavia — the first in a completely preserved 13-song show at San Francisco’s Swedish American Hall that was originally broadcast live on KALX. (Could it be this show from Sept. 28, 1985?)
Freshly arrived in town, Jerry Cornelius outdoes himself as MC. “That’s me,” Jerry writes. “Doing the intro in imitation of the Dutch band, Q65 — which the Morlocks worshipped.”
A Morlocks motherlode: Founding bassist Jeff Lucas has opened up his archives to Che Underground: The Blog! His collection of photos, flyers, lyric sheets and other curiosities spans the band’s earliest days in San Diego (summer 1984) to the dissolution of the original lineup three years later.
Here’s a showcase of Jeff’s collection followed by his notes:
More Wallflowers gems from the Cyndie Jaynes Collection!
Besides some great offstage photos of bassist Paul Howland, guitarist Todd Lahman and vocalist David Rinck, this set includes a striking headshot of Dave performing al fresco at the Che Cafe, apparently at the same event where Cyndie caught up with the Tell-Tale Hearts. Could this be the legendary Dave Fest 3, site of the Wallflowers’ triumphant last stand?
Breaking Che Underground news: Sitting poolside in Las Vegas, ur-Morlocks drummer Mark Mullen has reportedly unearthed the band’s legendary lost album, Wake Me When I’m Dead, available for free download.
“It would be cool to put up on the site if people want to download it,” Mark suggests. “I really think most everyone has said they heard it existed, but it was more myth than truth. It was a myth for me until an hour ago.”
Mr. Mullen’s wish … Che Underground: The Blog’s command!
![Ted [Friedman]](https://cheunderground.site/wp-content/uploads/2008/06/img089.jpg){kind=link}
