Tell-Tale Hearts | The Che Underground

King Therapy (Jeremiah Cornelius):
‘The Air That I Breathe’

February 24, 2018December 6, 2017 by Mmrothenberg

There to here: After a lengthy radio silence, Che Underground: The Blog returns with the long-rumored musical resurrection of the scene’s sharpest ear and most astute culture critic. Listen to his first release while reading King Therapy’s process and prospects.

King Therapy is the alter-ego of a secret-identity by Jeremiah Cornelius, created for the presentation of some musical thoughts and ideally, collaboration by like-minded musicians in the roles of various Dissonauts.

“The Air That I Breathe” is the first track completed for a prospective EP of cover songs that are in various stages of near-completion. I always like this song’s ability to poise on a knife-edge between sincerity and pure corniness.

Get your copy! ‘Getting Nowhere Fast’

January 2, 2016 by Mmrothenberg

I’m overdue commemorating an important milestone for the San Diego scene: the release of Ray Brandes’ Getting Nowhere Fast, the long-awaited first volume of band biographies by this talented musician, historian and author.

Featuring an introduction by lead Penetrator Gary Heffern, the book includes unrivaled accounts of Glory, the Zeros, the Penetrators, the Crawdaddys, the Dinettes, the Unknowns, the All-Bitchin’ All-Stud All-Stars (the birthplace of Country Dick Montana), Manual Scan, the Nashville Ramblers, the Gravedigger V and Ray’s own Tell-Tale Hearts.

CU Video Jukebox: We’ve got you covered

January 30, 2022May 25, 2015 by Mmrothenberg

(In the first installment of a series, San Diego musician and impresario Bart Mendoza selects unexpected covers of local bands.)

The ultimate compliment for a band? It has to be having your songs covered – it’s a clear sign you’ve made an impact. It is a rare thing indeed, but percentage-wise, San Diego’s bands circa the late 1970s through the mid 1980s actually have fared quite well, with new generations of musicians taking up inspiration in their songs. Here are 10 examples:

1. Brandywine Road – What Do All The People Know? (originally by the Monroes) This song is well on its way to being a standard, and this is a terrific version.

In the cards: The Tell-Tale Hearts and Gravedigger Five

October 4, 2014 by Mmrothenberg

Two small pieces of paper tell a story: When I noticed Dylan Rogers had posted to Facebook a photo of a Gravedigger Five business card, I asked him if I could share it on Che Underground: The Blog, along with the back story on where he acquired it.

“Ron Rimsite gave the card around 20 years ago while I was living in New York,” Dylan replied. “He knew I was big fan of GDV and they had a big influence on my music, so he gave it and a Tell-Tale Hearts card to me.”

Both cards completed a round trip to San Diego when Dylan returned there, and he’s provided photos of both. Like other ephemera from those days, they each include contact information for members of their respective bands: The Gravediggers card provides phone numbers for rhythm and lead guitarists John Hanrattie and Ted Friedman, and the Tell-Tale Hearts card directs recipients to call bassist Mike Stax and keyboardist Bill Calhoun.

The Tell-Tale Hearts on ‘It’s Happening’

August 31, 2014August 31, 2014 by Mmrothenberg

During its run from the mid-’80s to early ’90s, Audrey Moorehead’s and Dominic Priore’s cable series “It’s Happening” hearkened back to an earlier era of music television. The show featured clips from Priore’s video library as well as a cavalcade of the era’s garage bands.

“Priore and Moorehead choose the bands, design the Spartan sets, and write and edit the show, which is financed by Priore and grants from various cable companies,” the Los Angeles Times described in a 1990 article. “The equipment and crews are provided at no charge through the companies’ local access departments.

“The most striking element about the 30 low-budget segments that have been produced is their glaring, and oddly endearing, roughness. There are no jump cuts, computer-generated special effects or other MTV slickness.”

Gravedigger V from the Bacher Collection

October 28, 2012 by Mmrothenberg

Befitting their short, colorful career from the summers of 1983 to 1984, souvenirs of the Gravedigger V have been in short supply on Che Underground: The Blog. Now, Tell-Tale Hearts guitarist Eric Bacher steps up with two new additions to the set.

“We just did some ‘fall’ cleaning, and I found a few old pictures,” Eric writes. “The one of Leighton and Chris Gast was given to Denise by Leighton some time in the 80’s, I’m not sure of the provenance of the other.”

Gary Heffern & Beautiful People:
‘Baby You Just Don’t Get It’

February 16, 2012 by Mmrothenberg

(Just in time for Che Underground: The Blog’s fourth birthday, Gary Heffern shares an international collaboration featuring some of San Diego’s finest!)

Here is a new song by Gary Heffern & Beautiful People with lyrics written by myself, music by Rustman, and arrangement by Beautiful People: Selinda Shirley, Oulujoe, Mad Mulligan and Rustman.

It also features Ray Brandes, Joe Piper and Dave Fleminger on backup vocals and Ray doing some great harmonica as well. I thought if you would want to feature it on Che, you can do so and have first grabs at featuring the song.

The rise of the Gravedigger Five

September 15, 2014October 2, 2011 by Mmrothenberg

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

I was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

Crawdaddys/Unknowns Labor Day
showcase from the McMullen Collection

January 19, 2012September 15, 2011 by Mmrothenberg

San Diego photographer Sean McMullen is a true friend of Che Underground: The Blog and of most of the participants featured here. He’s also a friend to anyone who cares about preserving gorgeous images of the town’s most exciting gigs.

Sean McMullen, Dave Doyle talk photography

I’m very grateful to him for his latest contribution: this wonderful set of photos from our recent showcase at the Casbah, which ran Sept. 2 and 3 and featured the 30-year San Diego reunions of the Crawdaddys and the Unknowns, supported by a galaxy of local stars.

Stay tuned in the coming weeks for video and audio from Labor Day Weekend 2011!

Here are the acts, in chronological order:

The Ciros at Lestat’s

December 19, 2011September 9, 2011 by Mmrothenberg

Here’s another dose from the July 30, 2011, event “Che Underground present Sounds of the Sunset Strip”: two songs from 1960s Los Angeles performed with skill and élan by the Ciros, making their debut at Lestat’s Coffee Shop.

Like headliners the Sidewalk Scene, the Ciros feature a formidable list of names from San Diego’s music history, as well as some notable newcomers: Thomas Ward (12-string guitar); Anthony Suarez (rhythm guitar); David Klowden (drums); Dave Fleminger (lead guitar); Dave Doyle (bass); Lou Damian (reeds); Dylan Rogers (vocals); Heather Vorwerck (cello); Graziela Damian (vocals).