Reviving San Diego's Rock Renaissance
(Tell-Tale Heart/Town Crier Ray Brandes lays the table for May’s audio feast.)
The Che Underground Weekend Showcase:
Celebrating more than 25 years of San Diego’s underground music history
An incredible opportunity to reconnect, reminisce and rediscover will unfold as 25 years and thousands of miles of distance disappear in a single weekend — May 29 and 30 at the Casbah in San Diego.
The lineups have been set, the bands are rehearsing, and the drinks are on ice. Here’s what to expect:
Of all the bands launched by the Che Underground diaspora, Hair Theatre was easily the most consistently active, gigging on the West Coast well into the 1990s.
This set of flyers from the collection of Hair Theatre lead guitarist Paul Allen spans a full decade, from 1984 to 1994. In the intervening years, the band underwent some personnel changes — most notably in the lead-guitar position — but they never stopped working.
Warning: Flyer #4 below is most likely Not Safe for Work (unless you work in a specialty bookstore or urologist’s office).
(Once again, Manual Scan/Lemons Are Yellow veterans Paul Kaufman and David Fleminger bang the gong to promote the Ché reunion. Except this time, they get some help from a very special guest.)
Last week, the planets aligned — I was in San Francisco, visiting Dave Fleminger at his house; this led to the first musical promo for the reunion in May 2009 that was posted recently. Little did we know that our musical universe was about to explode.
Someone was calling on the phone. A voice said, “Is Dave Fleminger at home?” It was Dave Rinck, the iconic lead singer of the Wallflowers, visiting from Nairobi. Soon we’re all in the studio, and here’s the result. Considering the last time I had seen Dave Rinck in person was when he was onstage in 1984, this was an especially big thrill for me.
Hair Theatre documentarian Laura S. joins the list of contributors to the Che Underground photo archive. First up: a set of photos that I would estimate to be from 1986 or 1987, when Rockin’ Dogs guitarist Sam Wilson joined Hair Theatre after the departure of Paul Allen.
Besides Sammy, this set features our clearest views yet of the rest of the band; there’s vocalist Sergio, of course, but also great shots of bassist Sergio Castillo, guitarist Cesar Castillo and drummer Steve Broach.
(Manual Scan/Lemons Are Yellow veterans Paul Kaufman and Dave Fleminger put the jangle in the world’s first Che Underground jingle!)
Hey Ché fans, Dave Fleminger and myself have put together a little musical promo for our much-anticipated reunion at the end of May at the Casbah in San Diego.
Here are the lyrics, so you can sing along at home:
All you Rockin’ Dogs on the blog,
Meet us there.
The Wallflowers still have raw power!
You can see them there!
More Hair Theatre on YouTube, this time ca. 1984 with Paul Allen on lead guitar.
This video portrays the second major phase of what would prove to be the Che Underground’s longest-running group, enduring into the ’90s. (This is also the lineup that recorded the classic MP3s we’ve shared so far on the blog.)
When I first encountered Hair Theatre in July 1983, it was a four-piece with Howard Palmer on drums. By the end of the year, Howard had ceded the drum stool to Steve Broach, and Paul had added his guitar to Cesar Castillo’s.
Hearing “What Should I Say” after 25 years is another Proustian revelation to me; the tight songwriting and machine-gun delivery cuts through the murk of the video and taps wellsprings of love and admiration for this band.
Can anyone identify the venue? And who’s the young lady with the pink hair gyrating in the front row?
(Hair Theatre guitarist Paul Allen describes one photograph’s journey.)
This is one of 4 photos, as I recall, that [Hair Theatre vocalist] Sergio had given me before I moved to San Francisco in February 1989. I think Laura Swapp took them. I couldn’t tell you where we were playing. Like most of the clubs back then, the predominant color is black.
In the spring of 1992 I moved on a whim (the morning after the night I decided to go, after staying up all night) to New Orleans. Having prepared little, I ended up in an apartment with no furniture, stove or fridge. I’d turn on the light at night to find a virtual colony of roaches, beetles and crickets all scurrying for this giant hole in the closet floor. At this point I was so broke I was living on peanut butter & jelly and Thunderbird (a fifth chilled for $2.59!).
I entrusted a friend back in S.F. to sell my amp, stereo, books and records. The deal was he would keep 40 percent and send me 60 percent.
From the same 1983 Lab Studios demo that brought us “Nightfall,” here’s Hair Theatre performing “Rolling Soul,” another signature number and staple of the band’s early-’80s repertoire. This track showcases the clean confidence of Hair Theatre’s early years and highlights the sophistication and charisma that vocalist/ songwriter Sergio demonstrated by age 18.
It also commemorates the collaborative skills of Sergio and Answers co-founder Dave Fleminger (demonstrated elsewhere with a recording of Sergio’s “He’s Calling You Tonight.”) “Sergio and I wrote that song one afternoon at [original Hair Theatre drummer Howard Palmer’s Carlsbad] shack,” Fleminger recalls. “The song was part of the expanded ‘3 Daves’ Answers sets, including our ‘Painted Sun’ gig opening for the Unclaimed at the UCSD Rec Gym” April 14, 1984.
A disc I received from Hair Theatre guitarist Paul Allen adds new showpieces to the Che Underground flyer collection. Today, a trio of flyers advertising a single show March 7, 1986, at the Jackie Robinson YMCA, featuring Hair Theatre; Synesthesia (the great band led by Noise 292 co-founder Kristin Martin); and Decision (another terrific band that featured drum god Paul Brewin, who’d most recently played with Manual Scan).
This set demonstrates the tendency of individual shows to generate multiple flyers, often featuring a different “headliner” depending on the band running the photocopier. Exhibit A also showcases the artistry of David Dick, a new addition to our roster of flyer talent.
Read moreHair Theatre/Synesthesia/Decision, Jackie Robinson Y
Like many Che Underground musicians, I left San Diego in the mid-’80s (February 1987 in my case). However, the Che Cafe itself continued to host music by a variety of acts, many of them related to the bands that staked out the turf in the earlier ’80s.
Generous donors including Bart Mendoza and Bruce Haemmerle have sent me flyers from late-’80s Che Cafe shows. I’m eager to start making connections between the gigs of 1983-’85 and those that happened (at the Che and elsewhere in San Diego) after many of us here had decamped to San Francisco or other ports of call.
