Lemons Are Yellow: Afuegal Pitu

(Paul Kaufman describes the creative ferment behind a Lemons classic.)

Afuegal Pitu cheeseThis song was written in tribute to the delicious cheeses of Spain. I chose “Afuegal Pitu” as the title not because it’s my favorite (that would be the powerful blue Cabrales or the smoky sheep cheese Idiazabal, depending on the day) but because it has the best name. Afuegal Pitu has a lot of red pepper in it, and the name is a local-dialect version of “Fire in the Throat.” Indeed, all the lyrics (except for the spoken-word part in the middle) are simply the names of different Spanish cheeses.

I used to live near an excellent cheese shop (the Cheese Board in Berkeley, CA), and I was so enamoured of the Spanish Cheese Poster they had on display, I wrote to the Spanish Ministry of Agriculture to ask where I could get one. It now hangs in my kitchen.

Lemons Are Yellow: “Spotted Dick”

(Lemons Are Yellow member Paul Kaufman describes the secret sauce behind the song.)

File:Spotted Dick Wikimeet London 2005.jpgBack in the day, Tower Market atop Mount Davidson in San Francisco was the place for the band Lemons Are Yellow to stock up on snacks. This medium-sized grocery had an inexplicably large “British Foods” section, where you could stock up on Devonshire cream; HP sauce; and a mix for making your own dessert known as “Spotted Dick,” a baked pudding containing dried currants (hence the spots). Of course, the packaging called out to us, and soon we were at the Fleminger kitchen, baking up a batch.

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A decade of Hair Theatre from the Allen Collection

Detail: Hair Theatre flyer; Studio 517, August 31, 1984 (collection Paul Allen)Of all the bands launched by the Che Underground diaspora, Hair Theatre was easily the most consistently active, gigging on the West Coast well into the 1990s.

Detail: Hair Theatre/Eleven Sons/Faces of Drama flyer; Rock Palace, Feb. 16, 1985 (collection Paul Allen)This set of flyers from the collection of Hair Theatre lead guitarist Paul Allen spans a full decade, from 1984 to 1994. In the intervening years, the band underwent some personnel changes — most notably in the lead-guitar position — but they never stopped working.

Warning: Flyer #4 below is most likely Not Safe for Work (unless you work in a specialty bookstore or urologist’s office).

Detail: Hair Theatre/Morlocks ad; Roxy/Club Cult, Dec. 26, 1984 (collection Paul Allen)Detail: Hair Theatre/Eleven Sons/Faces of Drama flyer; Rock Palace, Feb. 16, 1985 (collection Paul Allen)Detail: Hair Theatre/Eleven Sons/Faces of Drama ad; Rock Palace, Feb. 16, 1985 (collection Paul Allen)Detail: Hair Theatre/Penguins Slept/the Society flyer; Gaslamp Quarter Theater, Dec. 28, 1985 (collection Paul Allen)Detail: Hair Thatre flyer; Dreamstreet, Jan. 14, 1994 (collection Paul Allen)Detail: Hair Theatre/Swivelneck; Bodie’s, March 10, 1994 (collection Paul Allen)

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Noise 292: “Never Come Near”

(Dave Fleminger recalls this performance from Noise 292’s April 25, 1984, appearance at UCSD’s Center for Music Experiment.)

Detail: Noise 292 flyer for April 1984 eventsI strongly remember this show, and especially this song. It was one of the last shows I saw before I left San Diego. Noise 292’s set was solid and focused, and unrelenting. This song, the last one in the set, struck me especially in its cold and alienating embrace.

The vocals and the high melody lock together into a single statement that shatters by the end into a mass of confusion and disjointed thought. Like so many great songs, it was easy to relate to it as a manifestation of my own mixed feelings — in this case about leaving home, my friends, this amazing music scene, everything familiar.

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Photo paydirt from the garage

Detail: Greg S.)“Hi Matthew,” writes Greg S. “Maybe you remember me. … Toby Thunderbird/ Lifehater/ Gibson told me about your site.

“I’m visiting the US and thought I’d dig up some old photos to contribute, which have been sitting in a box in my mom’s garage. … Wasn’t sure how/where to post them, so here they are.”

Detail: Patrick Works, Jeff Lucas, Eric Bacher, Jerry Cornelius ca. 1983 (collection Greg S.)Detail: Maria Dudley (collection Greg S.)Detail: Patrick Works (collection Greg S.)Detail: Jeff Lucas, Tamara Brown (collection Greg S.)Detail: Larry Nadler (collection Greg S.)
Detail: Wendell Kling (collection Greg S.)Detail: Jeff Lucas, Greg S., Marianne (collection Gregory S.)Detail: Grant Dickson, Mary, Jeff (collection Greg S.)Detail: Jerry Cornelius (collection Greg S.n)
Detail: Tamara Brown (collection Greg S.)Detail: Justin Andrezi (collection Greg S.)Detail: Elaine Winnard and unknown (collection Greg S.)Detail: Unidentified girl (collection Greg S.)

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The Ho Hos: “Judas Twist”

Detail: Ho Hos, April 30, 1994Another Jeff Lucas composition for this mid-’90s San Francisco ensemble of San Diego expats.

Besides prompting me to write many songs I still like a great deal, the Ho Hos offered a great opportunity to sing new originals written by other songwriters. Both Jeff and Steve Lam came through with some amazing material.

I’ve always been crazy about “Judas Twist,” which I believe was recorded live at Hanno’s in the Alley with engineering help from the indefatigable Jason Brownell. It’s got more hooks than a bait shop, and the band blasts through it with trademark panache.

Matthew Rothenberg (vocals, guitar); Jeff Lucas (bass); Robert Labbe (drums); and Steve Lam (lead guitar).

Listen to it now!

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Ché Games for May: Musical Promo 2

(Once again, Manual Scan/Lemons Are Yellow veterans Paul Kaufman and David Fleminger bang the gong to promote the Ché reunion. Except this time, they get some help from a very special guest.)

Che Guevara b&w portraitLast week, the planets aligned — I was in San Francisco, visiting Dave Fleminger at his house; this led to the first musical promo for the reunion in May 2009 that was posted recently. Little did we know that our musical universe was about to explode.

Someone was calling on the phone. A voice said, “Is Dave Fleminger at home?” It was Dave Rinck, the iconic lead singer of the Wallflowers, visiting from Nairobi. Soon we’re all in the studio, and here’s the result. Considering the last time I had seen Dave Rinck in person was when he was onstage in 1984, this was an especially big thrill for me.

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Ché Games for May: Musical Promo

(Manual Scan/Lemons Are Yellow veterans Paul Kaufman and Dave Fleminger put the jangle in the world’s first Che Underground jingle!)

The Casbah — live since 1989Hey Ché fans, Dave Fleminger and myself have put together a little musical promo for our much-anticipated reunion at the end of May at the Casbah in San Diego.

Here are the lyrics, so you can sing along at home:

All you Rockin’ Dogs on the blog,
Meet us there.
The Wallflowers still have raw power!
You can see them there!

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Manual Scan in autofocus

Detail: Manual Scan (Bart Mendoza, Kevin Ring, Paul Kaufman) (collection Bart Mendoza)Bart Mendoza of Manual Scan and the Shambles comes through with a cache of photos, sounds and a video montage of Scan and its predecessors, the Pedestrians and Starjammer.

First up: a photo of three-quarters of the original Manual Scan lineup from 1981. The band had recently formed when Bart Mendoza and Kevin Ring of the Pedestrians (guitars) joined forces with Dave Fleminger (bass) and Paul Kaufman (drums). Says Bart (on the left), “Here is an early pic for the site, I’d love to hear what Paul remembers of this day. I think it’s a transitional pic, just post-Pedestrians, probably a few weeks after.”

Paul Kaufman responds, “It’s a blast to see this! Yes, I remember when we headed down to Balboa Park, which provided nice backdrops for a photo shoot … But where’s Dave in this photo?… You can tell I wasn’t able to keep up with the Mod attire. I think the jacket might have been a last-minute addition from the Ring wardrobe.”

Detail: Pedestrians onstage, Abbey Road (collection Bart Mendoza)Detail: Boys About Town, 1986 (collection Bart Mendoza)Detail: Pedestrians flyer; Wizard; Dec. 29, 1980 (collection Bart Mendoza)Detail: Dennis, Jerry, Bart, Dave; Kings Road (collection Bart Mendoza)
Detail: Untouchables/Manual Scan/Playground Slap/Trebles; SDSU; Dec. 3, 1983 (collection Bart Mendoza)Detail: Starjammer, New Year’s (?) at Bird Rock (collection Bart Mendoza)Detail: Manual Scan in Balboa Park (collection Bart Mendoza)

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David Anderson: Drummer at large

(Manual Scan/Lemons Are Yellow vet Paul Kaufman recognizes a man who set the pulse of the scene.)
Detail:The Answers’ Dave Anderson (collection Dave Fleminger)Many contributors to Che Underground: The Blog have already mentioned David Anderson, a legendary figure in our musical history. To recap, he made major contributions to The Gravedigger V, The Answers, Manual Scan, The Crawdaddys, The Trebels and I Spy. This vast resumé reflects the fact that Dave was already a formidable drum talent by his early teens. At one point his kick drum read, “Your Band Name Here.”

But Dave was much more than just a guy behind the drum kit. Answers bandmate David Fleminger says, “I first met Dave (I think he was 13) when he was playing with I Spy. He’s an amazingly energetic and innovative talent who can lay down a foundation beat like no one else. A fantastic bandmate with a great sense of humor.”

“David Anderson? A legend!” Manual Scan co-founder Bart Mendoza recalls. “Some of my fondest tour stories involve him. We once snuck all our friends into the General Public shows we were opening in San Francisco and had one of the best parties ever. I remember playing bumper chairs as beer was spilled all over the floor of our dressing room at The Kabuki Theatre and the night getting pretty rowdy. David nearly caused a riot in Las Vegas because he went commando onstage. He played a squeaky-toy solo at the Mabuhay Gardens in San Francisco.

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