Reviving San Diego's Rock Renaissance
A recent comment by Kristen Tobiason has me puzzling over how best to focus conversation on the Gravedigger V, a youthful San Diego band whose brief existence in 1983-1984 has inspired a quarter-century of notoriety.
There are plenty of online references to the band and its album “All Black and Hairy,” but many pieces are of questionable accuracy. What can we do to set the record straight?
Here’s another video sequence from the Morlocks’ 1986 performance at the Stone in San Francisco that included the version of “My Friend the Bird” previously aired on Che Underground: The Blog.
“I’m not sure who wrote it,” says drummer Mark Mullen. “All I remember is that it was written for Brother Ed from The Brotherhood of Light. He did our liquid light show, and his biker pals did security.
“‘Two Wheels Go’ was for the bikers, Hells Angels I believe.”
Of all the bands launched by the Che Underground diaspora, Hair Theatre was easily the most consistently active, gigging on the West Coast well into the 1990s.
This set of flyers from the collection of Hair Theatre lead guitarist Paul Allen spans a full decade, from 1984 to 1994. In the intervening years, the band underwent some personnel changes — most notably in the lead-guitar position — but they never stopped working.
Warning: Flyer #4 below is most likely Not Safe for Work (unless you work in a specialty bookstore or urologist’s office).
Always seeking better ways to digitize your San Diego youth, the Che Underground blog today attempts a new delivery mechanism: a downloadable PDF file encapsulating more than 70 high-resolution pages of mid-’80s, mod-friendly flyers courtesy of Ken Fugate.
Every page of this magnum opus is a Proustian gem featuring performances by the Tell-Tale Hearts, the Morlocks, Manual Scan, the Trebels, the Nephews, the Nashville Ramblers, the Sovereigns, 39 Steps and many more. (I’m especially excited by the flyer hailing the debut of the Town Criers.)
(Morlocks drummer Mark Mullen comes through with the video goods.)
This was a show we did at The Stone on Broadway in San Francisco in 1986 with Jordan Tarlow from the Fuzztones on rhythm guitar. It’s a 23-year-old VHS tape, so no complaining. I believe we did a real wild show somewhere the night before, so this was a little lackluster for The Morlocks.
The Morlocks are really a myth, cult, fantasy and intrigue to a lot of people across the US and around the world. I wish they all could have experienced the many great shows we put on, but that’s not the case. I wish I had excellent video footage of these times for everyone to see. This was a wild, wild time, and not much survived from the era. (I challenge anyone out there to cough up any footage if you have it.)
The latest showpieces from the Tom Goddard Collection of classic San Diego flyers.
Today’s batch includes additional Tell-Tale Hearts ephemera (Exhibit A, from a July 27, 1984, show at Studio 517, bears autographs dedicated to Tom’s sister Suzie); a very early appearance (probably August 18, 1984) by “the Morlochs” (sic) with the Hearts at the same venue; a Nashville Ramblers gig; Tell-Tale Hearts and Chesterfield Kings at SDSU’s Backdoor; and a Distillery East show with Manual Scan, the Untouchables and UXB, a band I’m afraid I’d forgotten completely before taking delivery of this cache.
Tom Goddard’s trove of flyers continues to bear dividends for Che Underground: The Blog. Today’s bequest from the Goddard Collection features show pieces from the Morlocks’ 1984 and 1985 performances in San Diego, Los Angeles and San Francisco, created by artists including Jerry Cornelius and Kristen Tobiason.
“For more information, call [Tell-Tale Hearts bassist] Mike [Stax],” reads the Tobiason flyer in the lead spot of this post. “If he ain’t home, call [Morlocks guitarist] Ted [Friedman] … If he ain’t home, call [Morlocks bassist] Jeff [Lucas] … ,” providing phone numbers for each. Now that’s customer service!
Another number from the Ho Hos, the mid-’90s San Francisco group of Che Underground transplants that included me on vocals and guitar; former Morlocks bassist Jeff Lucas; Robert Labbe (ex-3 Guys Called Jesus drummer); and Steve Lam on lead guitar.
“Creeping Vine (Love Is A … )” comes from the same 1993 demo session that generated “Snowball” and was written by Jeff. Getting to sing material penned by Mr. Lucas was always exciting to me, and I am crazy about the way the lead guitar and rhythm section work together on this song.
(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Greenwich Village West learns Tagalog.)
Time has reduced my memory of the Greenwich Village basement to a hot cement pit: the flickering yellow light and a stairwell descending to a gully that had possibly the worst acoustics I’ve ever experienced!
I remember Morlocks guitarist Ted Friedman’s reverb hitting the wall — flat and nowhere to go, just like the smoke from our cigarettes. But we all had a good time. … Everybody who was anybody was there, right? (Maybe I’m harboring band-girlfriend resentment from schlepping equipment up and down those stairs.)
“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.
“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!
‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”
![Mike [Stax]](https://cheunderground.site/wp-content/uploads/2008/06/img113.jpg){kind=link}
![Ted [Friedman]](https://cheunderground.site/wp-content/uploads/2008/06/img089.jpg){kind=link}
![Jeff [Lucas]](https://cheunderground.site/wp-content/uploads/2008/06/img058.jpg){kind=link}
