In the cards: The Tell-Tale Hearts and Gravedigger Five

Gravedigger Five business card (collection Dylan Rogers) Two small pieces of paper tell a story: When I noticed Dylan Rogers had posted to Facebook a photo of a Gravedigger Five business card, I asked him if I could share it on Che Underground: The Blog, along with the back story on where he acquired it.

“Ron Rimsite gave the card around 20 years ago while I was living in New York,” Dylan replied. “He knew I was big fan of GDV and they had a big influence on my music, so he gave it and a Tell-Tale Hearts card to me.”

Business card for the Tell-Tale Hearts (collection Dylan Rogers) Both cards completed a round trip to San Diego when Dylan returned there, and he’s provided photos of both. Like other ephemera from those days, they each include contact information for members of their respective bands: The Gravediggers card provides phone numbers for rhythm and lead guitarists John Hanrattie and Ted Friedman, and the Tell-Tale Hearts card directs recipients to call bassist Mike Stax and keyboardist Bill Calhoun.

The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

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The Morlocks between the covers

Detail: Morlocks: Proofs from Time magazine shoot (collection Jeff Lucas)More video from the original Morlocks has emerged on YouTube, including covers of songs by the 13th Floor Elevators, Q65 and the Count Five.

Exhibit A is a video by Eric Predoehl of the Morlocks performing the 13th Floor Elevators’ “You Don’t Know.” According to the post, it’s from an event produced by KFJC Radio and I.B.S. at the Works Gallery in San Jose, Calif., on Nov. 22, 1985:

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Surfacing the Gravedigger V

A recent comment by Kristen Tobiason has me puzzling over how best to focus conversation on the Gravedigger V, a youthful San Diego band whose brief existence in 1983-1984 has inspired a quarter-century of notoriety.

There are plenty of online references to the band and its album “All Black and Hairy,” but many pieces are of questionable accuracy. What can we do to set the record straight?

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The Morlocks: “Two Wheels Go”

Detail: Leighton Koizumi, “Two Wheels Go”; the Stone, 1986 (collection Mark Mullen)Here’s another video sequence from the Morlocks’ 1986 performance at the Stone in San Francisco that included the version of “My Friend the Bird” previously aired on Che Underground: The Blog.

“I’m not sure who wrote it,” says drummer Mark Mullen. “All I remember is that it was written for Brother Ed from The Brotherhood of Light. He did our liquid light show, and his biker pals did security.

“‘Two Wheels Go’ was for the bikers, Hells Angels I believe.”

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The Morlocks: “My Friend the Bird”

(Morlocks drummer Mark Mullen comes through with the video goods.)

Detail: Leighton Koizumi, Morlocks, 1986 (collection Mark Mullen)This was a show we did at The Stone on Broadway in San Francisco in 1986 with Jordan Tarlow from the Fuzztones on rhythm guitar. It’s a 23-year-old VHS tape, so no complaining. I believe we did a real wild show somewhere the night before, so this was a little lackluster for The Morlocks.

The Morlocks are really a myth, cult, fantasy and intrigue to a lot of people across the US and around the world. I wish they all could have experienced the many great shows we put on, but that’s not the case. I wish I had excellent video footage of these times for everyone to see. This was a wild, wild time, and not much survived from the era. (I challenge anyone out there to cough up any footage if you have it.)

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The Morlocks in flyers

Morlocks/Tell-Tale Hearts, Sept. 1, 1985(?) (art by Kristen Tobiason, collection Tom Goddard)Tom Goddard’s trove of flyers continues to bear dividends for Che Underground: The Blog. Today’s bequest from the Goddard Collection features show pieces from the Morlocks’ 1984 and 1985 performances in San Diego, Los Angeles and San Francisco, created by artists including Jerry Cornelius and Kristen Tobiason.

Detail: Morlocks group shot (collection Tom Goddard)“For more information, call [Tell-Tale Hearts bassist] Mike [Stax],” reads the Tobiason flyer in the lead spot of this post. “If he ain’t home, call [Morlocks guitarist] Ted [Friedman] … If he ain’t home, call [Morlocks bassist] Jeff [Lucas] … ,” providing phone numbers for each. Now that’s customer service!

Detail: Tell-Tale Hearts/Morlocks, Studio 517, August 18, 1984 (collection Tom Goddard)Detail: Morlocks/Need; Rave-Up, LA; Feb. 2, 1985 (art by Jerry Cornelius, collection Tom Goddard)Detail: Morlocks/Things/Through the Looking Glass/Nephews, UCSD Gym, April 26, 1985 (collection Tom Goddard)Detail: Morlocks/Things/Through the Looking Glass/Nephews, UCSD Gym, April 26, 1985 (collection Tom Goddard)Detail: Morlocks/Red Kross, May 1, 1985 (collection Tom Goddard)
Detail: Dead Kennedys/Morlocks/Stoney Burke/Camper Van Beethoven/Rhythm Pigs, Oct. 1, 1985, Mabuhay, SF (collection Tom Goddard)Detail: Chesterfield Kings/Morlocks, Mabuhay Gardens, Nov. 14, 1985 (collection Tom Goddard)Detail: Morlocks, Club 181, SF; Oct. 31, 1985(?) (collection Tom Goddard)Detail: Morlocks/The Fourgiven/Yard Trauma; Swedish American Hall, San Francisco; August 31, 1985 (collection Tom Goddard)

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Then and now: Greenwich Village West

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Greenwich Village West learns Tagalog.)

Detail: 536 Fifth Ave., San Diego (outside), July 2008 (photo by Kristen Tobiason)Time has reduced my memory of the Greenwich Village basement to a hot cement pit: the flickering yellow light and a stairwell descending to a gully that had possibly the worst acoustics I’ve ever experienced!

I remember Morlocks guitarist Ted Friedman’s reverb hitting the wall — flat and nowhere to go, just like the smoke from our cigarettes. But we all had a good time. … Everybody who was anybody was there, right? (Maybe I’m harboring band-girlfriend resentment from schlepping equipment up and down those stairs.)

Detail: 536 Fifth Ave., San Diego (sign), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (entry), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (band entrance), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (basement), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (Filipino museum), July 2008 (photo by Kristen Tobiason)

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The Morlocks: “You Mistreat Me” b/w “The Key”

Detail: Morlocks in Golden Gate Park (collection Jeff Lucas)“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.

“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!

Morlocks’ Leighton Koizumi with Jerry Cornelius (collection Jeff Lucas)‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”

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The Morlocks: “One Way Ticket” live in SF

Detail: Morlocks: Proofs from Time magazine shoot (collection Jeff Lucas)Here’s another piece of the Morlocks’ performance at San Francisco’s Swedish American Hall, captured by KALX radio on Sept. 28, 1985.

This live performance of “One Way Ticket,” which bassist Jeff Lucas has called lead guitarist Tommy Clarke’s “masterpiece,” closed that memorable show.

“I distinctly recall how the song’s signature stuttered rhythm would stick with you: out onto Market St., on the way home, and on for days,” recalls Paul Kaufman. “That was the best Morlocks show I ever saw.”

Read moreThe Morlocks: “One Way Ticket” live in SF

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