Reviving San Diego's Rock Renaissance
Sweeping onto the scene from northernmost San Diego County in 1983, Hair Theatre made its mark with a brand of American Gothic that was far ahead of its era.
This rare video of “What Should I Say” shows Hair Theatre at the peak of its power and offers a glimpse of the charisma that would make the band a legend among music cognoscenti.
The date was Dec. 28, 1984, and the venue was the Gaslamp Quarter Theater, where Hair Theatre appeared with Penguins Slept and Orange County’s Society.
(In this installment, Che Underground: The Blog talks to the original drummer of Manual Scan and co-founder of Lemons Are Yellow about his memories of the San Diego scene and his far-ranging career in biochemistry. If you’d like your story told, e-mail cheunderground@gmail.com!)
We actually met right after you’d left San Diego to study at UC Berkeley, then for your doctorate at MIT. But you stayed in close touch with all of us who were still in America’s Finest City. What was it like coming back for short visits and seeing the scene change?
I have very vivid memories coming back during quarter breaks and other holidays during my first year away, 1982-3. The most shocking thing was that every time I came back, the Answers song list was totally different, even within a couple of months! At the same time, the Mod scene became incredibly huge, and the punk scene seemed to go from an artistic, underground scene to a place laced with way too much testosterone. So I did feel like I was missing a lot, a lot was indeed happening, and not being there day-to-day probably accentuated that feeling. I stayed in San Diego during that amazing summer of ’83, so I did get to see some of the best parts first hand. (cue “Nowhere”).
And then when I came back summer of ’84, so much more had changed. No more Answers. No more Noise 292. I think that summer, the Morlocks emerged (pun intended) at a party at Paul Allen’s house. I remember I had to stand back, they were so loud, and I was accustomed to some pretty loud stuff back then! They played “Voices Green and Purple,” it was intense. And before long, everyone was up in San Francisco, just across from me in Berkeley, so I got to see a bit of that era before I left for Boston in late ‘86.
Read moreThere to Here: Paul Kaufman,
University of Massachusetts Medical School
Che Underground New Year’s resolution #1: Get better about tackling our backlog of treasures.
Here’s an assortment of photographs I’m long overdue to post from the collection of Laura S. These 10 photos include mid-’80s shots of Hair Theatre and other nears and dears, followed by Laura’s recollections of the circumstances behind each. Help fill in the blanks!
More Answers for the 21st century: Videotaped at Bar Pink July 31, 2010, at the Che Underground Rock-‘n’-Roll Weekend, “Margaret Flies” and “Creative Art” represent two eras of this incredibly prolific band.
“Margaret Flies” was a highlight of the band I first encountered in spring 1983; Jerry Cornelius’ lyrics, set to music by Jeff Lucas, still take my breath away after all these years. Meanwhile, guitarist/vocalist Dave Fleminger describes the return of “Creative Art” to the Answers set list:
Read moreThe Answers: “Margaret Flies”/
“Creative Art” at Bar Pink
Our Che Games for May 2009 show at San Diego’s Casbah regrouped nine legendary bands and ignited countless personal reunions. The crescendo of the two-night event was the triumphant return of the incredible Hair Theatre, seen here performing “In Obscurity” for the madding throng.
Seeing Hair Theatre perform together again was a personal highlight. This band amazed and delighted me from the first time I saw them play a party in Leucadia in 1983, and the reunion of members scattered along the West Coast was more than I could have hoped for when we first conceived this event.
While we await the arrival of new video from Che Games for May 2009, here’s some more vintage footage of the Hair Theatre lineup that reunited for that show.
Like “What Should I Say,” this sizzling performance of “Final Steps” dates from 1984 and features Sergio (vocals); Sergio Castillo (bass); Cesar Castillo (guitar); Paul Allen (guitar); and Steve Broach (drums).
Check out more Hair Theatre and other Che Underground video morsels on the Che Underground YouTube channel!
(Tell-Tale Heart/Town Crier Ray Brandes lays the table for May’s audio feast.)
The Che Underground Weekend Showcase:
Celebrating more than 25 years of San Diego’s underground music history
An incredible opportunity to reconnect, reminisce and rediscover will unfold as 25 years and thousands of miles of distance disappear in a single weekend — May 29 and 30 at the Casbah in San Diego.
The lineups have been set, the bands are rehearsing, and the drinks are on ice. Here’s what to expect:
Of all the bands launched by the Che Underground diaspora, Hair Theatre was easily the most consistently active, gigging on the West Coast well into the 1990s.
This set of flyers from the collection of Hair Theatre lead guitarist Paul Allen spans a full decade, from 1984 to 1994. In the intervening years, the band underwent some personnel changes — most notably in the lead-guitar position — but they never stopped working.
Warning: Flyer #4 below is most likely Not Safe for Work (unless you work in a specialty bookstore or urologist’s office).
Hair Theatre documentarian Laura S. joins the list of contributors to the Che Underground photo archive. First up: a set of photos that I would estimate to be from 1986 or 1987, when Rockin’ Dogs guitarist Sam Wilson joined Hair Theatre after the departure of Paul Allen.
Besides Sammy, this set features our clearest views yet of the rest of the band; there’s vocalist Sergio, of course, but also great shots of bassist Sergio Castillo, guitarist Cesar Castillo and drummer Steve Broach.
More Hair Theatre on YouTube, this time ca. 1984 with Paul Allen on lead guitar.
This video portrays the second major phase of what would prove to be the Che Underground’s longest-running group, enduring into the ’90s. (This is also the lineup that recorded the classic MP3s we’ve shared so far on the blog.)
When I first encountered Hair Theatre in July 1983, it was a four-piece with Howard Palmer on drums. By the end of the year, Howard had ceded the drum stool to Steve Broach, and Paul had added his guitar to Cesar Castillo’s.
Hearing “What Should I Say” after 25 years is another Proustian revelation to me; the tight songwriting and machine-gun delivery cuts through the murk of the video and taps wellsprings of love and admiration for this band.
Can anyone identify the venue? And who’s the young lady with the pink hair gyrating in the front row?