The Ciros at Lestat’s

The Ciros play "7 & 7 Is"; Lestat's, July 30, 2011Here’s another dose from the July 30, 2011, event “Che Underground present Sounds of the Sunset Strip”: two songs from 1960s Los Angeles performed with skill and élan by the Ciros, making their debut at Lestat’s Coffee Shop.

Like headliners the Sidewalk Scene, the Ciros feature a formidable list of names from San Diego’s music history, as well as some notable newcomers: Thomas Ward (12-string guitar); Anthony Suarez (rhythm guitar); David Klowden (drums); Dave Fleminger (lead guitar); Dave Doyle (bass); Lou Damian (reeds); Dylan Rogers (vocals); Heather Vorwerck (cello); Graziela Damian (vocals).

Read moreThe Ciros at Lestat’s

Che Underground meets Sunset Strip

(Sidewalk scenes and black limousines: On July 30, Che Underground presents Sounds of the Sunset Strip at Lestat’s Coffee Shop, featuring the Sidewalk Scene, the Ciros, Wendy Bailey & True Stories, and James Ruelas. Show organizer and Ciros reed player Lou Damian reflects on how Los Angeles’ sound of the ’60s influenced so many San Diegans who came of age 15 years later.)

Sunset Strip detailThe crazy thing about this July 30 show is that we relate to this music from the Sunset Strip of the mid- to late ’60s as our music, as the music we grew up with. But in actuality, we were just tots or infants when it was first published. There’s something about this music that stays within our fabric even today. When I hear a Byrds song or a Buffalo Springfield song, I know that I heard it as a young man on the radio. I know I heard that song when I was a year or two old. And it’s just another part of who I am.

The garage rock, psych rock, and blues and folk rock of that era is an important contribution to American music and the West Coast sound. This is what we always championed as our West Coast identity … in the so-called “Che Underground.”

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Welcome home, Dave Fleminger!

(Lou Damian salutes Dave’s relocation to San Diego after a 25-year absence and cuts the ribbon on a groovy summer night in the city.)

Sounds of the Sunset Strip flyer (Kristen Tobiason)Che Underground presents SOUNDS of the SUNSET STRIP: Saturday night 9pm on July 30, 2011, at Lestat’s Coffee Shop.

We always wanted to pay tribute to the bands we dug from this era … And now with the return of Flem to San Diego, the scene is set and we can move forward on this idea … We also decided to call ourselves The CIROS in honor of nightclub where the BYRDS made their debut.

Read moreWelcome home, Dave Fleminger!

Cardiac Kidz with Blood on Fire

(The Cardiac Kidz’s Jim Ryan recounts his band’s recent performance to support Gary Heffern’s return to San Diego, including new collaborators and material.)

After a Penetrators reunion show the Sunday before, Gary Heffern appeared once again at the Casbah for his CD release show to debut “Gary Heffern & Beautiful People” and his San Diego all-star band “Blood on Fire.” Those of us who came prepared were able to take not only the show home but the CD from this consummate artist, now living in Finland.

Sean McMullen’s words and images from the Penetrators reunion!

Here I am over 30 years later, remembering my last performance with Gary when the Penetrators, the Cardiac Kidz and the Standbys played the Spirit night club in 1980.

After getting the call from Gary that he would like the Cardiac Kidz to open the show, I was on the move. The boys digging the opportunity and me looking forward to seeing Gary again, I knew this show had to be special. Gary is a special guy.

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The Answers: “Margaret Flies”/
“Creative Art” at Bar Pink

More Answers for the 21st century: Videotaped at Bar Pink July 31, 2010, at the Che Underground Rock-‘n’-Roll Weekend, “Margaret Flies” and “Creative Art” represent two eras of this incredibly prolific band.

“Margaret Flies” was a highlight of the band I first encountered in spring 1983; Jerry Cornelius’ lyrics, set to music by Jeff Lucas, still take my breath away after all these years. Meanwhile, guitarist/vocalist Dave Fleminger describes the return of “Creative Art” to the Answers set list:

Read moreThe Answers: “Margaret Flies”/
“Creative Art” at Bar Pink

Live at Lestat’s: An underground evening

(David Rinck offers a performer’s-eye view of a recent night of musical eclecticism in San Diego.)

On the evening of Thurs., Nov. 4, we again converged on the little theater at Lestat’s Coffee House on Adams Ave. in Kensington, which is beginning to feel like home for some of us here.

Lestat’s most recently hosted the first night of the Che Underground Rock and Roll Weekend on July 30 and 31, and the Nov. 4 show was an exciting follow-up to that event. Some of San Diego’s finest underground musicians offered up an eclectic array of sounds from a range of genres. At the same time, the visual arts were represented by terrific graphics, photography and video recording, some of which is available here.

Read moreLive at Lestat’s: An underground evening

DaveFest Four: ‘Richie Dagger’s Crime’
b/w ‘Let’s Lynch the Landlord’

Daves Fleminger and Rinck; DaveFest Four at Lestat's, July 30, 2010More highlights from the Che Underground Rock-‘n’-Roll Weekend July 30 and 31, 2010, in San Diego: Che Underground supergroup the DaveFest Four performs the Dead Kennedys’ “Let’s Lynch the Landlord” and “Richie Dagger’s Crime” by the Germs.

The DaveFest Four plays “Richie Dagger’s Crime”: Listen now!

“Dave Rinck came up with the idea to do an all-Dave set of our favorite punk anthems with a semi-acoustic roots sensibility,” writes Dave Fleminger.

Read moreDaveFest Four: ‘Richie Dagger’s Crime’
b/w ‘Let’s Lynch the Landlord’

hING at the Casbah

Lou Damian with hING at the Casbah, 2010Another new collaboration from a beloved old friend: Lou Damian has been playing reeds with a new “collective improv” dubbed hING. It also features Josh Quan (drums); Michael J. Stevens (guitar and percussion); and Michael Zimmerman (keyboards).

“hING is an elemental assemblage of five individuals with disparate musical experiences,” Michael Zimmerman explains. “We have come together to investigate inner and outer space with a communal brew of free improv and sound/tone investigations that seeks to attain feral heights of aural extremity and sustained moments of contemplative beauty.

These five individuals are, much like a jumble of letters, constantly shifted and shuffled into different shapes and formations to create a singular sound which is best described as the music of hING.”

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The Comeuppance with Graziela Damian:
“Sunday Morning”

Graziela Damian with the Comeuppance; Lestat's, July 30, 2010 (Charisse Sciuva)The Che Underground officially entered its second generation Friday, July 30, when Graziela Damian joined the Comeuppance onstage at Lestat’s Coffee House during the Che Underground Rock-‘n’-Roll Weekend.

The daughter of Lou Damian and Charisse Sciuva graced us last year at the post-picnic for Che Games for May with an a capella rendition of Love’s “You Set the Scene.” This year, Graziela returned with this beautiful rendition of the Velvet Underground’s “Sunday Morning.”

Read moreThe Comeuppance with Graziela Damian:
“Sunday Morning”

Two days in Che: A retrospective

(Paul Kaufman flew in from Massachusetts to taste the fury of the Che Underground Rock-‘n’-Roll Weekend July 30 and 31. Here are Paul’s impressions, accompanied by photos from Sean McMullen and Kymri Wilt.)

David Rinck/Dave Doyle; Lestat's, July 30, 2010 (Kymri Wilt)After an early-morning cross-country flight, I was somewhat worse for wear by the time 9pm rolled around on Friday, July 30, but I didn’t want to miss this!

Lou Damian at mic; Lestat's, July 30, 2010 (Kymri Wilt)It had probably been around 20 years since I had been down Adams Avenue. Normal Heights is heavily transformed from the residential neighborhood I remembered, with many new restaurants and shops. The center of the action is Lestat’s gallery, coffee shop and nightclub. A big marquee announces the Che Underground show! In addition to the musicians themselves, lots of blog stars are there: Kristen Tobiason; Chris Mathis; and of course tonight’s MC, Lou Damian.

Read moreTwo days in Che: A retrospective

The Che Underground