Reviving San Diego's Rock Renaissance
How much is that in blog years? Today marks three solar orbits since we launched Che Underground: The Blog and another opportunity to take stock of the ground we’ve covered in the interim.
We’ve grown a lot in the past year. Just in time for our second birthday, we broke a traffic record with 9,000 unique visitors in January 2010. This year, we came close to doubling that number; January 2011 was another record-breaker, with more than 16,000 visitors.
(David Rinck offers a performer’s-eye view of a recent night of musical eclecticism in San Diego.)
On the evening of Thurs., Nov. 4, we again converged on the little theater at Lestat’s Coffee House on Adams Ave. in Kensington, which is beginning to feel like home for some of us here.
Lestat’s most recently hosted the first night of the Che Underground Rock and Roll Weekend on July 30 and 31, and the Nov. 4 show was an exciting follow-up to that event. Some of San Diego’s finest underground musicians offered up an eclectic array of sounds from a range of genres. At the same time, the visual arts were represented by terrific graphics, photography and video recording, some of which is available here.
(The Cardiac Kidz’s Jim Ryan announces an eclectic night of musical merriment Nov. 4 at Lestat’s Coffee House in San Diego.)
The Cardiac Kidz are winding down their 2010 San Diego “Performance Blitz” tour with the end of the year finally in sight. The band has played an unheard of 10 shows in less than six months.
From what started as a onetime reunion show to an expanded booking schedule, The Kidz have even gone so far as to add the talents of David Rinck (frontman for San Diego’s Wallflowers) to the band.
Another new collaboration from a beloved old friend: Lou Damian has been playing reeds with a new “collective improv” dubbed hING. It also features Josh Quan (drums); Michael J. Stevens (guitar and percussion); and Michael Zimmerman (keyboards).
“hING is an elemental assemblage of five individuals with disparate musical experiences,” Michael Zimmerman explains. “We have come together to investigate inner and outer space with a communal brew of free improv and sound/tone investigations that seeks to attain feral heights of aural extremity and sustained moments of contemplative beauty.
These five individuals are, much like a jumble of letters, constantly shifted and shuffled into different shapes and formations to create a singular sound which is best described as the music of hING.”