Dave Rinck | The Che Underground

Shaken, not stirred: The Goldfingers at A Che Underground Midwinter Masque

December 15, 2021 by admin

David Rinck shares a recent interview about the etymology of his band The Goldfingers. Featuring Eric Bacher (guitar), Kinch Degrate (keyboards), Dave Doyle (bass) and Matt Johnson (drums), The Goldfingers will rip it up at Casbah San Diego Feb. 19 for A Che Underground Midwinter Masque.

AMR Reporter Doug Faride caught up with Goldfingers rhythm guitarist and vocalist Dave Goldfinger in his native San Diego. What he learned about the origins of the band and their plans for the future are revealed here in this exclusive interview. These guys are definitely shaken, but not stirred in the least!

AMR: So, when I mention the Goldfingers, a lot of people say, “Yeah, I’m not that familiar with their music, but I do know the name.” Why do you think that is?

DG: Well, it’s the name of a James Bond movie.

AMR: Really? Is that true?

DG: Yeah, it’s like the third Bond film, with Sean Connery.

AMR: Oh wow, okay. So why did you pick that one?

DG: Well, a lot of the other the films wouldn’t make good band names. Like, if we called ourselves “The Spies Who Loved Me” or “The Men with the Golden Gun,” that would be lame.

Mark your calendars for ‘A Che Underground Midwinter Masque’!

February 15, 2022November 12, 2021 by admin

Mark ye well: A neat two years since “A Che Underground Leap Night Showcase,” the tribes will gather again in February 2022 for an effervescent weekend of mirth and music.

“A Che Underground Midwinter Masque,” Feb. 18 and Feb. 19 at The Casbah San Diego, will feature legends of the San Diego scene and beyond.

Fancy dress is highly encouraged but not required. (Stay tuned for costume contest details.)

And check out this boffo lineup (with more names to come)!

A Che Underground refresh: Ready for its closeup!

December 31, 2020 by admin

After a stint in rehab, Che Underground: The Blog emerges restored and refreshed, thanks to a year-long intervention by our own Jeremiah Cornelius!

Jerry has:

Untangled an overgrowth of outdated, damaged code;
Migrated the blog to a modern web host and an updated CMS;
And finally, reskinned the whole thing to allow readers to comment again and to avoid formatting snafus that had cropped up in recent years.

We’re going to be fixing links and outstanding formatting glitches in the coming weeks — so if you see something, say something (in the comments below)!

Update from the Cardiac Kidz

April 21, 2012December 4, 2010 by admin

(Dave Rinck a k a Wallflower keeps us posted on the Kidz’s revival.)

It’s been an honor for me play rhythm guitar for the last few months with this classic punk-rock band. This is a working band, and it has a new lineup, new CDs (I’ve never released two CDs on the same day before!), and new shows! Here’s an update:

THE NEW LINEUP:
Jim Ryan – bass and vocals
Jerry Flack – guitar and vocals
Jimi Flynn – drums
Dave Wallflower – guitar and vocals

Sean McMullen, Dave Doyle on photography

January 6, 2011July 18, 2010 by admin

It’s not just for bands any more: The pending Che Underground Rock-‘n’-Roll Weekend will also celebrate two photographers whose work has captured San Diego music for decades.

The first night of the event — Friday, July 30, at Lestat’s Coffee House in San Diego — will feature a joint exhibit of concert photos by Dave Doyle and Sean McMullen. I caught up with each of them to learn a bit more about their respective photographic visions and how San Diego has shaped them.

Son of Che: Underground Express at Dass, Nairobi

January 1, 2011February 19, 2009 by admin

(Peripatetic Wallflower Dave Rinck extends the Che Underground to East Africa.)

Somebody called me on the phone … They said, “Hey! Is David home?” It was Gilbert Barthe, lead guitarist of my current band the Beathogs. “We’re all down at Dass. You wanna come down and play a show in about 45 minutes?” Well, sure, I thought. Why not? I was always under the impression that Dass was just this sort of funky Ethiopian restaurant located on the second floor of a grim concrete building on this crazy street of bars in Westlands (a part of Nairobi near where I live). But anyway, I was at this lame party, kinda bored, so I though well what the hell … it’d be more fun than staying here. So I grabbed my guitar and headed on down.

Next thing you know, I found myself climbing this narrow cement staircase up to the second floor of this dusty old building. I knew the place on the first floor was Havanas, a nightclub and restaurant that a friend of mine named Zelalem deejays at, attracting huge unruly mobs some nights that spill off the sidewalk out front and into the street until all hours. I myself had frequently held court over plates of fish almondine on linen tablecloths and huge carafes of wine in the backrooms of that place well after midnight. But I’d never made the haul up to the second floor. Well, that was all about to change …

Nostradamus, I’m not. Part 3: Punk rock sweeps America!

April 21, 2012February 17, 2009 by Paul Kaufman

(Here’s Part Three from Che stalwart Paul Kaufman on how his young self was Dead Wrong on some major issues of our time.)

In the comments following Dave Rinck’s recent “This We Dug: The Sex Pistols” post, Dave Ellison perfectly nailed how I felt about hearing those records for the first time: “the Sex Pistols album made all the rock music, clothes, hairstyles, etc. that were around at the time seem completely outdated.” It’s hard to cast your mind back to fully capture how revolutionary it felt.

It was so clear in 1977. The Ramones and Patti Smith at CBGB, the Sex Pistols, Clash, Wire, X-Ray Spex, 999 and all the rest in England. So vibrant, making commercial radio (and San Diego was ALL commercial radio) taste like a mouthful of ashes. As a 13-year-old, I envisioned all the old boring stuff would be swept away in a tide of cultural and political enlightenment in the US. The UK was actually having records in the Top 10 that you didn’t have to leave the room for — why not in the US, too?

This We Dug: Laurie Partridge

March 29, 2019January 9, 2009 by admin

(Editor’s note: When asked whether guest columnist Patrick Works could add this submission to the “This We Dug” franchise, series founder Dave Rinck wrote, “Of course! Anything Pat says is automatically cool.” And so it is.)

Or were you secretly in love with Keith? Or perhaps you were a wannabe Reuben Kincaid just like me?

For some strange reason amidst the caca-phone of 60s/70s TV the Monkees begat all kinds of media attempts at duplicating pop super-stardom, and the rest is of course TV history.

Ché Games for May: Musical Promo 2

December 13, 2017December 22, 2008 by Paul Kaufman

(Once again, Manual Scan/Lemons Are Yellow veterans Paul Kaufman and David Fleminger bang the gong to promote the Ché reunion. Except this time, they get some help from a very special guest.)

Last week, the planets aligned — I was in San Francisco, visiting Dave Fleminger at his house; this led to the first musical promo for the reunion in May 2009 that was posted recently. Little did we know that our musical universe was about to explode.

Someone was calling on the phone. A voice said, “Is Dave Fleminger at home?” It was Dave Rinck, the iconic lead singer of the Wallflowers, visiting from Nairobi. Soon we’re all in the studio, and here’s the result. Considering the last time I had seen Dave Rinck in person was when he was onstage in 1984, this was an especially big thrill for me.

The Wallflowers: “TV Eye”

December 31, 2010December 4, 2008 by admin

The night I met the Wallflowers, the Stooges’ “TV Eye” was playing on the stereo. I know it was the summer of 1983, when I met so many of you, and I believe my introduction was brokered via Rockin’ Dog Dave Ellison.

That moment forged a lasting connection in my mind between the Wallflowers and the Stooges, an impression that was reified by the Wallflowers’ blistering interpretations of the older band’s oeuvre — including “TV Eye,” presented here in all its synapse-rattling glory.

Per vocalist Dave Rinck, “‘Walldrugs’ and ‘TV Eye’ were recorded in a ‘studio’ at Music Power; ‘Raw Power’ was, too, but not until a little later than the other two.”