Reviving San Diego's Rock Renaissance
A Che PSA: UCSD’s Che Cafe is the target of a fundraising campaign to continue its decades-long run of music and memories. I hope a few of our many readers can get behind this cause with their wallets and creativity.
Followers of this blog will recall that the Che (for which this blog is named) suffered the catastrophic theft in August 2009 of its sound equipment, and insurance costs for the venue bring the fundraising goal to $12,000, according to the site.
(After collecting a lifetime achievement award at last week’s San Diego Music Awards, the Penetrators performed Saturday at the Casbah Club, supported by fellow music veterans the Bedbreakers and Manual Scan. Che Underground: The Blog presents accounts of the evening by Sean McMullen, Gary Heffern and Kevin Donaker-Ring as well as a luminous selection of photos by Mr. McMullen.)
It was a full moon, I remember, and I was already sweating and thirsty after walking down from Banker’s Hill to the club, but couldn’t seem to get past the patio to the bar for a bubbly cold Tecate due to the onslaught of embracing and handshakes and stories that followed. Every one of these nights serves to reinforce the depth of this bizarre alter-family I have collected since I was a wild-eyed runt getting dropped off at Golden Hall for a Penetrators show, amongst others, full circle.
Indeed there are few things in my life as gratifying as seeing people who used to revolt and butt heads like rams getting along with so much love and joy and pride. And the sheer fact that we remain so devoted to our music, to this town and each other, speaks volumes of the magnitude of our youth, and how we carry it forward incessantly with age.
Read moreThe Penetrators, the Bedbreakers
and Manual Scan at the Casbah
(Kristi Maddocks, assistant manager at the La Jolla Pannikin at the time I held the same title in Encinitas, contributes her memories of the San Diego coffee chain’s founder.)
It is with great sadness I say adieu to Pannikin co- founder Bob Sinclair, who was killed in a motorcycle accident last month. Bob died while riding his Moto Guzzi in the New Mexico desert.
Like many Pannikin employees, I started my stint there as a bright-eyed teenager, fueling up on coffee as I pored over notes with high-school study groups at the Del Mar and Encinitas Station cafés. Then, it graduated to hanging out at La Jolla café on weekend mornings, after a later night of dancing or at the tail end of a very cold scooter ride up the beautiful Southern California coast. Nothing was cooler than congregating on the deck of La Jolla Pannikin in the warm sun with your friends, living off an almost endless cup of coffee and bags of day-old bagels & day-old pastries. (That is back when the first cup of coffee was 75 cents, refills were 25 cents each!)
Thanks to documentarian Eric Rife, those of us far from Southern California can enjoy video of the Penetrators performing at the 2011 San Diego Music Awards at Humphrey’s by the Bay August 8, when the band received a lifetime achievement award for its contributions to local music. (Vocalist Gary Heffern in June shared his thoughts on the honor with Che Underground: The Blog.)
If these performances of “Walk the Beat” and “Sensitive Boy” put you in the mood for more stimulation, don’t forget: The Penetrators will hold another reunion performance at the Casbah August 13!
In mid-June, the reunited Crawdaddys and Nashville Ramblers were the latest of our San Diego crowd to enjoy the hospitality of Spain. Both bands played the Go Sinner Go! festival in Toledo June 10 and 11, and the Crawdaddys followed up the next day with a surprise appearance at the renowned El Sol club in Madrid.
I’m grateful to Silvia Zadarnowski (spouse of Crawdaddys bassist Mark) for these photos of all three events and to musician and show organizer Eduardo Arriero Hernandez for answering my questions about the show and Spanish fondness for this San Diego scene.
Buy your tickets now for the Crawdaddys and the Unknowns at San Diego’s Casbah, Sept. 2-3!
What is your own involvement with the Spanish music scene? You have a band, and you’re an organizer of the Go Sinner Go! Festival. Can you tell me briefly about those and how long you’ve been part of the music scene over there?
I’ve played in bands since I was 17, and I’m 32… so half of my life!! I’ve played guitar and sung with Hollywood Sinners for 11 years and keyboard with Fumestones for one year. I started organizing concerts in Toledo, my home town, of national bands I liked, and I continued it in Madrid. I can try get my favorite bands from all around the world, spend some days with them and have fun!!
Read moreThe Crawdaddys, Nashville Ramblers
in Spain: A view from Toledo
(Jack Gamboa continues his Che-infused memoir of his mid-’80s band.)
It was the very first day of school after summer break. I was walking to my Propaganda Films of the Third Reich lecture. (I had already taken Bram Dijkstra’s “Devils, Vampires and Other Horrible Creatures of 19th Century Literature.”) Suddenly on the path to the quad I saw my best childhood friend Steve. I had not seen him in months!
He was a guitarist, so we were talking about the local band scene, I was telling him about the rockabilly outfit the Wild Desires. I “BongoChild” drummed for Dave “LadiesLove” Ellison on Magnatone Typhoon and bass legend Andy “ThunderTrain” Seidlinger on lownotes. A bad-ass situation too perfect to last. We had broken up a few months before. Andy had also been playing my borrowed drums for a pair of punks who called themselves Leather Geek, but he transferred to UCLA to study Structural Engineering. I told Steve: “I would love to meet up with Leather Geek! I never saw them play, but I hear that they threw legendary parties. Rumor has it that Jory is an excellent guitarist, and Eric did a poetry reading of ‘Walk This Way’ by Aerosmith!” Steve was laughing and digging that. So we were gossiping about musicians and stuff like that. We turned a corner and entered an open lawn area (I think it was called ‘the Quad’ in those days) …
(From across the Atlantic, here’s a graphical gift to celebrate the 30-year San Diego reunions of the Unknowns and the Crawdaddys. Ray Brandes sets the scene.)
This beautiful poster is a gift from artist Marc Argenter to the Che Underground. Marc, who lives in Barcelona, Spain, is also an accomplished musician and has played guitar and recorded with bands such as the Flashback Five and Els Trons for more than 20 years.
Marc jumped at the chance to design a poster for a show featuring the Crawdaddys, whom he first heard at the tender age of 16. He is well known in Spain as a graphic designer, and has an impressive portfolio of work, some of which can be seen here: http://argenter.blogspot.com/
San Diego music veteran Harold Gee continues the painstaking process of developing precious negatives from the glory days of the San Diego underground scene, then digitizing them for his Flickr set.
Here’s a new one that captures the essence of a larger-than-life figure from that era: the late Steve Epeneter on stage at Studio 517, the club he managed and the inspiration for the Wallflowers’ classic “Paradise on 4th Avenue.”
(Author of the definitive biographies of both the Unknowns and the Crawdaddys, Ray Brandes explores the connection between these two essential San Diego bands as they prepare to revisit San Diego after 30 years. Buy your tickets now!)
During the past three decades of rock and roll music in San Diego, two groups — the Crawdaddys and the Unknowns — can arguably claim to have had the most influence over the bands that followed in their wake. Both groups looked to the past, to the greats of early rock and roll and rhythm and blues for their own inspiration, and had a mutual respect for each other that transcended local band competitiveness.
The Crawdaddys and the Unknowns are looking forward to sharing the stage this coming Labor Day weekend as the Che Underground presents their historic reunions at the Casbah. I spoke with the members of each band about their love and respect for the other group.
Read moreThe Crawdaddys and Unknowns
mutual admiration society
(Sidewalk scenes and black limousines: On July 30, Che Underground presents Sounds of the Sunset Strip at Lestat’s Coffee Shop, featuring the Sidewalk Scene, the Ciros, Wendy Bailey & True Stories, and James Ruelas. Show organizer and Ciros reed player Lou Damian reflects on how Los Angeles’ sound of the ’60s influenced so many San Diegans who came of age 15 years later.)
The crazy thing about this July 30 show is that we relate to this music from the Sunset Strip of the mid- to late ’60s as our music, as the music we grew up with. But in actuality, we were just tots or infants when it was first published. There’s something about this music that stays within our fabric even today. When I hear a Byrds song or a Buffalo Springfield song, I know that I heard it as a young man on the radio. I know I heard that song when I was a year or two old. And it’s just another part of who I am.
The garage rock, psych rock, and blues and folk rock of that era is an important contribution to American music and the West Coast sound. This is what we always championed as our West Coast identity … in the so-called “Che Underground.”