The Penetrators play SDMA!

James Call, Penetrators; SDMA, August 8, 2011 (Eric Rife)Thanks to documentarian Eric Rife, those of us far from Southern California can enjoy video of the Penetrators performing at the 2011 San Diego Music Awards at Humphrey’s by the Bay August 8, when the band received a lifetime achievement award for its contributions to local music. (Vocalist Gary Heffern in June shared his thoughts on the honor with Che Underground: The Blog.)

If these performances of “Walk the Beat” and “Sensitive Boy” put you in the mood for more stimulation, don’t forget: The Penetrators will hold another reunion performance at the Casbah August 13!

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The Crawdaddys, Nashville Ramblers
in Spain: A view from Toledo

Ron Silva, The Crawdaddys; El Sol, Madrid, Spain; June 12, 2011 (Silvia Zadarnowski)In mid-June, the reunited Crawdaddys and Nashville Ramblers were the latest of our San Diego crowd to enjoy the hospitality of Spain. Both bands played the Go Sinner Go! festival in Toledo June 10 and 11, and the Crawdaddys followed up the next day with a surprise appearance at the renowned El Sol club in Madrid.

Go Sinner Go!, Toledo, Spain; June 10, 2011 (Silvia Zadarnowski)I’m grateful to Silvia Zadarnowski (spouse of Crawdaddys bassist Mark) for these photos of all three events and to musician and show organizer Eduardo Arriero Hernandez for answering my questions about the show and Spanish fondness for this San Diego scene.

Buy your tickets now for the Crawdaddys and the Unknowns at San Diego’s Casbah, Sept. 2-3!

What is your own involvement with the Spanish music scene? You have a band, and you’re an organizer of the Go Sinner Go! Festival. Can you tell me briefly about those and how long you’ve been part of the music scene over there?

I’ve played in bands since I was 17, and I’m 32… so half of my life!! I’ve played guitar and sung with Hollywood Sinners for 11 years and keyboard with Fumestones for one year. I started organizing concerts in Toledo, my home town, of national bands I liked, and I continued it in Madrid. I can try get my favorite bands from all around the world, spend some days with them and have fun!!

Read moreThe Crawdaddys, Nashville Ramblers
in Spain: A view from Toledo

The genesis of Elvis Christ

(Jack Gamboa continues his Che-infused memoir of his mid-’80s band.)

Elvis Christ "On the Gym Steps"; UCSD, Friday March 6, 1987 (collection Jack Gamboa)It was the very first day of school after summer break. I was walking to my Propaganda Films of the Third Reich lecture. (I had already taken Bram Dijkstra’s “Devils, Vampires and Other Horrible Creatures of 19th Century Literature.”) Suddenly on the path to the quad I saw my best childhood friend Steve. I had not seen him in months!

Elvis Christ; "On the Gym Steps," UCSD, March 6, 1987 (collection Jack Gamboa)He was a guitarist, so we were talking about the local band scene, I was telling him about the rockabilly outfit the Wild Desires. I “BongoChild” drummed for Dave “LadiesLove” Ellison on Magnatone Typhoon and bass legend Andy “ThunderTrain” Seidlinger on lownotes. A bad-ass situation too perfect to last. We had broken up a few months before. Andy had also been playing my borrowed drums for a pair of punks who called themselves Leather Geek, but he transferred to UCLA to study Structural Engineering. I told Steve: “I would love to meet up with Leather Geek! I never saw them play, but I hear that they threw legendary parties. Rumor has it that Jory is an excellent guitarist, and Eric did a poetry reading of ‘Walk This Way’ by Aerosmith!” Steve was laughing and digging that. So we were gossiping about musicians and stuff like that. We turned a corner and entered an open lawn area (I think it was called ‘the Quad’ in those days) …

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From Spain, with love

(From across the Atlantic, here’s a graphical gift to celebrate the 30-year San Diego reunions of the Unknowns and the Crawdaddys. Ray Brandes sets the scene.)

Flyer: Crawdaddys/Unknowns; Casbah, Sept. 2-3, 2011 (Marc Argenter)This beautiful poster is a gift from artist Marc Argenter to the Che Underground. Marc, who lives in Barcelona, Spain, is also an accomplished musician and has played guitar and recorded with bands such as the Flashback Five and Els Trons for more than 20 years.

Marc jumped at the chance to design a poster for a show featuring the Crawdaddys, whom he first heard at the tender age of 16. He is well known in Spain as a graphic designer, and has an impressive portfolio of work, some of which can be seen here: http://argenter.blogspot.com/

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Steve Epeneter at Studio 517

Detail: Steve Epeneter; 517 4th Avenue (Harold Gee)San Diego music veteran Harold Gee continues the painstaking process of developing precious negatives from the glory days of the San Diego underground scene, then digitizing them for his Flickr set.

Here’s a new one that captures the essence of a larger-than-life figure from that era: the late Steve Epeneter on stage at Studio 517, the club he managed and the inspiration for the Wallflowers’ classic “Paradise on 4th Avenue.”

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The Crawdaddys and Unknowns
mutual admiration society

(Author of the definitive biographies of both the Unknowns and the Crawdaddys, Ray Brandes explores the connection between these two essential San Diego bands as they prepare to revisit San Diego after 30 years. Buy your tickets now!)

Detail: Vox ampDuring the past three decades of rock and roll music in San Diego, two groups — the Crawdaddys and the Unknowns — can arguably claim to have had the most influence over the bands that followed in their wake. Both groups looked to the past, to the greats of early rock and roll and rhythm and blues for their own inspiration, and had a mutual respect for each other that transcended local band competitiveness.

The Crawdaddys and the Unknowns are looking forward to sharing the stage this coming Labor Day weekend as the Che Underground presents their historic reunions at the Casbah. I spoke with the members of each band about their love and respect for the other group.

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mutual admiration society

Che Underground meets Sunset Strip

(Sidewalk scenes and black limousines: On July 30, Che Underground presents Sounds of the Sunset Strip at Lestat’s Coffee Shop, featuring the Sidewalk Scene, the Ciros, Wendy Bailey & True Stories, and James Ruelas. Show organizer and Ciros reed player Lou Damian reflects on how Los Angeles’ sound of the ’60s influenced so many San Diegans who came of age 15 years later.)

Sunset Strip detailThe crazy thing about this July 30 show is that we relate to this music from the Sunset Strip of the mid- to late ’60s as our music, as the music we grew up with. But in actuality, we were just tots or infants when it was first published. There’s something about this music that stays within our fabric even today. When I hear a Byrds song or a Buffalo Springfield song, I know that I heard it as a young man on the radio. I know I heard that song when I was a year or two old. And it’s just another part of who I am.

The garage rock, psych rock, and blues and folk rock of that era is an important contribution to American music and the West Coast sound. This is what we always championed as our West Coast identity … in the so-called “Che Underground.”

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The return of the Unknowns

(Last chance to see: Ray Brandes reviews why this San Diego reunion of the band’s classic lineup is a very big deal indeed.)

Detail: The Unknowns' second lineupLabor Day Weekend is approaching fast, and tickets are selling briskly for the Che Underground’s long-awaited showcase featuring historic reunions by San Diego hometown heroes the Crawdaddys and the Unknowns.

The Crawdaddys have received some recent critical acclaim in both the domestic and international press for their shows in Los Angeles, Toledo and Madrid, while interest in the Unknowns reunion is heating up quickly.

The Unknowns’ reunion will mark the first time Bruce Joyner has sung with the group in 21 years, and the first time all the members of the group’s classic lineup have played together in nearly three decades! I spoke to the members of the band about the historical significance of the show and what it means to them personally.

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Elvis Christ at the Che Cafe!

(Drummer and rabble-rouser Jack Gamboa recalls a memorable performance at our namesake venue.)

Elvis Christ (collection Jack Gamboa)The Che Cafe was an island of freaky, funky freedom in the otherwise cold, institutional-strength rigidity of the mostly cement UC campus. They used to serve a bowl of brown rice and pinto beans with a giant glass of iced tea for less than two dollars. I survived on that chow when I was an art student. I also flirted with the hippie-honeys who worked there and smoked a lot of weed out back.

I played drums for Elvis Christ in those days, and it seems like half our gigs took place at the Che. We also used to practice there, and when Isabelle Tihanyi shot photos of us naked for a Guardian interview (Vol.60 #38), it happened there.

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The Tell-Tale Hearts: From the vaults

(Ray Brandes shares a long-lost track from his formative San Diego band, created with some production wizardry from Unknowns sonic prodigy Mark Neill.)

The Tell-Tale Hearts group shotTowards the end of 1986, as the Tell-Tale Hearts were heading toward an inevitable break-up, we headed back into Mark Neill’s Swinging Studios in Dulzura, Calif., to cut what would be the band’s final recordings with its first edition. Neill had produced the band’s highly acclaimed six-song EP earlier that year, and we hoped we might be able once again to pick up a little of his studio magic.

The band’s line-up included Mike Stax; Bill Calhoun; David Klowden; Peter Miesner (who had taken over guitar duties from Eric Bacher); and myself. Three songs were recorded: The Scorpions’ “Too Many Lovers”; “Promise” (Brandes); and “Nothing You Can Do” (Brandes). The first two were released as a single on Australia’s Cavern 7 label the following year, but “Nothing You Can Do” stayed in the can. (Bart Mendoza’s Sound Affects magazine included the song on a giveaway cassette with one of its issues.)

I recently discovered a rough mix cassette recording of “Nothing You Can Do” and rescued it with a little help from Audacity. I hadn’ heard the song in more than 20 years. Listening to the recording brought back vivid memories of the sessions, which were held on a rainy Saturday in November, 1986.

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The Che Underground