The Gravedigger V in flyers

Detail: Gravedigger V flyer, August 7, 1984 (artwork by Dave Anderson, collection Tom Goddard)Another Che Underground archivist joins the ranks, as dancing fool-turned-Spain-based sail stitcher Tom Goddard weighs in with a disc of fabulous flyers and photos from the Tell-Tale Hearts, the Morlocks and more.

Detail: Gravedigger V/Meenies flyer, June 16, 1984 (artwork by Dave Anderson, collection Tom Goddard)Today’s installment marks the first flyers in our collection from the Gravedigger V, the short-lived but hugely influential group who tore it up in 1984, recorded one great album and presaged the Morlocks. (I like the flyer dedicated to Tom’s sister Suzie by GDV drummer Dave “Peter Criss” Anderson, who also created both flyers.)

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The Tell-Tale Hearts: Go east, young men!

(Ray Brandes’ account of their Midwest tour, undertaken in January of 1985, originally appeared on the liner notes to the Tell-Tale Hearts’ “Live Volume II: Later That Same Night in Springfield” album, released with Volume I in 1997 on Corduroy Records, Australia.)

Tell-Tale Hearts Ray Brandes, Eric Bacher, David Klowden, Mike Stax, Bill Calhoun (collection Ray Brandes)“Mad” Jon McKinney, tour promoter extraordinaire and proprietor of the Primitive A–Go-Go, Springfield, Missouri’s, first- and last-ever sixties garage-punk nightclub, had a dream: to turn Downtown Springfield into Swinging London. He called, and we answered.

Though I had long ago learned the secret of keeping my expectations low in order to always be pleasantly surprised, I must admit that my first real journey beyond the confines of California (which began ominously with the rear-view mirror vision of my sleeping bag flying away from the luggage rack somewhere near Gila Bend, Arizona), tested the limits of the depths to which those expectations could sink. In January of 1985, in the midst of one of the worst winter storms on record, a rented Dodge Caravan containing little more than two guitars, a Vox Continental organ, several harmonicas, a few broken maracas, a tambourine and five young travelers made its way east towards its destination: the mythical Midwestern city of Springfield, Missouri.

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The Answers: “Annual”

(Answers guitarist/vocalist Dave Fleminger discusses the genesis of another crucial track made more poignant by the years.)

Detail: The Answers’ Dave Anderson, Jeff Lowe, Dave Fleminger (collection Dave Fleminger)The Answers, “Annual,” recorded at Ewing’s SoundTech studios, one of 13 songs recorded one day in February 1983.

I originally wrote this song in advance of receiving my high-school annual. Even before I got the book I didn’t want to read it … I was already trying to form a picture of how my connections with my friends and classmates would last over time and how I would view that period of my life in retrospect … And now in retrospect, I see this more as a way to disassociate rather than feel and experience the process.

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Hair Theatre: “Rolling Soul”

Detail: Hair Theatre on stage (from crowd)From the same 1983 Lab Studios demo that brought us “Nightfall,” here’s Hair Theatre performing “Rolling Soul,” another signature number and staple of the band’s early-’80s repertoire. This track showcases the clean confidence of Hair Theatre’s early years and highlights the sophistication and charisma that vocalist/ songwriter Sergio demonstrated by age 18.

Detail: Hair Theatre’s Sergio at the micIt also commemorates the collaborative skills of Sergio and Answers co-founder Dave Fleminger (demonstrated elsewhere with a recording of Sergio’s “He’s Calling You Tonight.”) “Sergio and I wrote that song one afternoon at [original Hair Theatre drummer Howard Palmer’s Carlsbad] shack,” Fleminger recalls. “The song was part of the expanded ‘3 Daves’ Answers sets, including our ‘Painted Sun’ gig opening for the Unclaimed at the UCSD Rec Gym” April 14, 1984.

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The Rockin’ Dogs: “Bye Bye Bye”

Detail: Rockin’ Dogs Dave Ellison, Sam Wilson (collection Cole Smithey)“OK, now we’re diggin’ into the archives!” writes Rockin’ Dog Dave Ellison of “Bye Bye Bye,” the latest stellar Dogs single and earliest Dogs recording to join our hit parade.

“This is from the historic Rockin’ Dogs San Marcos Sessions, featuring the earlier lineup of Sam Wilson on guitar/vocals; Dave Ellison on bass/vocals; Jim Meisland on guitar; and Scott Nichols (a k a Scott Slob) on drums.

“In 1982, we had a rented practice room in a metal building in San Marcos, which was owned by Vietnam vet auto mechanics. They used to work on cars in that building all night long. We used to practice until late at night, and they gradually grew tired of our racket and evicted us.

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Opening Kings Road Cafe

Detail: Kings Road Cafe opening party flyer (collection Jason Seibert)Jason Seibert’s generous donation of early-’80s San Diego flyers offers a prime opportunity to open discussion of the Kings Road Cafe (née the International Blend), a small venue that played an enormous role in fostering and showcasing an eclectic mix of bands.

Detail: International Blend flyer, Dec. 22, 1981 (collection Jason Seibert)The Seibert Collection represents a slice of life at Kings Road in the summer of 1982, starting in June when the club morphed from the I-Blend under the management of Peter “English” Verbrugge. Other artifacts, including a July 1982 calendar (with membership card offer!), highlight the variety of performers that visited 4034 30th St. that summer, both San Diego regulars and up-and-coming out-of-towners.

Detail: Kings Road Cafe flyer, June 25, 1982 (art by Bobby Lane, collection Jason Seibert)Detail: Kings Road Cafe July 1982 calendar (collection Jason Seibert)Detail: Kings Road Cafe flyer, July 3, 1982 (art by Clayton Colgin, collection Jason Seibert)Detail: Kings Road Cafe flyer, July 9, 1982 (art by Clayton Colgin, collection Jason Seibert)Detail: Kings Road Cafe flyer, July 31, 1982 (art by Bobby Lane, collection Jason Seibert)

 

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The Wallflowers: “Walldrugs”

Detail: Paul Howland, Wallflowers (photo by Cyndie Jaynes)Yet another Wallflowers signature returns from Canada after a 25-year hiatus.

Like the rest of this cache, “Walldrugs” features the original Wallflowers lineup of Dave Rinck (vocals), Paul Howland (bass), Tommy Clarke (guitar) and Aaron Daniels (drums).

“’Walldrugs’ and [Stooges cover] ‘TV Eye’ were recorded in a ’studio’ at Music Power,” Dave Rinck writes. “‘Raw Power’ [another Stooges cover] was, too, but not until a little later than the other two.

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Fleshing out the Skeleton Club

Detail: Skeleton Club flyer, April 11, 1980 (collection Jason Seibert)Punk goodfella-turned-celebrity chef Jason Seibert has donated a wonderful cache of flyers to the Che Underground archives. These artifacts span the late ’70s through the early ’80s and document events at the North Park Lions Club, the International Blend/Kings Road, the Zebra Club and the Skeleton Club.

Detail: Skeleton Club flyer, April 12, 1980 (collection Jason Seibert)It’s high time we take note of that last venue, which did so much to hone the cutting edge of San Diego music. (Full disclosure: Tucked away in North County, I missed out on the Skeleton Club during its brief but influential run at 202 Market St. and 921 Fourth Ave. under the management of rock-‘n’-roll nurse Laura Frasier and a young Tim Mays.)

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More Answers (and questions) in flyers

Detail: Manual Scan/Answers Anders flyer, July 18, 1983 (art by Jerry Cornelius, collection Dave Fleminger)The Answers’ busy gigging schedule (at the Headquarters and other venues) between 1981 and 1984 generated myriad flyers by a variety of artists, many of them masterworks of psychedelic imagery. Much of the art was created by two towering figures: Jerry Cornelius and Answers guitarist/vocalist Dave Fleminger.

Of Jerry, Tom Ward writes, “Sooner or later, one way or another, we’ll have all of Jeremiah’s flyer illustrations. My junk is in storage on the other side of the country, but I made a point at the time of saving all the Cornelius flyers. You could see that each was an effort to top the previous one, and it was good work. I had the feeling a day would come when they’d be needed in an archival sense. … To me they were, after awhile, like the expressions of a local Aubrey Beardsley. … [T]hey added a real measure of class to the events they heralded, and were a distinct part of the flowering of our particular underground.

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The Ho Hos: “Creeping Vine (Love Is A … )”

Detail: Robert Labbe/Ho Hos fan buttonAnother number from the Ho Hos, the mid-’90s San Francisco group of Che Underground transplants that included me on vocals and guitar; former Morlocks bassist Jeff Lucas; Robert Labbe (ex-3 Guys Called Jesus drummer); and Steve Lam on lead guitar.

“Creeping Vine (Love Is A … )” comes from the same 1993 demo session that generated “Snowball” and was written by Jeff. Getting to sing material penned by Mr. Lucas was always exciting to me, and I am crazy about the way the lead guitar and rhythm section work together on this song.

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