There to Here: Todd Lahman,
Sweeney Todd’s Barber Shop

(In this installment, Che Underground: The Blog examines a Wallflower’s journey to hair theater. If you’d like your story told, e-mail cheunderground@gmail.com!)

Sweeney Todd's Barber Shop front window (collection Todd Lahman)The last time I saw you was around 1985, when you were playing guitar with San Diego’s original Wallflowers. How did you get from rock-‘n’-roll in Poway, Calif., to ownership of one of LA’s best-known barber shops, Sweeney Todd’s?

Sweeney Todd's Barber Shop interior (collection Todd Lahman)Hmmmm … I’m not sure I can draw any correlation between my experience in the Wallflowers and my career in the tonsorial arts except to say that I probably cut hair a lot better than I played guitar! But seriously, I guess if there was anything to compare, it would have to be that like the guitar you’re constantly honing your chops (pun intended!) There’s always some new technique or some new flourish to add to your bag of tricks if you keep your eyes and ears open.

Read moreThere to Here: Todd Lahman,
Sweeney Todd’s Barber Shop

Vote for the Comeuppance for SDMA

(Paul Kaufman solicits support for a new project by Che Underground’s own.)

Dave Fleminger, the Comeuppance; Lestat's, July 30, 2010 (Kymri Wilt)San Diego has embraced its prodigal musicians as they return after decades. Consider the Comeuppance, a “chamber pop” combo led by David Fleminger (guitar, vocals) and Heather Vorwerck (cello).

Heather Vorwerck, the Comeuppance; Lestat's, July 30, 2010 (Kymri Wilt)This ensemble has a distinctive sound influenced by diverse jazz, country and classical traditions, all the while staying true to the high standards of songwriting that Che Underground readers know to expect from all of Dave’s endeavors.

Readers of this blog will recall that the Comeuppance relocated last spring to San Diego. The move marked a homecoming for David after 25 years in San Francisco; it’s a return to the city where he created so many memories as the creative force of bands like the Answers and the Mirrors as well as a founding member of a wide array of musical notables from Social Spit to Manual Scan.

Read moreVote for the Comeuppance for SDMA

‘Where’d my post go?!’

Missing puzzle pieces in headI’ve been hearing that question a lot in the past few weeks as contributors to Che Underground: The Blog notice stories that have gone missing from our four-year document of San Diego’s underground music scene.

To put the pieces back in place, I’ll need your help.

First, a brief explanation of what happened: We suffered some security breaches to the old version of the blog. Our Web-hosting service noticed unusual activity and blocked the site. I did a quick fix to the database. We updated the blog software, and the blog was switched back on.

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There to Here: Mark Stern, Soup Nation

(In the first installment of a series, Che Underground: The Blog considers how a young San Diego show promoter became a Eugene, Ore., soup titan. Plus: a bonus after-party recipe from Mark! If you’d like your story told, e-mail cheunderground@gmail.com!)

Mark Stern, HalloweenThe last time we were in the same town, you were playing in the Frame and promoting gigs in SD and Orange County at spots like Greenwich Village West, Big John’s and Club Cult. How did you move from there to the culinary arts?

I started at a steak-and-seafood joint as a dishwasher in Mira Mesa when I was in 10th grade, moved into doing salad station. There were all these “college” girl waitresses who would flirt with the new kid.

After that I got a job across the street at Chuck E. Cheese, doing pizza, and I would go out and do promos as the rat. My favorite was when they had me do an event for kids with Daryl Strawberry, then a Padre, who took me aside roughly when he thought I was upstaging him and whispered, “Take it easy, Chucky.”

Read moreThere to Here: Mark Stern, Soup Nation

Gary Heffern & Beautiful People:
‘Baby You Just Don’t Get It’

(Just in time for Che Underground: The Blog’s fourth birthday, Gary Heffern shares an international collaboration featuring some of San Diego’s finest!)

Gary Heffern & Beautiful People coverHere is a new song by Gary Heffern & Beautiful People with lyrics written by myself, music by Rustman, and arrangement by Beautiful People: Selinda Shirley, Oulujoe, Mad Mulligan and Rustman.

It also features Ray Brandes, Joe Piper and Dave Fleminger on backup vocals and Ray doing some great harmonica as well. I thought if you would want to feature it on Che, you can do so and have first grabs at featuring the song.

Read moreGary Heffern & Beautiful People:
‘Baby You Just Don’t Get It’

Back to the Blend

(Dave Fleminger revisits the sights and sounds of this cornerstone of the early-’80s San Diego scene.)

Manual Scan scooter pose2012 still sounds to me like a year from the future (or perhaps a Rush album).  But here it is, and here we are, and 2012 will contain the 30th anniversaries of many happenings already chronicled on this blog.  In the spring of 1982 the North Park venue known as the International Blend was re-named The Kings Road Cafe.

Within an unassuming building on 30th St., an incredible stew of various musics were served up to an all-ages crowd.  There were even after-school shows that felt like a continuation of some grand afternoon dance-party tradition.

Whether it was the Iblend or the Kings Rd., the decor inside of the club was pretty much the same: bare-bones and all about the music.  The stage was immediately on your left as you walked in the door and in the back of the room was a pinball machine that would shout “The … Black … Knight … challenges …. you!” every couple minutes.

King's Road Cafe opening flyer

Read moreBack to the Blend

CD release: Wendy Bailey & True Stories

(Bart Mendoza invites you out for an evening of free music to celebrate the debut of “String Theory.”)

Wendy Bailey & True Stories release party flyerOn Friday, Dec. 30, Wendy Bailey & True Stories will celebrate the release of their new album, “String Theory,” with an event at Bar Pink, 3829 30th St., in San Diego’s North Park.

For this special show, the band will perform two sets. In the first, the quartet will play the new album in its entirety, plus a few old favorites. In the second, Wendy Bailey & True Stories will be joined by special guest musicians for a run through of a dozen choice R&B and rock-‘n’-roll classics — a different guest for each song.

“String Theory” is the debut album from Wendy Bailey & True Stories, featuring lead guitarist and vocalist Wendy Bailey; bassist Billy Fritz; guitarist Bart Mendoza (Manual Scan, the Shambles et al.); and drummer Danny Cress (the Coyote Problem, Skid Roper and more).

Read moreCD release: Wendy Bailey & True Stories

Pink Panther 25th anniversary!

(Bart Mendoza ushers in this salute to the big cat.)

Pink Panther flyerSaturday, Dec. 17, The Casbah will be the site of the Pink Panther’s 25th anniversary party. Expect many familiar faces in attendance to celebrate the late bar’s brief existence. Founded by future Casbah proprietor Tim Mays, Peter “English” Verbrugge and Bob Bennett, the Pink Panther was the meeting spot for much of San Diego’s music scene during its run and fittingly, the night features an eclectic bill.

Tickets are $15 and available online.

Opening the night will be the soul and rock dance combo The Amandas. Fronted by Amanda Suter, the band includes the ace rhythm section of Tom Ward (bass) and David Klowden (drums), with guitarist Jon Erickson, saxophonist Aaron Rossi and keyboardist A.J. Croce.

Read morePink Panther 25th anniversary!

Scott Harper: An appreciation

(Bart Mendoza remembers a friend and dedicated member of San Diego’s mod community, who passed away at age 44.)

Scott Harper, early '80sThe ’80s?

I couldn’t imagine them without Scott Harper. His passing last week is another devastating blow to the San Diego community and yet another reminder how short and unfair life can be.

Scott was such a part of my life for most of the ’80s, he was like a brother. Adventures were legion, he rarely missed a Manual Scan show and was instrumental in helping with the New Sounds festivals.

My fondest memories, apart from some nights spent in discourse over a few drinks, is the way he always pitched in to help with crises big and small. At events, whenever there was static, or a question about something being done, he’d always be the first to jump in and say, “I’ll do it.” Worth his weight in gold.

Read moreScott Harper: An appreciation

The rise of the Gravedigger Five

(Gravedigger Five co-founder John Hanrattie recounts his side of the renowned San Diego garage band’s short but eventful history.)

Detail: Ted Friedman, Leighton Koizumi, John Hanrattie, David Anderson, Tom Ward, the Gravedigger FiveI was 17 when I first played guitar for an audience. I was working as a roadie for a San Diego band called N/E One. They were a very good cover band that would occasionally write one of their own songs and include it in their set. They built up a loyal following among San Diego teenagers and started playing high-school dances and at a local “under-21″ night club called Headquarters.

They started inviting me on stage to join them in covering the Rolling Stones’ take on Bobby Troup’s “Route “ I was using a six-string Rickenbacker and playing rhythm guitar with Rob Glickman, the lead guitarist. I had been taking classical guitar lessons, but I really wanted to play rock ‘n’ roll. I switched teachers to someone who could teach me Chuck Berry and Buddy Holly licks. It was a long process, and I learned some chords, but my skills were limited.

During my senior year in high school, the ASB started booking bands to play in the quad during Friday lunch. They eventually got around to inviting N/E One to play, and I joined them on stage for their set. Afterward, several people approached me, asking if I wanted to start a band. I was flattered, but I held out, hoping to find people who wanted to play the same kind of music I loved. I refused to have anything to do with playing Aerosmith and Led Zeppelin covers. I wanted to play British Invasion beat and 1960s garage music.

Read moreThe rise of the Gravedigger Five

The Che Underground