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Opening Kings Road Cafe

January 1, 2011August 25, 2008 by admin

Jason Seibert’s generous donation of early-’80s San Diego flyers offers a prime opportunity to open discussion of the Kings Road Cafe (née the International Blend), a small venue that played an enormous role in fostering and showcasing an eclectic mix of bands.

The Seibert Collection represents a slice of life at Kings Road in the summer of 1982, starting in June when the club morphed from the I-Blend under the management of Peter “English” Verbrugge. Other artifacts, including a July 1982 calendar (with membership card offer!), highlight the variety of performers that visited 4034 30th St. that summer, both San Diego regulars and up-and-coming out-of-towners.

The Jam at Perkins Palace

December 13, 2017August 23, 2008 by admin

(San Diego mod pioneer Dean Curtis recalls the impact of this seminal band’s 1982 California visit.)

It was in the spring of 1982 when I realized the Southern California mod scene was growing by leaps and bounds. Many of us in San Diego made the day-long trek up Highway 1 to see The Jam at Perkins Palace in Pasadena. Few of us had highway-legal scooters (mine was a 125cc Lambretta), so we had to take the scenic route along the beaches. We were harassed a bit by the Marines in Camp Pendleton for not wearing proper footwear for motorcycle riding, but they eventually let us through.

Our asses were aching by the time we got to Long Beach, and the drive along PCH through all the South Bay beach towns seemed endless. But it was all worth it, as we showed up at the theater the next day on a rumor and got to see the band run through their sound check.

Then and now: Adams Avenue Theater

April 14, 2012August 21, 2008 by admin

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, the Adams Avenue Theater meets “Project Runway”!)

No one could have imagined that this hallmark of our glory days, the Adams Avenue Theater (3325 Adams Ave.), would metamorphose into something so random as Discount Fabrics. I don’t think it’s as humiliating as it is simply bizarre.

The humiliation occurred in the late ’80s, during the venue’s brief reincarnation as the Purple Rain Club. The transforming of a theater into a fabric store has a thread of irony that keeps San Diego “weird.” Frankly, I prefer it to the gentrification that has sucked the charm out of other neighborhoods.

Discount Fabrics never remodeled. Outside of the merchandise, everything looks the same as it did. A quarter-century later, there is still a reflection of the building’s punk-rock roots. Shadows still linger, and I can imagine an entryway streaked with the scuff of Doc Martens and cigarette butts; blood, sweat and spit in the hall; the pit, a cluster of motion, like hornets, swinging fists and bodies, a stage bomb, a swan dive from the balcony …

“Tourist, go home!”

January 1, 2011August 20, 2008 by admin

Detail: San Diego population growth chart I heard that a lot when I moved to Leucadia from Milwaukee in 1976 to start seventh grade. (I was born in Manhattan, lived in upstate NY for third and fourth grades, then moved to Wisconsin for fifth and sixth; the license plates on our VW station wagon advertised our status as new arrivals.)

I got a later start in SoCal than many of you, but I know I’m not the only transplant among our ranks. In fact, I believe our social scene was created in large part by the influx of young families that arrived in San Diego County in the ’60s and ’70s, literally reshaping the sprawling landscape and introducing a booster shot of youngsters to the region just as the nation’s post-war baby boom was giving way to Generation X.

Those all-ages clubs opened their doors to us for a reason, and our suburban anomie was prime territory for “Lord of the Flies”-style social experiments.

The Wallflowers: “Walldrugs”

January 1, 2011August 18, 2008 by admin

Yet another Wallflowers signature returns from Canada after a 25-year hiatus.

Like the rest of this cache, “Walldrugs” features the original Wallflowers lineup of Dave Rinck (vocals), Paul Howland (bass), Tommy Clarke (guitar) and Aaron Daniels (drums).

“’Walldrugs’ and [Stooges cover] ‘TV Eye’ were recorded in a ’studio’ at Music Power,” Dave Rinck writes. “‘Raw Power’ [another Stooges cover] was, too, but not until a little later than the other two.

Read moreThe Wallflowers: “Walldrugs”

Fleshing out the Skeleton Club

December 11, 2017August 17, 2008 by admin

Punk goodfella-turned-celebrity chef Jason Seibert has donated a wonderful cache of flyers to the Che Underground archives. These artifacts span the late ’70s through the early ’80s and document events at the North Park Lions Club, the International Blend/Kings Road, the Zebra Club and the Skeleton Club.

It’s high time we take note of that last venue, which did so much to hone the cutting edge of San Diego music. (Full disclosure: Tucked away in North County, I missed out on the Skeleton Club during its brief but influential run at 202 Market St. and 921 Fourth Ave. under the management of rock-‘n’-roll nurse Laura Frasier and a young Tim Mays.)

Then and now: Topsy’s

December 11, 2017August 15, 2008 by admin

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Topsy’s becomes a bear sanctuary! Photos by Kristen Tobiason; text by Kristen Tobiason and Matthew Rothenberg.)

In the pantheon of 24-hour, Formica-countered restaurants of early-’80s San Diego, Topsy’s was the Rolling Stones to El Cajon Blvd. Denny’s’ Beatles: less-polished and slightly tougher than its competitor to the east.

But like “Gay Denny’s,” Topsy’s’ after-clubbing hours and proximity to San Diego’s Hillcrest neighborhood also put a queer spin on the mix of patrons.

Reborn as Brian’s American Eatery, the restaurant at 1451 Washington Ave. expands on Topsy’s’ tradition of diner fare and a mix of gay and straight clientele, with special affinities for the “bear” subculture of the former.

The Ho Hos: “Creeping Vine (Love Is A … )”

January 1, 2011August 12, 2008 by admin

Another number from the Ho Hos, the mid-’90s San Francisco group of Che Underground transplants that included me on vocals and guitar; former Morlocks bassist Jeff Lucas; Robert Labbe (ex-3 Guys Called Jesus drummer); and Steve Lam on lead guitar.

“Creeping Vine (Love Is A … )” comes from the same 1993 demo session that generated “Snowball” and was written by Jeff. Getting to sing material penned by Mr. Lucas was always exciting to me, and I am crazy about the way the lead guitar and rhythm section work together on this song.

Have you ‘zine me? San Diego’s indy music mags

December 18, 2017August 11, 2008 by admin

Detail: Quasi-Substitute #2, 1980 (collection Dean Curtis) Another pillar of SD punk’s plastic arts (along with music, tattoos and flyers) were ‘zines, the samizdat publications created by luminaries such as Marc Rude, Harold Gee, Terry Marine and Clayton Colgin.

Over in the Che Underground forum (separate registration required), Dean Curtis and Toby Gibson, among others, have been bringing these treasures to light. One of Dean’s first contributions was Issue 2 of Quasi-Substitute, dating from 1980 and featuring the Crawdaddys on the cover.

Detail: Snare #1 (collection Dean Curtis) Its reappearance prompted this wonderful response from David Klowden: “Seeing this issue of Q-Sub triggered an intense emotional stew of white hot longing for that place and time, deep black terror at the passage of the years & a kind of fatherly love for my younger self that is beyond description.