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Cardiac Kidz reloaded

July 3, 2011October 20, 2010 by admin

(The Cardiac Kidz’s Jim Ryan announces an eclectic night of musical merriment Nov. 4 at Lestat’s Coffee House in San Diego.)

The Cardiac Kidz are winding down their 2010 San Diego “Performance Blitz” tour with the end of the year finally in sight. The band has played an unheard of 10 shows in less than six months.

From what started as a onetime reunion show to an expanded booking schedule, The Kidz have even gone so far as to add the talents of David Rinck (frontman for San Diego’s Wallflowers) to the band.

Perhaps the most satisfying aspect of the Che Underground blogging adventure has been the opportunity not only to revive longstanding friendships but to revisit old acquaintances and find new kinship there.

Case in point: Ray Brandes, the vastly talented veteran of the Hedgehogs, the Mystery Machine, the Tell-Tale Hearts, the Town Criers, the Shambles and a variety of superb solo projects, who celebrates another solar orbit today.

Manual Scan: ‘I Can’t Don’t Want to Faster’

July 3, 2011October 13, 2010 by admin

Another artifact from the legendary band’s Jan. 30, 2010, Che Underground showcase at San Diego’s Casbah. This is the second-to-last song in Manual Scan’s 13-song set before being joined by Chris Sullivan and Chris Davies of the Penetrators.

This sequence was culled from Eric Rife’s video and Dave Fleminger’s audio, and features l-r: Dave Fleminger, Kevin Donaker-Ring, Bart Mendoza, Morgan Young and Tim Blankenship.

Mali Blues

December 11, 2017October 8, 2010 by admin

(Reporting from Burkina Faso, David Rinck searches for our rock-‘n’-roll roots in the landlocked shore of Africa.)

“Live, travel, adventure, bless, and don’t be sorry.” — Jack Kerouac

To a visitor today to these scrappy, drab concrete towns in the center of West Africa, it’s hard to believe that just a century ago this was the epicenter of a magnificent and vital trans-Saharan caravan trade in gold and salt, stretching across the world’s greatest desert. Linking Morocco and Mediterranean Europe with the gold kingdoms of the Gulf of Benin, and giving rise to mysterious and fabled cities that were centers of learning and culture, like Gao; Djenne (with its famous UNESCO World Heritage Grand Mosque); and Timbuktu, today the epitome of remote, it was where the Moors built one of Africa’s earliest universities and a library famous throughout the Islamic world for its handwritten manuscripts and Korans.

Likening it to the shore of the vast sand ocean that is the Sahara, south of which lies the Bilad as Sudan, or “land of blacks” (Sudan, means “black” in Arabic), the Arabs named this part of the world the Sahel, or “shore” (the same root from which we take the word for Kenya and Tanzania’s national language, Swahili, or “the language of the coast” — Saheli).

The long and winding road

December 11, 2017September 29, 2010 by admin

Thanks to my day job, I’m currently on a whirlwind tour of bookstores across the country: from New York to points south, through Texas, up California and ending up in Chicago. I’m riding trains, I’m taking planes, I’m doing interviews and grabbing naps where I can find them. The next week or so should be a blur (and I’m hoping to see many of you along the route)!

But it also reminds me that I never actually had the stress and pleasure of touring with a band (besides a few forays to Los Angeles and of course our recent San Diego reunions). It’s a dynamic that’s always fascinated me: how creative types function move in a group from town to town and get up in front of a new audience each night.

Play “Misty” for me:
BOMBAST rocks out at Bar Pink

December 11, 2017September 25, 2010 by admin

(David Rinck provides his back story of this meeting of musical minds at the Che Underground Rock-‘n’-Roll Weekend. Plus, let’s go to the video, courtesy of Paul Kaufman!)

Now I’m really perplexed by this one. Dave Fleminger calls for the “end of the Age of Irony,” and then he is largely the perpetrator of a band called BOMBAST. This seems like a contradiction.

And then there’s the song-list issue — a couple old San Diego classics like the Wallflowers (“Rubber Room” and “Survive the Jungle”) and Blues Gangsters (“Tigershark Blues”), some Arthur Lee and Love (“Bummer In the Summer”), and even the Stooges (“TV Eye”) and Parliament (“Unfunky UFO”). Seems like a pretty strange brew, more contradictions? “Well, what do we all agree on?” I asked with great trepidation as the project grew. Pretty much one thing — BOMBAST is LOUD! Okay, that’s enough for me. I’m good to go.

Manual Scan at Bar Eleven

February 2, 2011September 20, 2010 by admin

(Manual Scan co-founder Kevin Donaker-Ring talks about a cool new club in San Diego and a turning point for this enduring band.)

I’ve been working security for over four years now. Last September, I started working at Small Bar, owned by the same people that run Hamilton’s Tavern in South Park.

Dennis Borlek, the first person in San Diego I ever met who had a scooter, and who continues to be a San Diego music scene fixture, is the general manager there. Small Bar’s owners recently purchased the Radio Room (formerly the Zombie Lounge) on El Cajon Boulevard, just east of 35th St., and renamed it “Eleven.” (Yes, that’s a direct Spinal Tap reference.)

They improved the sound system and the acoustics (not to mention expanding the beers on tap by an order of magnitude). But anyone who has been into the San Diego music scene will want to visit this place — they wallpapered large sections of the bar with reproductions of vintage San Diego show flyers.

Che echoes from the Alps

December 14, 2017September 15, 2010 by admin

(Rolf “Ray” Rieben of Feathered Apple Records describes how the San Diego underground reached Basel, Switzerland, and shares his cache of memorabilia from the Che Cafe and other points southwest. Stay tuned for much more of Ray’s trove from the Tell-Tale Hearts, Crawdaddys, Howling Men and more!)

I was working as a record salesman in Switzerland when the first Crawdaddys LP (“Crawdaddy Express”) on the German Line label had hit the market. Most of the Bomp! catalog was licensed to Line Records from Germany. Line Records had the best possible distribution, since because they were connected to a major label. They’ve helped to make The Crawdaddys and some of the other bands from Greg Shaw’s Bomp label famous over here in Europe.

“Crawdaddy Express” rates as the first modern ’60s garage LP ever made (after probably The Flamin’ Groovies). It was first advertised on the back cover of the July 1979 issue of Goldmine magazine. The sound was very British: wild raving rnb like the early Kinks, Downliners Sect, or the The Pretty Things, but undoubtedly influenced by Bo Diddley, Chuck Berry and the likes. There’s even a few cool northern soul ballads featured on both of their LPs, too. These four fine young lads from San Diego knew what they were doing, they had the right spirits, and they could deliver in authentic ca. ’64 – ’65 style, too. It was exactly the type of brand-new LP that I was hoping for.

DaveFest Four: ‘Richie Dagger’s Crime’
b/w ‘Let’s Lynch the Landlord’

March 30, 2019September 10, 2010 by admin

More highlights from the Che Underground Rock-‘n’-Roll Weekend July 30 and 31, 2010, in San Diego: Che Underground supergroup the DaveFest Four performs the Dead Kennedys’ “Let’s Lynch the Landlord” and “Richie Dagger’s Crime” by the Germs.

The DaveFest Four plays “Richie Dagger’s Crime”: Listen now!

“Dave Rinck came up with the idea to do an all-Dave set of our favorite punk anthems with a semi-acoustic roots sensibility,” writes Dave Fleminger.

hING at the Casbah

February 2, 2011September 4, 2010 by admin

Another new collaboration from a beloved old friend: Lou Damian has been playing reeds with a new “collective improv” dubbed hING. It also features Josh Quan (drums); Michael J. Stevens (guitar and percussion); and Michael Zimmerman (keyboards).

“hING is an elemental assemblage of five individuals with disparate musical experiences,” Michael Zimmerman explains. “We have come together to investigate inner and outer space with a communal brew of free improv and sound/tone investigations that seeks to attain feral heights of aural extremity and sustained moments of contemplative beauty.

These five individuals are, much like a jumble of letters, constantly shifted and shuffled into different shapes and formations to create a singular sound which is best described as the music of hING.”