Reviving San Diego's Rock Renaissance
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A Thanksgiving treat from the Comeuppance, the sublime pairing of Dave Fleminger on guitar and vocals and Heather Vorwerck on cello.
These two songs closed the Comeuppance’s set at the Che Underground Rock-‘n’-Roll Weekend July 30, 2010. The band’s first formal San Diego appearance also closed a circle for Dave nearly 25 years after relocating to San Francisco.
Here’s a song that’s traveled with me since age 16 (when I first translated the words from the 1923 poem by Tristan Tzara) and got its definitive treatment when we formed Noise 292 in 1982.
I’ve played “Chanson Dada” in a lot of bands since (and even recently found my translation had been covered by some wacky Scandinavians!), but it’s probably the composition of mine I identify most closely with Noise 292. That made it a special pleasure to perform at our reunion May 31, 2009, when we presented Che Games for May at San Diego’s Casbah.
Going on three years since the launch of this blog, we’ve come a long way: We’ve posted all kinds of wonderful treasures from our musical youth, reunited with hundreds of old friends, started new collaborations — and in October alone, drew more than 15,000 visitors here.
That means we’re in a great position to locate just about any surviving sounds, images and accounts from our past … or to re-create anything we want to revisit.
So where do you want to dig next? What recordings, flyers, photos, bands, events and people have you missed all these years? Working together, there’s a great chance we can find them.
(David Rinck offers a performer’s-eye view of a recent night of musical eclecticism in San Diego.)
On the evening of Thurs., Nov. 4, we again converged on the little theater at Lestat’s Coffee House on Adams Ave. in Kensington, which is beginning to feel like home for some of us here.
Lestat’s most recently hosted the first night of the Che Underground Rock and Roll Weekend on July 30 and 31, and the Nov. 4 show was an exciting follow-up to that event. Some of San Diego’s finest underground musicians offered up an eclectic array of sounds from a range of genres. At the same time, the visual arts were represented by terrific graphics, photography and video recording, some of which is available here.
(Abortive record mogul Kevin Chanel heralds the post-Internet return of his label with two releases into the brave new world of online media.)
“Why now?”
Been asking that myself. After 15 years of somewhat complete dormancy, Scheming Intelligentsia Records is back with a line of retro classics and unfinished tchotchkes of historical whatnot.
“But why?”
If you recall, back in ’95 we didn’t have no MP3 technology or iZunes being given away with a ten-pak of ramen. You wanted music, you had to buy it on cassette, vinyl or CD. For us instant-gratification enthusiasts, this is a great time to be human.
We are celebrating with the first two releases in our exhumation process: 1987’s PERSONAL CONFLICT album “Rest In Peace” and the previously unreleased, half-baked SOUL BROTHERS masterwerk, “Find My Keys And We’ll Drive Out Of Here.”
We’ve talked a lot (sometimes heatedly!) about what we listen to nowadays since heading our separate ways into adulthood. But I’m also curious about where we’re listening to music new and old.
The musical authorities of our youth (from record stores to select radio shows) have given way to whole new avenues for musical exploration, and I have to admit I have trouble knowing where to start. I watch and listen to a lot of music on YouTube; I spend some time with Pandora; I don’t personally own an MP3 player, although my family has a few. Satellite radio is a mystery to me, and I don’t really have much of a line on radio of the old-school terrestrial variety, either.
I’ve written before on the blog about my oldest musical connection within our scene: with David (a k a Kavika) Rives, the fantastically talented lead guitarist, vocalist and songwriter for Noise 292. My musical association with Kavika began in eighth grade, ca. 1977, and was rekindled after a long separation when Noise 292 reunited to play Che Games for May 2009.
Here are two examples of Mr. Rives’ talent: his songs “Mr. Pumpkin” and “Talking in Circles.”
Read moreNoise 292 plays ‘Mr. Pumpkin’
b/w ‘Talking in Circles’
This is a public-service announcement, with guitars:
“I’m currently working with the Alumni Association at UCSD to acquire photographs of the history of various aspects of campus to include in a 50th Anniversary book of photography,” writes Stephanie Usry. “Since the Che has been a continually important part of the campus and one that is held in high esteem by many students, we are planning to include historical pictures and we would also like to add some more recent photographs of the venue.
“Do you have any photographs that we may include that you feel represent the identity of the Che (recent shows or events, gatherings there) that we may be able to include in this publication?
I had a great conversation Sunday with Sergio from Hair Theatre. We talked about how early parenthood complicates musical forays (both playing out and keeping up). Add to my predicament 24 years’ and 3,000 miles’ separation from San Diego, and I confess complete ignorance of what’s hot in my hometown beyond recent projects by friends from my youth.
This seems a disgraceful lapse if I’m curating a blog ostensibly about music and San Diego! I don’t expect to become an instant expert, but I would enjoy a decent 360-degree view of what people of every age are creating and listening to … After all, many of the people who contribute here remain vital, active participants in various segments of the SD music scene, and they’re the people who can help me connect the dots from San Diego then to the town of now.
Our Che Games for May 2009 show at San Diego’s Casbah regrouped nine legendary bands and ignited countless personal reunions. The crescendo of the two-night event was the triumphant return of the incredible Hair Theatre, seen here performing “In Obscurity” for the madding throng.
Seeing Hair Theatre perform together again was a personal highlight. This band amazed and delighted me from the first time I saw them play a party in Leucadia in 1983, and the reunion of members scattered along the West Coast was more than I could have hoped for when we first conceived this event.