Two things I dearly wish we’d had back in the day:
1. A great photographer with a keen interest in documenting the scene; and
2. A systematic plan for creating and archiving high-quality audio of studio and live performances.
We’d have karmic bonus points today if we’d had:
3. A forward-thinking videographer who realized the importance of video documentation 25 years after the fact.
Lacking all that, we’re going to have to do some serious forensic archaeology to reconstruct our sights and sounds.
Let’s start comparing notes on what audiovisual resources we’ve got … I’ll start with the archive of fliers to back up this gig list I posted on my personal blog, plus about 20 crappy snapshots of Noise 292 in performance. Ante up: What have you got?