(Guest columnist Paul Kaufman picks his favorite late ’70s LP as part of the ongoing series originated by Wallflowers frontman David Rinck.)
Best album from 1977? There’s a lot of competition. Of course, a lot of press covered the Sex Pistols’ “Never Mind the Bollocks” and the first Clash album; deservedly so.
But if I had to choose just one from that year to take to a desert isle, it would be “Pink Flag” by Wire. This primitive collection of 20 very short songs (some under 1 minute) dramatically threw down the aesthetic gauntlet back then: all you boring, epic-writing, guitar soloing prog rockers are now obsolete. Without the overt political slogans of the time, they were nevertheless revolutionary in their sound and approach. Spare three chord music; spare imagery:
The characters and events of our youth, it has often been suggested, would make excellent material for a big budget, Hollywood drama. Imagine having $100 million to re-create a show at the Che Cafe, a late-night
Set the controls for the heart of the sun: The Che Underground’s quarter-century reunion looms ever larger — so large, in fact, that one night just couldn’t contain it.
Everyone who grew up rocking to 
