Reviving San Diego's Rock Renaissance
What could be hotter than the triumphant return after 30 years of two famed San Diego bands? The tickets to the event, which just went on sale on the Casbah Web site!
Here are those details again of this can’t-miss event:
Read moreCrawdaddys/Unknowns Labor Day gigs:
Buy your tickets now!
(Crawdaddys Redux: Joe Piper channels his inner Andrew Loog Oldham to write this eyewitness account of the Crawdaddys’ long-awaited return to the stage last Sunday.)
What was originally intended to be a “low-key warmup gig” for the reunited ’81-model Crawdaddys prior to their jetting off to Spain for a prestigious appearance alongside The Nashville Ramblers at a bullfight or somesuch (actually “Go Sinner Go!! 2011”), quickly turned into The Event Of The Summer one whole day before summer even officially kicked off.
A capacity crowd crammed into the Rhino Records pop-up store on Santa Monica Blvd. last Sunday evening to raise money for a most worthy cause (MusiCares, providing a safety net for music people in times of need — feel free to contribute any time) and get their Rave Up R&B groove thangs righteously refurbed.
Where were you 30 years ago? If you were hanging with San Diego’s cool kids, chances are a gig featuring the Crawdaddys and/or the Unknowns was on your social calendar. And since a few decades hardly matter among friends, Che Underground: The Blog is proud to present a Labor Day weekend featuring both these legendary bands at San Diego’s Casbah!
Here are the deets:
What, when: Che Underground presents the Crawdaddys (Friday, Sept. 2) and the Unknowns (Saturday, Sept. 3)
Where: The Casbah, 2501 Kettner Blvd. San Diego, CA 92101
How much: $20 per night, $35 for a two-night package (on sale soon via the Casbah site)
Here’s what’s cooking with our headliners:
We’ve spent the past three years here on Che Underground: The Blog talking about the bands, people, places and shows that made our scene. Now here’s a way to connect them to each other — and to other scenes around the world.
San Diego is my musical home, and our musical history is precious to me … So this is the right place for the first real public launch of Sceneroller, a software platform that lets users connect bands, people, venues and gigs to write a shared history of local music scenes.
This hitherto unpublished 1984 flyer from the Bruce Haemmerle Collection portrays the Crawdaddys, Manual Scan and the Gravedigger V at Point Loma’s Syndicate all-ages club.
I’m giving it pride of place for a few reasons:
(Bart Mendoza invites the gang to watch Reelin’ in the Years’ new documentary and talk to panelists Mike Stax and David Peck.)
On Jan. 22, 2011, at 2 p.m., The Museum of Making Music in Carlsbad, Calif., will host a special exclusive advance look at Pretty Things: Midnight To Six 1965-1970, an upcoming film documentary from San Diego’s Reelin’ in the Years Productions, part of its British Invasion series. Admission to the museum includes the screening ($7; $5 for students, seniors and museum members).
(Ray Brandes puts out a call for swinging singles.)
Later this month, Mike Stax’s Ugly Things Records will release a celebrated local recording, the Nashville Ramblers’ “The Trains.” If one were to rank the best recordings ever to be made by San Diegans, this one would no doubt place in the Top 10.
On any list it would face some tough competition, though, from Rosie and the Originals’ 1961 classic, “Angel Baby,” to my personal favorite, the Crawdaddys’ “5 X 4” EP, released in 1980.
What is your favorite San Diego recording and what is your personal connection to it? (Feel free to consider artists from San Diego who moved or recorded elsewhere.)
— Ray Brandes
(Rolf “Ray” Rieben of Feathered Apple Records describes how the San Diego underground reached Basel, Switzerland, and shares his cache of memorabilia from the Che Cafe and other points southwest. Stay tuned for much more of Ray’s trove from the Tell-Tale Hearts, Crawdaddys, Howling Men and more!)
I was working as a record salesman in Switzerland when the first Crawdaddys LP (“Crawdaddy Express”) on the German Line label had hit the market. Most of the Bomp! catalog was licensed to Line Records from Germany. Line Records had the best possible distribution, since because they were connected to a major label. They’ve helped to make The Crawdaddys and some of the other bands from Greg Shaw’s Bomp label famous over here in Europe.
“Crawdaddy Express” rates as the first modern ’60s garage LP ever made (after probably The Flamin’ Groovies). It was first advertised on the back cover of the July 1979 issue of Goldmine magazine. The sound was very British: wild raving rnb like the early Kinks, Downliners Sect, or the The Pretty Things, but undoubtedly influenced by Bo Diddley, Chuck Berry and the likes. There’s even a few cool northern soul ballads featured on both of their LPs, too. These four fine young lads from San Diego knew what they were doing, they had the right spirits, and they could deliver in authentic ca. ’64 – ’65 style, too. It was exactly the type of brand-new LP that I was hoping for.
Che Underground: The Blog has written before about the legendary Skeleton Club, the backbone of San Diego punk that Laura Fraser and Tim Mays ran for a scant two weeks at 921 4th Ave. before reopening (always a half-step ahead of SD authorities) at 202 Market St.
Now Mikel Toombs enriches our store of Skeleton Club lore with a wealth of flyers, including announcements that accompanied the original venue’s opening and closing.
“The one about the Skeleton Club closing was handed out at the final show at the original Skeleton Club,” Mikel writes. “I don’t have any recollection of the other one.”
(Bart Mendoza offers an appreciation of this San Diego bass phenom.)
Although I had seen the Crawdaddys numerous times by that point and had probably even been at some of the same parties, I was first introduced to Mark Zadarnowski (a k a Mark Z.) by Carl Rusk. Mark was living behind the Kings Road Café at the time and while I’m sure he was less than thrilled to have his house invaded just prior to a show, it was cool formally to meet a member of one of my favorite bands.
One of the bedrocks of the San Diego music scene, the roll call of bands Mark’s recorded with would rank him as a music legend, even if he had stopped after the first one.
A founding member of the Crawdaddys, he can be heard on the legendary 1979 Crawdaddy Express LP, as well as the 5X4 EP and “There She Goes Again” 45. He’s not on another release for a few years, but when he next pops up, once again, it’s on a winner: the short-lived Mystery Machine’s “She’s Not Mine.” Included on the seminal 1983 compilation, Battle of The Garages Vol. 3, the tune has appeared on several other compilations since.