The Crawdaddys and Unknowns
mutual admiration society

(Author of the definitive biographies of both the Unknowns and the Crawdaddys, Ray Brandes explores the connection between these two essential San Diego bands as they prepare to revisit San Diego after 30 years. Buy your tickets now!)

Detail: Vox ampDuring the past three decades of rock and roll music in San Diego, two groups — the Crawdaddys and the Unknowns — can arguably claim to have had the most influence over the bands that followed in their wake. Both groups looked to the past, to the greats of early rock and roll and rhythm and blues for their own inspiration, and had a mutual respect for each other that transcended local band competitiveness.

The Crawdaddys and the Unknowns are looking forward to sharing the stage this coming Labor Day weekend as the Che Underground presents their historic reunions at the Casbah. I spoke with the members of each band about their love and respect for the other group.

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mutual admiration society

Che Underground meets Sunset Strip

(Sidewalk scenes and black limousines: On July 30, Che Underground presents Sounds of the Sunset Strip at Lestat’s Coffee Shop, featuring the Sidewalk Scene, the Ciros, Wendy Bailey & True Stories, and James Ruelas. Show organizer and Ciros reed player Lou Damian reflects on how Los Angeles’ sound of the ’60s influenced so many San Diegans who came of age 15 years later.)

Sunset Strip detailThe crazy thing about this July 30 show is that we relate to this music from the Sunset Strip of the mid- to late ’60s as our music, as the music we grew up with. But in actuality, we were just tots or infants when it was first published. There’s something about this music that stays within our fabric even today. When I hear a Byrds song or a Buffalo Springfield song, I know that I heard it as a young man on the radio. I know I heard that song when I was a year or two old. And it’s just another part of who I am.

The garage rock, psych rock, and blues and folk rock of that era is an important contribution to American music and the West Coast sound. This is what we always championed as our West Coast identity … in the so-called “Che Underground.”

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The return of the Unknowns

(Last chance to see: Ray Brandes reviews why this San Diego reunion of the band’s classic lineup is a very big deal indeed.)

Detail: The Unknowns' second lineupLabor Day Weekend is approaching fast, and tickets are selling briskly for the Che Underground’s long-awaited showcase featuring historic reunions by San Diego hometown heroes the Crawdaddys and the Unknowns.

The Crawdaddys have received some recent critical acclaim in both the domestic and international press for their shows in Los Angeles, Toledo and Madrid, while interest in the Unknowns reunion is heating up quickly.

The Unknowns’ reunion will mark the first time Bruce Joyner has sung with the group in 21 years, and the first time all the members of the group’s classic lineup have played together in nearly three decades! I spoke to the members of the band about the historical significance of the show and what it means to them personally.

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The Joel Scott Hill Trio in photos

As he continues to explore rock-‘n’-roll history via his radio collaboration with Vanilla Fudge’s Vince Martell, Gary Ra’chac generously took time out to share some great memories with Che Underground: The Blog.

“Hey Matthew,” Gary writes, “I love these shots!! San Diego’s own, the Joel Scott Hill Trio (with Joni Lyman) December 1965, Whisky a Go Go, Sunnyvale, Calif.” (Editor’s note: Read this post on Rock Prospography 101 for information on the abortive Sunnyvale franchise of the Whisky a Go Go.)

“The great Johny Barbata (Turtles, CS&N, Jefferson Airplane) on drums; Bob Mosley (Misfits, Moby Grape) on bass; and Joel Scott Hill (the Invaders, Canned Heat, Flying Burrito Bros.) on guitar.

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Setting ‘Blood on Fire’

(On April 6, a group of San Diego music veterans backed local hero Gary Heffern when he returned from Finland to play the Casbah. Joe Piper recounts the 34 years leading up to his own part in the gig.)

Life’s funny…

When Gary Heffern’s Blood On Fire took to the Casbah stage earlier this month it was, for me, more than just an opportunity to play with some truly outstanding musicians who just also happen to be a group of the greatest guys you could ever hope to meet. It was more than a chance to take part in what is possibly the most enjoyable project I’ve ever worked on. It was all that and more —  it was a chance to take care of unfinished business.

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Lemons Are Yellow play Che Games

Lemons Are Yellow; Casbah, May 29, 2009Che Games for May 2009 continues to pay dividends for aficionados of San Diego subculture, encapsulated here in two choice cuts from the reunited Lemons Are Yellow: “Thousand Island” and “America’s Finest City.”

The LAY lineup comprises Paul Kaufman (guitar, vocals); Dave Fleminger (guitar, vocals); Kristin Martin (bass, vocals); and Seth Affoumado (drums). Heather Vorwerck shot the performance, which opened the festivities May 29, 2009.

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Darren Grealish in Rock & Roll Hall of Fame

(On the heels of Mark Neill’s Grammy win, more news of national recognition for an old friend. Poster artist extraordinaire Darren Grealish describes his inclusion in the forthcoming Rock and Roll Hall of Fame and Museum’s Library and Archives.)

I have been selected to join the permanent display with other rock artists, album artists and rock literature/book authors who made an important impact on rock-‘n’-roll history. I will have my own permanent exhibit that includes tons of my art framed in all its glory, along with a detailed biography, interviews, personal photos, and an in-depth look at my career with influential artists and performers.

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Nashville Ramblers at Til-Two

Tom Ward, Nashville Ramblers; Til-Two Club, Jan. 21, 2011 (Dave Doyle)Veteran San Diego musician and photographer Dave Doyle was on the scene Jan. 21 when the legendary Nashville Ramblers visited the Til-Two Club on El Cajon Blvd. to celebrate the pending release of their classic “The Trains.” Here’s his report:

“The Nashville Ramblers hit the stage Friday night, last exuding their honest, youthful charm as if I were standing in Bodie’s or Winston’s back in ’86.

“Despite the fact they are all older and live in different parts of the country, they are all consummate musicians and still perform regularly; their consistency should come as no surprise to the observant listener.

Tom Ward, Carl Rusk, Nashville Ramblers; Til-Two Club, Jan. 21, 2011 (Dave Doyle)Ron Silva, Nashville Ramblers; Til-Two Club, Jan. 21, 2011 (Dave Doyle)Dean Curtis at Nashville Ramblers; Til-Two Club, Jan. 21, 2011 (Dave Doyle)Carl Rusk, Nashville Ramblers; Til-Two Club, Jan. 21, 2011 (Dave Doyle)

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Jeffrey Luck Lucas: ‘We Were on Fire’

We’re overdue to devote a post to the recent work of one of the Che Underground’s most protean talents: Jeffrey Luck Lucas, veteran of San Diego’s Morlocks, Mirrors and Answers and a prolific Bay area solo artist.

I was privileged to play with Jeff for a few years in San Francisco — a longtime aspiration of mine — and I can testify to the intensity of his artistic vision through many incarnations.

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Best San Diego record?

(Ray Brandes puts out a call for swinging singles.)

Later this month, Mike Stax’s Ugly Things Records will release a celebrated local recording, the Nashville Ramblers’ “The Trains.” If one were to rank the best recordings ever to be made by San Diegans, this one would no doubt place in the Top 10.

On any list it would face some tough competition, though, from Rosie and the Originals’ 1961 classic, “Angel Baby,” to my personal favorite, the Crawdaddys’ “5 X 4” EP, released in 1980.

What is your favorite San Diego recording and what is your personal connection to it? (Feel free to consider artists from San Diego who moved or recorded elsewhere.)

— Ray Brandes

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The Che Underground