Then and now: Greenwich Village West

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, Greenwich Village West learns Tagalog.)

Detail: 536 Fifth Ave., San Diego (outside), July 2008 (photo by Kristen Tobiason)Time has reduced my memory of the Greenwich Village basement to a hot cement pit: the flickering yellow light and a stairwell descending to a gully that had possibly the worst acoustics I’ve ever experienced!

I remember Morlocks guitarist Ted Friedman’s reverb hitting the wall — flat and nowhere to go, just like the smoke from our cigarettes. But we all had a good time. … Everybody who was anybody was there, right? (Maybe I’m harboring band-girlfriend resentment from schlepping equipment up and down those stairs.)

Detail: 536 Fifth Ave., San Diego (sign), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (entry), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (band entrance), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (basement), July 2008 (photo by Kristen Tobiason)Detail: 536 Fifth Ave., San Diego (Filipino museum), July 2008 (photo by Kristen Tobiason)

Read moreThen and now: Greenwich Village West

Noise 292 reunion!

Detail: Noise 292 David Rives, David Fleminger, Kristin Martin, Hobie Hodge (and Hobie’s son Trevor) July 2008 (collection Kristin Martin)The Che Underground adventure inspired yet another historic gathering July 28, 2008, as veterans of Noise 292 assembled at San Francisco’s Fisherman’s Wharf to commemorate the 25th anniversary of a crucial Che Cafe performance with the Answers and Hair Theatre.

Left to right: Noise 292 guitarist/ vocalist David Rives; Answers guitarist (and frequent Noise 292 pickup drummer) David Fleminger; Noise 292 guitarist/ bassist/ vocalist Kristin Martin; Noise 292 percussionist Hobie Hodge; and Hobie’s son Trevor, standing in for Yours Truly.

Here’s everyone (except Trevor), probably at the aforementioned July 29, 1983, show:

Detail: Kristin Martin/Hobie Hodge of Noise 292Detail: Kristin Martin and David Rives of Noise 292Detail: Matthew Rothenberg and Hobie Hodge of Noise 292Detail: Dave Fleminger sits in with Noise 292

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Our family tree

Rockin’ tree of lifeThe Che Underground site was first conceived to capture an interesting and undocumented moment in San Diego music history — but our scene was one significant limb among several in a tree with healthy roots and many branches.

To understand this fluorescence better, we’re undertaking something ambitious: a mapping project to lay out the history of San Diego’s rock-‘n’-roll underground. Step One is to solicit some general ideas about the shape of this family tree.

Here’s my first take, which is completely skewed by my age, my location and my own tastes. For me, the San Diego underground sprang in the late ’70s from three large, intertwined roots: the first wave of SD punks (Marc Rude et al.); great New Wave bands like the Penetrators and Unknowns; and a unique SD brand of retrovisionary cool, starting with Ron Silva and the Crawdaddys.

Read moreOur family tree

The Morlocks: “You Mistreat Me” b/w “The Key”

Detail: Morlocks in Golden Gate Park (collection Jeff Lucas)“You Mistreat Me” and “The Key” represent two more songs from the Morlocks’ historic show at San Francisco’s Swedish American Hall, recorded by KALX radio on Sept. 28, 1985.

“There were a couple of Swedish shows,” writes Morlocks strategist and MC Jerry Cornelius. “These were promoed by Paul Renna — another million years of tales attached to that name!

Morlocks’ Leighton Koizumi with Jerry Cornelius (collection Jeff Lucas)‘The first happened right after [guitarist] Ted [Friedman] went up to SFO to join the rest of the band. I was up there for the second — on my first full night after moving up, one month later. The bill was The Sea Hags, Thee Unforgiven and The Morlocks — with light show by The Brotherhood of Light.”

Read moreThe Morlocks: “You Mistreat Me” b/w “The Key”

Then and now: Funland

(Roving correspondent/photographer Kristen Tobiason finds that Funland — downtown arcade that inspired a Wallflowers song of the same name — has been plowed under: “This swarthy beast consumed the whole lower Broadway strip. Another boring-ass hotel. I miss Funland and all its classic wooden pinball machines.” Wallflowers singer Dave Rinck offers a requiem.)

Detail: Westin San Diego, July 2008 (photo by Kristen Tobiason)This is not universally recognized, but the decline of arcade games reflects the soul-sucking changes that have taken place in modern life. Back in the day, arcade games had real physical moving parts, like pinball machines and Skee-ball. Then they invented computer games, and people started going to arcades to stare at computer screens.

Nowadays, kids play home video games on their TV sets, and I believe there aren’t really arcades anymore. This happened simultaneously with the computerization of the movie and music industries. Someday kids won’t even know what an arcade or a cinema even is — and as to music, well, we all know how that’s going. …

Read moreThen and now: Funland

Headliners we’ve known

Detail: Cramps/Pandoras/TTH flyerHere’s a potential source of mirth and mayhem: Most of us who played regularly in San Diego had opportunities to open for bigger acts passing through town on tour. David Klowden recounted two chances to open for the Cramps; Ray Brandes and I shared a laugh over the excesses of Specimen when the Tell-Tale Hearts and 3 Guys Called Jesus opened for them at North Park Lions’ Club.

Who were your favorite headliners to open for/hang out with/mock/pilfer from? Who, not so much?

Based on ability; etiquette; prima-donnahood; and general entertainment value (intentional or otherwise), let’s sort out the keepers from the discards! No brown M&Ms!

Hair Theatre/Synesthesia/Decision, Jackie Robinson Y

Detail: Hair Theatre/Synesthesia/Decision flyer (collection Paul Allen)A disc I received from Hair Theatre guitarist Paul Allen adds new showpieces to the Che Underground flyer collection. Today, a trio of flyers advertising a single show March 7, 1986, at the Jackie Robinson YMCA, featuring Hair Theatre; Synesthesia (the great band led by Noise 292 co-founder Kristin Martin); and Decision (another terrific band that featured drum god Paul Brewin, who’d most recently played with Manual Scan).

Detail: Hair Theatre/Synesthesia/Decision flyer (collection Paul Allen)This set demonstrates the tendency of individual shows to generate multiple flyers, often featuring a different “headliner” depending on the band running the photocopier. Exhibit A also showcases the artistry of David Dick, a new addition to our roster of flyer talent.

Read moreHair Theatre/Synesthesia/Decision, Jackie Robinson Y

Then and now: La Posta

(Roving correspondent/ photographer Kristen Tobiason revisits and documents the scenes of our youth. Today, rolling with the tacos at La Posta, 2008!)

Detail: La Posta de Acapulco, July 2008 (photo by Kristen Tobiason)Ah! La Posta. Our signature Southern California cuisine. …. Craving carne asada at 3am? No problem. The mighty little taco shop, La Posta, on 3rd and Washington, is still going strong just as it was 25 years ago. (Twenty-five years?! Jeebus!)

Back in the day it was all the nutrition we needed. Next to McDonald’s five-hamburgers-for-$1 deal, (the Morlocks were huge fans of Mickey D’s), it was a cheap feast. Who would have thunk that today we would be eating sushi?

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More familiar faces

Detail: Murphy’s jaw wired shut (photo by Cyndie Jaynes)Another fabulous installment from the Cyndie Jaynes Collection of photographs from the San Diego underground ca. 1984-’85.

“[M]ost of the ‘hanging around’ photos … were taken at [John] Murphy’s place on Normal St.,” Cyndie recalls. “I got a camera for high-school graduation, and sat around taking photos of anyone who showed up.”

We’re very grateful she did; each of these loving portraits offers a shock of recognition and a rush of neurotransmitters to long-unused synapses. Check out the photos and help us fill in the blanks!

Detail: Tom Goddard (photo by Cyndie Jaynes)Detail: Kathy (photo by Cyndie Jaynes)Detail: Lori Shouldice and Chris Gast (photo by Cyndie Jaynes)Detail: Steve Medico (photo by Cyndie Jaynes)Detail: Bobby Lane (photo by Cyndie Jaynes)
Detail: Zoe and Bobby (photo by Cyndie Jaynes)Detail: Eric Bacher and Suzie Goddard (photo by Cyndie Jaynes)Detail: Alena Tuscher (photo by Cyndie Jaynes)Detail: Eric sends his love (photo by Cyndie Jaynes)

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Resurrecting 3 Guys Called Jesus

Detail: 3 Guys Called Jesus’ Robert Labbe, Matthew Rothenberg, Steve Duke (collection John Stees)Another reunion dinner in New York last weekend, when North County music operator-turned-North Carolina operations director John Stees arrived at Vynl on 9th Ave. armed with a disc of photos and flyers from 3 Guys Called Jesus, the band I played in from spring 1985 until I left San Diego in February 1987.

These images feature bassist Steve Duke and drummer Robert Labbe as well as guitarist Ryk Groetchen, who played with the band in 1985. All were taken by the marvelous Margarat Nee.

Detail: 3 Guys Called Jesus’ Steve Duke, Robert Labbe, Ryk Groetchen, Matthew Rothenberg (collection John Stees)Detail: 3 Guys Called Jesus’ Robert Labbe, Matthew Rothenberg, Steve Duke (collection John Stees)Detail: 3 Guys Called Jesus’ Robert Labbe, Matthew Rothenberg, Steve Duke (collection John Stees)Detail: Clipping from Oct. 28, 1985, UCSD Guardian

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The Che Underground