Noise 292 | The Che Underground

Birth of the Nephews!

December 25, 2021December 25, 2021 by admin

A Che Underground exclusive: San Diego legends The Nephews revisit four decades of music ahead of their Feb. 18 appearance at The Casbah San Diego for A Che Underground Midwinter Masque. Book your tickets early and often!

The Nephews began as a comedy act in middle school around 1980. The original name was Ceilings and Floors, but we changed it to The Nephews (which has the same amount of meaning as “Ceilings and Floors”) around 7th grade.

We were very heavily into music, started playing as a rock band in high school, and were able to start playing club shows fairly quickly. Actually, our very first show outside of inland North County where we grew up was at the Che Cafe in 1984. We supported Manual Scan at Club Zu pretty early on.

Eric Cullen (Nephews keyboardist, 1989): “The first memory I have of The Nephews is of them playing during lunchtime at Poway High School. The
thing that immediately hit me about their music was how sophisticated their sound was, considering this was high school and all. Their harmonic language was dense, their chord progressions rather abstract, the lyrics obtuse. The Nephews’ music seemed advanced and not really belonging to the time, which was 1984 or ‘85. They were mining their own sound, and to this 17-year-old it sounded great. They had an air of ’60s psychedelia but were in touch with current underground bands like R.E.M., Minutemen and Pere Ubu. They also had a slight Zappa/Beefheart side about them, as well.”

P-Touch All Stars: ‘Cry Baby Cry’

October 9, 2020October 4, 2020 by admin

The challenges of the COVID-19 pandemic have spawned a thousand new flowers of socially distanced creativity — and the artists of the Che Underground are tending their mind gardens for your delectation.

Case in point: This latest effort from P-Touch All Stars, which gives an old favorite a new cinematic treatment (with a little help from the Library of Congress’ film archives).

Ready for ‘A Che Underground Leap Night Showcase’?

February 13, 2020 by admin

Most rock-‘n’-roll historians know San Diego’s Che Underground scene as a mad scientist’s lab for musical experiments at the top of the ’80s.

Named for notable shows they staged at UC San Diego’s Che Café — but active across the region — the bands of the Che Underground brought together artists steeped in punk, psychedelia, garage and more. Throwing their influences into a high-speed blender, bands like The Answers, Hair Theatre, Noise 292, The Rockin’ Dogs, The Tell-Tale Hearts and the original SD Wallflowers provided a soundtrack for Southern California youth culture.

Four decades later, those musicians and artists continue to kick out the collective jams — and on Feb. 29, some of the best minds of that generation will stage a family reunion at the Riviera Supper Club & Turquoise Lounge for “A Che Underground Leap Night Showcase.” The night’s lineup of Che Underground supergroups will feature two stars of the scene who haven’t performed in San Diego for more than three decades: Jeremiah Cornelius and Tom Clarke.

The Mirrors play UCSD Rec Gym

May 9, 2015May 9, 2015 by admin

Jeffrey Luck Lucas — veteran of the Answers and the Morlocks and current solo artist — offers up these photos from the band he calls his favorite from his days in San Diego.

The Mirrors were formed by Jeff and Dave Fleminger in late 1983 and played their last show in May 1984. Artifacts are rare, but these images shot by John Nee capture the band playing the UCSD Rec Gym April 14, 1984 with The Unclaimed, the Odds and Noise 292.

Hair Theatre: ‘Place in Space’

November 29, 2014 by admin

Here’s another selection from Hair Theatre’s Nov. 17, 1983, performance at the Che Cafe, where the band joined Eleven Sons and Noise 292. For the occasion, Hair Theatre added Answers co-founder Dave Fleminger to the original lineup of Sergio (vocals); Sergio Castillo (bass); Cesar Castillo (rhythm guitar); and Howard Palmer (drums).

Listening to songs like “Place in Space” at 30 years’ remove, I’m more aware than I was then of the contemporary qualities of Hair Theatre’s sound.

Watch Hair Theatre perform “In Obscurity” at Che Games for May, 2009!

Read moreHair Theatre: ‘Place in Space’

There to Here: Paul Kaufman,
University of Massachusetts Medical School

July 2, 2012July 1, 2012 by admin

(In this installment, Che Underground: The Blog talks to the original drummer of Manual Scan and co-founder of Lemons Are Yellow about his memories of the San Diego scene and his far-ranging career in biochemistry. If you’d like your story told, e-mail cheunderground@gmail.com!)

We actually met right after you’d left San Diego to study at UC Berkeley, then for your doctorate at MIT. But you stayed in close touch with all of us who were still in America’s Finest City. What was it like coming back for short visits and seeing the scene change?

I have very vivid memories coming back during quarter breaks and other holidays during my first year away, 1982-3. The most shocking thing was that every time I came back, the Answers song list was totally different, even within a couple of months! At the same time, the Mod scene became incredibly huge, and the punk scene seemed to go from an artistic, underground scene to a place laced with way too much testosterone. So I did feel like I was missing a lot, a lot was indeed happening, and not being there day-to-day probably accentuated that feeling. I stayed in San Diego during that amazing summer of ’83, so I did get to see some of the best parts first hand. (cue “Nowhere”).

And then when I came back summer of ’84, so much more had changed. No more Answers. No more Noise 292. I think that summer, the Morlocks emerged (pun intended) at a party at Paul Allen’s house. I remember I had to stand back, they were so loud, and I was accustomed to some pretty loud stuff back then! They played “Voices Green and Purple,” it was intense. And before long, everyone was up in San Francisco, just across from me in Berkeley, so I got to see a bit of that era before I left for Boston in late ‘86.

Salad days at the Che

September 4, 2011April 6, 2011 by admin

(A new perspective on our old stomping grounds. Any other readers from the Che collective want to chime in?)

So, I am flipping through the Reader, and I see the short article about your site and I go check it out because back in the day I belonged to several lefty campus organizations that put on benefit concerts at the Che.

I recognized the name of your band, Noise 292, because of all the shows we did. I had one flyer saved from back in the day, and it has your band’s name on it along with The Front and The Odds. It was for a Feb. 24, 1984, concert [to benefit draft resister Michael Marsh] sponsored by the UCSD Committee Against Registration and the Draft which was a part of the Progressive Student Organization at the Che.

Introducing Sceneroller

September 4, 2011March 11, 2011 by admin

We’ve spent the past three years here on Che Underground: The Blog talking about the bands, people, places and shows that made our scene. Now here’s a way to connect them to each other — and to other scenes around the world.

San Diego is my musical home, and our musical history is precious to me … So this is the right place for the first real public launch of Sceneroller, a software platform that lets users connect bands, people, venues and gigs to write a shared history of local music scenes.

Noise 292: “Chanson Dada” at the Casbah

July 3, 2011November 20, 2010 by admin

Here’s a song that’s traveled with me since age 16 (when I first translated the words from the 1923 poem by Tristan Tzara) and got its definitive treatment when we formed Noise 292 in 1982.

I’ve played “Chanson Dada” in a lot of bands since (and even recently found my translation had been covered by some wacky Scandinavians!), but it’s probably the composition of mine I identify most closely with Noise 292. That made it a special pleasure to perform at our reunion May 31, 2009, when we presented Che Games for May at San Diego’s Casbah.

Noise 292 plays ‘Mr. Pumpkin’
b/w ‘Talking in Circles’

July 3, 2011October 30, 2010 by admin

I’ve written before on the blog about my oldest musical connection within our scene: with David (a k a Kavika) Rives, the fantastically talented lead guitarist, vocalist and songwriter for Noise 292. My musical association with Kavika began in eighth grade, ca. 1977, and was rekindled after a long separation when Noise 292 reunited to play Che Games for May 2009.

Here are two examples of Mr. Rives’ talent: his songs “Mr. Pumpkin” and “Talking in Circles.”