Mark Zadarnowski | The Che Underground

New Sounds Festivals 1985-1991

March 27, 2019April 10, 2010 by Mmrothenberg

(Bart Mendoza describes the arc of an important San Diego music festival he co-founded.)

Helmed by myself and, at first, Ron Friedman, and later Matt Fidelibus (with huge help from Secret Society Scooter Club, Dimitri Callian and many others), there were seven New Sounds Festivals in all, always one big blowout event surrounded by a week of gigs by the touring acts.

I had been bringing groups to town for awhile anyway, so the idea of focusing efforts appealed; the chance to do these events as a benefit for SDSU’s student-run radio station, KCR, was even better. The motive for the New Sounds Festivals was simply to promote and showcase music influenced by Mod / ’60s/ Garage, in particular local groups like the Tell-Tale Hearts, the Nashville Ramblers, Donkey Show, the Trebels and the Event. With short sets and a backline, it was like a really, really cool jukebox.

Mark your calendars! Start your engines!
Jan. 30 Che Underground showcase

December 14, 2017November 29, 2009 by Mmrothenberg

(Heads up! The next Che Underground-sponsored reunion gig is officially on the Casbah roster, with tickets due to go on sale this week. Ray Brandes opens the booth.)

On Saturday, Jan. 30, 2010, country-rock pioneers the Town Criers (Ray Brandes, David Klowden, Peter Miesner and Mark Zadarnowski) will reunite for the first time in 20 years as the Ché Underground presents its second musical event at the Casbah in San Diego.

By popular demand, returning to the stage after a blistering set in May, will be legendary San Diego mod band Manual Scan, led by sharp-dressed men Bart Mendoza and Kevin Donaker-Ring and featuring the rhythm section of Tim Blankenship and Morgan Young.

To open the evening, the all-star Blues Gangsters (Kristi Maddocks, Dave Rinck, Dave Ellison, Dave Fleminger and Matt Johnson) will make their San Diego stage debut. It’s a fresh opportunity to watch a new project by members of the Wallflowers, the Rockin’ Dogs, the Answers and Everybody Violet.

DJ duties will be performed by Louis Mello, a k a DJ Dirty Bird.

The Town Criers: Unearthed relics!

January 1, 2011August 4, 2009 by Mmrothenberg

(Tell-Tale Heart/Town Crier Ray Brandes brings new Town Criers artifacts to light.)

The first of these gems is from early 1989, a performance at the wedding of Joe Hughes at Joshua Tree National Park.

The band at the time consisted of Ray Brandes on acoustic guitar and vocals, Peter Miesner on lead guitar, Mark Zadarnowski on electric bass guitar, and Dan Tarte on drums. Among the attendees captured on film at the event are Che Undergrounders Matt Johnson and Sean McMullen.

The toddler at the end of the clip is Sean Zadarnowski, Mark and Lydia’s son, who has graduated from UCSD.

‘I was a Shambles drummer’

January 1, 2011May 22, 2009 by Mmrothenberg

(Bart Mendoza of Manual Scan and the Shambles counts off drummers he’s worked with.)

No doubt about it: Kevin Donaker-Ring and I have worked with a lot of drummers over the decades, keeping in mind that we first began our team-up in 1976.

Here are a few of the incredible musicians who have spent time behind a drum kit with Manual Scan or the Shambles over the past 30-plus years. Not pictured: Paul Brewin, Morgan Young, Terry Moore, Rob Wilson, Trace Smith, Brad Kiser. … There’s a future post there.

1) “I was a Shambles drummer” pin. People have sat in with the band for one song to obtain one of these.

From Scan to the Shambles

January 1, 2011May 16, 2009 by Mmrothenberg

(Bart Mendoza of Manual Scan and the Shambles talks about how he got from there to here.)

Of course the various members of the Shambles knew each other for years before the band’s formation, but I can put down the beginnings of the band to two events.

In the late ’80s, Kevin Donaker-Ring co-produced Manual Scan’s “Days & Maybes” EP with Ray Brandes (side note: humorous liners by Mike Stax), and we were all part of a group of musicians that frequented Megalopolis on Fairmount Ave., often playing round-robin style — David Moye and Jon Kanis amongst the round-robiners who didn’t end up in the band (though we did back up Kanis on a compilation-album track).

Let the games begin!

March 27, 2019April 26, 2009 by Mmrothenberg

(Tell-Tale Heart/Town Crier Ray Brandes lays the table for May’s audio feast.)

The Che Underground Weekend Showcase:
Celebrating more than 25 years of San Diego’s underground music history

An incredible opportunity to reconnect, reminisce and rediscover will unfold as 25 years and thousands of miles of distance disappear in a single weekend — May 29 and 30 at the Casbah in San Diego.

The lineups have been set, the bands are rehearsing, and the drinks are on ice. Here’s what to expect:

Let the Good Times Roll: The untold story of the Crawdaddys

March 27, 2019September 20, 2008 by Mmrothenberg

(Excerpts from Tell-Tale Heart/Town Crier Ray Brandes’ groundbreaking history of San Diego’s original retro-visionaries. Read the full version in Che Underground’s Related Bands section.)

The Crawdaddys have been called one of the most influential bands ever to come out of San Diego. When one looks at the groups its members have spawned, as well as the recurring popularity of ‘60s-style punk and rhythm and blues over the past 30 years, it’s hard to dispute that assertion. Armed with an encyclopedic knowledge of music history, an uncompromising commitment to artistic integrity, and a roster of musicians with unparalleled talents and distinct individual styles, the Crawdaddys single-handedly gave birth to the revival of garage music in the late 1970s in the United States. The reverberations of the first few chords they played are still being felt today.

The Crawdaddys’ story begins and ends with lifelong Beatles fanatic Ron Silva, who grew up on Del Monte Avenue in Point Loma. He and his neighbor Steve Potterf started listening to records together in the ninth grade, and while Silva would barely tolerate Potterf’s love for Kiss, Aerosmith, Jethro Tull and Led Zeppelin, he gradually convinced his friend to appreciate his own tastes. “After a while Steve started getting into the music I liked — Beatles, early Stones. I remember sitting in his room playing guitars along to my dad’s Chuck Berry and Elvis Presley 45s,” says Silva.