Reviving San Diego's Rock Renaissance
Next Saturday’s Che Underground showcase at San Diego’s Casbah continues to gain star power: Manual Scan announces a Penetrators-themed show-within-a-show featuring two members of that legendary band.
Manual Scan’s Kevin Donaker-Ring explains the circumstances that brought Penetrators bassist Chris Sullivan and guitarist Chris Davies to the Casbah show, which will also feature the Unknowns, the Town Criers and the Blues Gangsters.
Going into the final stretch before next Saturday’s Che Underground showcase at the Casbah, here’s a handsome commemorative flyer created by David Klowden, suitable for framing or Scotch taping!
The roster of special guests is growing, as San Diego music history is revisited and made on Saturday night.
To recap the lineup so far:
(Heads up! The next Che Underground-sponsored reunion gig is officially on the Casbah roster, with tickets due to go on sale this week. Ray Brandes opens the booth.)
On Saturday, Jan. 30, 2010, country-rock pioneers the Town Criers (Ray Brandes, David Klowden, Peter Miesner and Mark Zadarnowski) will reunite for the first time in 20 years as the Ché Underground presents its second musical event at the Casbah in San Diego.
By popular demand, returning to the stage after a blistering set in May, will be legendary San Diego mod band Manual Scan, led by sharp-dressed men Bart Mendoza and Kevin Donaker-Ring and featuring the rhythm section of Tim Blankenship and Morgan Young.
To open the evening, the all-star Blues Gangsters (Kristi Maddocks, Dave Rinck, Dave Ellison, Dave Fleminger and Matt Johnson) will make their San Diego stage debut. It’s a fresh opportunity to watch a new project by members of the Wallflowers, the Rockin’ Dogs, the Answers and Everybody Violet.
DJ duties will be performed by Louis Mello, a k a DJ Dirty Bird.
Read moreMark your calendars! Start your engines!
Jan. 30 Che Underground showcase
There’s “friends” and then there’s friends. Although the specifics of how Kevin and I met have been muddied by time, I’m now thinking it was early 1976, at a La Jolla Shores beach party.
My memory stems from the fact that I had wanted Kevin to go to Wings with me and that was June (rescheduled from May) 1976. He already had a guitar and amp and was taking lessons, but a lot of the connection was over a shared love of music, starting with The Beatles and later Cheap Trick, The Zombies and many others. Mike Oldfield’s “Tubular Bells” was always a particular favorite. He didn’t make it to Wings, but we did manage to catch Queen with Thin Lizzy soon after.
From almost the moment we began hanging out, we talked about starting a band.
And we did.
(Bart Mendoza of Manual Scan and the Shambles contributes a selection of flyers from his capacious archives.)
1. One of my infamous paste-&-cut flyers, this one for Julie at 2581, when I helped promote a batch of shows in 1983 1988 — you can probably tell the numbers are from an old calendar.
I collected photos, and friends gave me old magazines to cannibalize into quick flyers, though this one is from my collection of vintage TV-show stills. That’s a pretty diverse calendar, from the Event to Claude Coma, with stops at the Nephews; Outriders (with Rick Wilkins); and Berkeley combo the Birminghams; as well as lots of others.
(Bart Mendoza of Manual Scan and the Shambles — San Diego music historian extraordinaire — shares some highlights from his stacks.)
Some call it being a pack rat; I prefer the tag “archivist”! The dream is to put together a DVD/book with the rooms full of stuff I’ve accumulated in 30 years of collecting San Diego music memorabilia.
But in the meantime, in honor of the recent Che Underground reunion shows, here are 20 relevant vintage photos from my archive. For this fifth picture post, I’ve included a little bit of everything: random photos from 1982-1990 (+1), including bandmates and other friends.
1) Dean Curtis at Club Zu. You know it’s a good show if Dean is in attendance.
(Bart Mendoza of Manual Scan and the Shambles counts off drummers he’s worked with.)
No doubt about it: Kevin Donaker-Ring and I have worked with a lot of drummers over the decades, keeping in mind that we first began our team-up in 1976.
Here are a few of the incredible musicians who have spent time behind a drum kit with Manual Scan or the Shambles over the past 30-plus years. Not pictured: Paul Brewin, Morgan Young, Terry Moore, Rob Wilson, Trace Smith, Brad Kiser. … There’s a future post there.
1) “I was a Shambles drummer” pin. People have sat in with the band for one song to obtain one of these.
(Bart Mendoza of Manual Scan and the Shambles talks about how he got from there to here.)
Of course the various members of the Shambles knew each other for years before the band’s formation, but I can put down the beginnings of the band to two events.
In the late ’80s, Kevin Donaker-Ring co-produced Manual Scan’s “Days & Maybes” EP with Ray Brandes (side note: humorous liners by Mike Stax), and we were all part of a group of musicians that frequented Megalopolis on Fairmount Ave., often playing round-robin style — David Moye and Jon Kanis amongst the round-robiners who didn’t end up in the band (though we did back up Kanis on a compilation-album track).
(Tell-Tale Heart/Town Crier Ray Brandes lays the table for May’s audio feast.)
The Che Underground Weekend Showcase:
Celebrating more than 25 years of San Diego’s underground music history
An incredible opportunity to reconnect, reminisce and rediscover will unfold as 25 years and thousands of miles of distance disappear in a single weekend — May 29 and 30 at the Casbah in San Diego.
The lineups have been set, the bands are rehearsing, and the drinks are on ice. Here’s what to expect:
(A quick Che Underground public-service announcement: Manual Scan/Shambles guitarist Kevin Donaker-Ring files an update on a very rewarding career and issues a call to action for a worthy cause.)
What I have been doing, lo, these many years: high school student exchange. In late 1982, I got a job running the copy machine and performing odd jobs at a high school exchange program located in La Jolla, Calif. I devoted almost my entire adult life to that organization, learning most everything there is to know about student exchange at the high-school level. Yet after 21 years, everyone at our head office was suddenly out. The Board of Directors had decided to move operations to one of the satellite offices. In Arkansas.
After a day or so of panic, I realized that I had the opportunity to start my own program and founded AFICE, the Academic Foundation for International Cultural Exchange, in December 2003. We are a non-profit, 501(c)3 organization. (Yes, donations are tax-deductible, so if you’re feeling generous, please think of us.) We operate all across the country, with local representatives from California to Maine, from Washington to Florida, and we even added a rep in Alaska recently.
Right now (and always, it seems), we are in serious need of host families. Our deadline (imposed by the US Department of State) is almost here and two of our families backed out at the last minute. Two kids from Poland, a girl and a boy, are suddenly without a place to stay.