Reviving San Diego's Rock Renaissance
A Thanksgiving treat from the Comeuppance, the sublime pairing of Dave Fleminger on guitar and vocals and Heather Vorwerck on cello.
These two songs closed the Comeuppance’s set at the Che Underground Rock-‘n’-Roll Weekend July 30, 2010. The band’s first formal San Diego appearance also closed a circle for Dave nearly 25 years after relocating to San Francisco.
Here’s a song that’s traveled with me since age 16 (when I first translated the words from the 1923 poem by Tristan Tzara) and got its definitive treatment when we formed Noise 292 in 1982.
I’ve played “Chanson Dada” in a lot of bands since (and even recently found my translation had been covered by some wacky Scandinavians!), but it’s probably the composition of mine I identify most closely with Noise 292. That made it a special pleasure to perform at our reunion May 31, 2009, when we presented Che Games for May at San Diego’s Casbah.
(David Rinck offers a performer’s-eye view of a recent night of musical eclecticism in San Diego.)
On the evening of Thurs., Nov. 4, we again converged on the little theater at Lestat’s Coffee House on Adams Ave. in Kensington, which is beginning to feel like home for some of us here.
Lestat’s most recently hosted the first night of the Che Underground Rock and Roll Weekend on July 30 and 31, and the Nov. 4 show was an exciting follow-up to that event. Some of San Diego’s finest underground musicians offered up an eclectic array of sounds from a range of genres. At the same time, the visual arts were represented by terrific graphics, photography and video recording, some of which is available here.
I’ve written before on the blog about my oldest musical connection within our scene: with David (a k a Kavika) Rives, the fantastically talented lead guitarist, vocalist and songwriter for Noise 292. My musical association with Kavika began in eighth grade, ca. 1977, and was rekindled after a long separation when Noise 292 reunited to play Che Games for May 2009.
Here are two examples of Mr. Rives’ talent: his songs “Mr. Pumpkin” and “Talking in Circles.”
Read moreNoise 292 plays ‘Mr. Pumpkin’
b/w ‘Talking in Circles’
Our Che Games for May 2009 show at San Diego’s Casbah regrouped nine legendary bands and ignited countless personal reunions. The crescendo of the two-night event was the triumphant return of the incredible Hair Theatre, seen here performing “In Obscurity” for the madding throng.
Seeing Hair Theatre perform together again was a personal highlight. This band amazed and delighted me from the first time I saw them play a party in Leucadia in 1983, and the reunion of members scattered along the West Coast was more than I could have hoped for when we first conceived this event.
(The Cardiac Kidz’s Jim Ryan announces an eclectic night of musical merriment Nov. 4 at Lestat’s Coffee House in San Diego.)
The Cardiac Kidz are winding down their 2010 San Diego “Performance Blitz” tour with the end of the year finally in sight. The band has played an unheard of 10 shows in less than six months.
From what started as a onetime reunion show to an expanded booking schedule, The Kidz have even gone so far as to add the talents of David Rinck (frontman for San Diego’s Wallflowers) to the band.
Another artifact from the legendary band’s Jan. 30, 2010, Che Underground showcase at San Diego’s Casbah. This is the second-to-last song in Manual Scan’s 13-song set before being joined by Chris Sullivan and Chris Davies of the Penetrators.
This sequence was culled from Eric Rife’s video and Dave Fleminger’s audio, and features l-r: Dave Fleminger, Kevin Donaker-Ring, Bart Mendoza, Morgan Young and Tim Blankenship.
(David Rinck provides his back story of this meeting of musical minds at the Che Underground Rock-‘n’-Roll Weekend. Plus, let’s go to the video, courtesy of Paul Kaufman!)
Now I’m really perplexed by this one. Dave Fleminger calls for the “end of the Age of Irony,” and then he is largely the perpetrator of a band called BOMBAST. This seems like a contradiction.
And then there’s the song-list issue — a couple old San Diego classics like the Wallflowers (“Rubber Room” and “Survive the Jungle”) and Blues Gangsters (“Tigershark Blues”), some Arthur Lee and Love (“Bummer In the Summer”), and even the Stooges (“TV Eye”) and Parliament (“Unfunky UFO”). Seems like a pretty strange brew, more contradictions? “Well, what do we all agree on?” I asked with great trepidation as the project grew. Pretty much one thing — BOMBAST is LOUD! Okay, that’s enough for me. I’m good to go.
More highlights from the Che Underground Rock-‘n’-Roll Weekend July 30 and 31, 2010, in San Diego: Che Underground supergroup the DaveFest Four performs the Dead Kennedys’ “Let’s Lynch the Landlord” and “Richie Dagger’s Crime” by the Germs.
The DaveFest Four plays “Richie Dagger’s Crime”: Listen now!
“Dave Rinck came up with the idea to do an all-Dave set of our favorite punk anthems with a semi-acoustic roots sensibility,” writes Dave Fleminger.
Read moreDaveFest Four: ‘Richie Dagger’s Crime’
b/w ‘Let’s Lynch the Landlord’
For many of the participants in this blog, our involvement with San Diego music ended with our wholesale departure from San Diego. A large contingent of us decamped first to San Francisco, and we now make our homes in places like Seattle, Oregon, New York, Boston, Wisconsin and Haiti.
That means the string of Che Underground gigs we’ve hosted in San Diego (including May 2009 and January and July 2010) marked the first time in more than two decades that many of our musicians have played in front of a hometown crowd.