Urgent call for Che Cafe photos

Detail: Che from the trees, September 2009 (photo by Kristen Tobiason)This is a public-service announcement, with guitars:

“I’m currently working with the Alumni Association at UCSD to acquire photographs of the history of various aspects of campus to include in a 50th Anniversary book of photography,” writes Stephanie Usry. “Since the Che has been a continually important part of the campus and one that is held in high esteem by many students, we are planning to include historical pictures and we would also like to add some more recent photographs of the venue.

“Do you have any photographs that we may include that you feel represent the identity of the Che (recent shows or events, gatherings there) that we may be able to include in this publication?

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Che echoes from the Alps

(Rolf “Ray” Rieben of Feathered Apple Records describes how the San Diego underground reached Basel, Switzerland, and shares his cache of memorabilia from the Che Cafe and other points southwest. Stay tuned for much more of Ray’s trove from the Tell-Tale Hearts, Crawdaddys, Howling Men and more!)

Tell-Tale Hearts; Che Cafe, Oct. 5 (collection Rolf "Ray" Rieben)I was working as a record salesman in Switzerland when the first Crawdaddys LP (“Crawdaddy Express”) on the German Line label had hit the market. Most of the Bomp! catalog was licensed to Line Records from Germany. Line Records had the best possible distribution, since because they were connected to a major label. They’ve helped to make The Crawdaddys and some of the other bands from Greg Shaw’s Bomp label famous over here in Europe.

Kings Road flyer (collection Rolf "Ray" Rieben)“Crawdaddy Express” rates as the first modern ’60s garage LP ever made (after probably The Flamin’ Groovies). It was first advertised on the back cover of the July 1979 issue of Goldmine magazine. The sound was very British: wild raving rnb like the early Kinks, Downliners Sect, or the The Pretty Things, but undoubtedly influenced by Bo Diddley, Chuck Berry and the likes. There’s even a few cool northern soul ballads featured on both of their LPs, too. These four fine young lads from San Diego knew what they were doing, they had the right spirits, and they could deliver in authentic ca. ’64 – ’65 style, too. It was exactly the type of brand-new LP that I was hoping for.

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Then and now: The Che Cafe

(High time! Che Underground documentarian Kristen Tobiason revisits the spot that gave the blog its name.)

Detail: Che logo, September 2009 (photo by Kristen Tobiason)The first time I landed on the surface of the Che Café was at an early-evening soundcheck for the Wallflowers (not the Jakob Dylan pansy MTV sensation, but the raw & funky, OG Wallflowers), who were opening that night for Noise 292.

Detail: Sergio and David Rives, Che Cafe, 1983 (collection Carol Coleman)Arriving and styling in Paul Howland’s parents’ green station wagon, we unloaded a couple pieces of equipment, and then proceeded to hang out in the woodsy picnic areas surrounding the venue, creating a smoky haze amidst talk of music and the humor of Tom and Paul’s use of ordinary soap as an alternative to dime-store hair gel.

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Community watch! Help Che find its gear

Our ancestral stomping grounds recently suffered a theft. Dave Fleminger notes this August 7 notice on Craigslist, posted by the Che Cafe Collective:

“The Che Cafe … was broken into sometime between August 3 and August 5. ALL of our mics, xlr cables, direct in boxes, monitors, the sound board itself, ALL of it has been STOLEN. We’re looking at 8 to 10 thousand dollars worth of equipment gone.

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The Mirrors: “Blue”

(Answers and Mirrors co-founder Dave Fleminger talks transitions.)

Dave Fleminger at UCSD Rec GymBlue: The Mirrors live at the Che Cafe, Spring 1984

“This one’s called ‘Blue,’ and we’re gonna make it up … ”

Sometime in late May 1984 the Mirrors played our last performance in San Diego at UCSD’s Che Cafe. The band had formed in late ’83 after the fall of the Answers and in March recorded an as-yet-unreleased album of songs entitled “Have No Mercy.” In June I moved to NYC, but we would continue to record sporadically over the next couple years.

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Noise 292 gets into gear

Detail: Kavika Rives, Noise 292 practice January 2009 (collection Kristin Martin)Preparations for the May 30 Che Underground reunion at San Diego’s Casbah are picking up steam and uniting musical collaborators separated by miles and decades.

Detail: Kristin Martin, Noise 292 practice January 2009 (collection Kristin Martin)Last weekend marked the first studio reunion of the Northern California contingent of Noise 292, comprising four of the five musicians who played together at the Che Cafe in July 1983: vocalist/ bassist/ guitarist Kristin Martin; vocalist/ guitarist David “Kavika” Rives; percussionist Hobie Hodge; and the Answers’ Dave Fleminger, who reprised his historical role as substitute drummer. (The San Diego faction — drummer Joanne Norris and percussionist Wendell Kling — are on deck to join the festivities in time for the May performance.)

Detail: Kavika Rives, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Hobie Hodge, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Dave Fleminger, Hobie Hodge, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Dave Fleminger, Noise 292 practice January 2009 (collection Kristin Martin)
Detail: Hobie Hodge, Kristin Martin, Kavika Rives, Dave Fleminger, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Hobie Hodge, Kristin Martin, Kavika Rives, Dave Fleminger, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Hobie Hodge, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Kavika Rives, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Kristin Martin, Noise 292 practice January 2009 (collection Kristin Martin)Detail: Kavika Rives, Hobie Hodge, Noise 292 practice January 2009 (collection Kristin Martin)

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Noise 292: “Eyesight”

Detail: Noise 292 flyer for April 1984 eventsNoise 292 fan turned rock ‘n’ roll anthropologist Stefan Helmreich joins our ranks with a collection of tracks, including this late live performance of the band performing my early composition “Eyesight.”

“I recently stumbled across your Ché Underground site and was delighted to read such loving accounts of those long-ago days and nights,” Stefan writes. “I was still in high school — a year behind [Noise 292 percussionist] Wendell [Kling], then a senior at at San Dieguito — when I went to to the Nov. 17, 1983, Noise show, which stunned my then 17-year-old sensibilities and tracked me toward discovering Joy Division; the Velvets; and, soon enough, prompted me to start my own band.

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Noise 292 reunion!

Detail: Noise 292 David Rives, David Fleminger, Kristin Martin, Hobie Hodge (and Hobie’s son Trevor) July 2008 (collection Kristin Martin)The Che Underground adventure inspired yet another historic gathering July 28, 2008, as veterans of Noise 292 assembled at San Francisco’s Fisherman’s Wharf to commemorate the 25th anniversary of a crucial Che Cafe performance with the Answers and Hair Theatre.

Left to right: Noise 292 guitarist/ vocalist David Rives; Answers guitarist (and frequent Noise 292 pickup drummer) David Fleminger; Noise 292 guitarist/ bassist/ vocalist Kristin Martin; Noise 292 percussionist Hobie Hodge; and Hobie’s son Trevor, standing in for Yours Truly.

Here’s everyone (except Trevor), probably at the aforementioned July 29, 1983, show:

Detail: Kristin Martin/Hobie Hodge of Noise 292Detail: Kristin Martin and David Rives of Noise 292Detail: Matthew Rothenberg and Hobie Hodge of Noise 292Detail: Dave Fleminger sits in with Noise 292

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Resurrecting 3 Guys Called Jesus

Detail: 3 Guys Called Jesus’ Robert Labbe, Matthew Rothenberg, Steve Duke (collection John Stees)Another reunion dinner in New York last weekend, when North County music operator-turned-North Carolina operations director John Stees arrived at Vynl on 9th Ave. armed with a disc of photos and flyers from 3 Guys Called Jesus, the band I played in from spring 1985 until I left San Diego in February 1987.

These images feature bassist Steve Duke and drummer Robert Labbe as well as guitarist Ryk Groetchen, who played with the band in 1985. All were taken by the marvelous Margarat Nee.

Detail: 3 Guys Called Jesus’ Steve Duke, Robert Labbe, Ryk Groetchen, Matthew Rothenberg (collection John Stees)Detail: 3 Guys Called Jesus’ Robert Labbe, Matthew Rothenberg, Steve Duke (collection John Stees)Detail: 3 Guys Called Jesus’ Robert Labbe, Matthew Rothenberg, Steve Duke (collection John Stees)Detail: Clipping from Oct. 28, 1985, UCSD Guardian

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Later days at the Che

Detail: Lyres/Yard Trauma/Hair Theatre/Manual Scan/the Events/Hottentots flyer(collection Bart Mendoza)Like many Che Underground musicians, I left San Diego in the mid-’80s (February 1987 in my case). However, the Che Cafe itself continued to host music by a variety of acts, many of them related to the bands that staked out the turf in the earlier ’80s.

Generous donors including Bart Mendoza and Bruce Haemmerle have sent me flyers from late-’80s Che Cafe shows. I’m eager to start making connections between the gigs of 1983-’85 and those that happened (at the Che and elsewhere in San Diego) after many of us here had decamped to San Francisco or other ports of call.

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